Nostromo by Joseph Conrad (book recommendations .txt) 📕

ordered her out of the harbour at once. No cargo could be landed, of course, and the passengers for Sulaco naturally refused to go ashore. They could hear the firing and see plainly the fight going on at the edge of the water. The repulsed mob devoted its energies to an attack upon the custom house, a dreary, unfinished-looking structure with many windows two hundred yards away from the O.S.N. Offices, and the only other building near the harbour. Captain Mitchell, after directing the commander of the Minerva to land “these gentlemen” in the first port of call outside Costaguana, went back in his gig to see what could be done for the protection of the company’s property. That and the property of the railway were preserved by the European residents; that is, by Captain Mitchell himself and the staff of engineers building the road, aided by the Italian and Basque workmen who rallied faithfully round their English chiefs. The company’s lightermen, too, natives of the republic, behaved very well under their capataz. An outcast lot of very mixed blood, mainly negroes, everlastingly at feud with the other customers of low grog shops in the town, they embraced with delight this opportunity to settle their personal scores under such favourable auspices. There was not one of them that had not, at some time or other, looked with terror at Nostromo’s revolver poked very close at his face, or been otherwise daunted by Nostromo’s resolution. He was “much of a man,” their capataz was, they said, too scornful in his temper ever to utter abuse, a tireless taskmaster, and the more to be feared because of his aloofness. And behold! there he was that day, at their head, condescending to make jocular remarks to this man or the other.

Such leadership was inspiriting, and in truth all the harm the mob managed to achieve was to set fire to one⁠—only one⁠—stack of railway sleepers, which, being creosoted, burned well. The main attack on the railway yards, on the O.S.N. Offices, and especially on the custom house, whose strong room, it was well known, contained a large treasure in silver ingots, failed completely. Even the little hotel kept by old Giorgio, standing alone halfway between the harbour and the town, escaped looting and destruction, not by a miracle, but because with the safes in view they had neglected it at first, and afterwards found no leisure to stop. Nostromo, with his cargadores, was pressing them too hard then.

III

It might have been said that there he was only protecting his own. From the first he had been admitted to live in the intimacy of the family of the hotelkeeper who was a countryman of his. Old Giorgio Viola, a Genoese with a shaggy white leonine head⁠—often called simply “the Garibaldino” (as Mohammedans are called after their prophet)⁠—was, to use Captain Mitchell’s own words, the “respectable married friend” by whose advice Nostromo had left his ship to try for a run of shore luck in Costaguana.

The old man, full of scorn for the populace, as your austere republican so often is, had disregarded the preliminary sounds of trouble. He went on that day as usual pottering about the “casa” in his slippers, muttering angrily to himself his contempt of the nonpolitical nature of the riot, and shrugging his shoulders. In the end he was taken unawares by the out-rush of the rabble. It was too late then to remove his family, and, indeed, where could he have run to with the portly Signora Teresa and two little girls on that great plain? So, barricading every opening, the old man sat down sternly in the middle of the darkened café with an old shotgun on his knees. His wife sat on another chair by his side, muttering pious invocations to all the saints of the calendar.

The old republican did not believe in saints, or in prayers, or in what he called “priest’s religion.” Liberty and Garibaldi were his divinities; but he tolerated “superstition” in women, preserving in these matters a lofty and silent attitude.

His two girls, the eldest fourteen, and the other two years younger, crouched on the sanded floor, on each side of the Signora Teresa, with their heads on their mother’s lap, both scared, but each in her own way, the dark-haired Linda indignant and angry, the fair Giselle, the younger, bewildered and resigned. The Patrona removed her arms, which embraced her daughters, for a moment to cross herself and wring her hands hurriedly. She moaned a little louder.

“Oh! Gian’ Battista, why art thou not here? Oh! why art thou not here?”

She was not then invoking the saint himself, but calling upon Nostromo, whose patron he was. And Giorgio, motionless on the chair by her side, would be provoked by these reproachful and distracted appeals.

“Peace, woman! Where’s the sense of it? There’s his duty,” he murmured in the dark; and she would retort, panting⁠—

“Eh! I have no patience. Duty! What of the woman who has been like a mother to him? I bent my knee to him this morning; don’t you go out, Gian’ Battista⁠—stop in the house, Battistino⁠—look at those two little innocent children!”

Mrs. Viola was an Italian, too, a native of Spezzia, and though considerably younger than her husband, already middle-aged. She had a handsome face, whose complexion had turned yellow because the climate of Sulaco did not suit her at all. Her voice was a rich contralto. When, with her arms folded tight under her ample bosom, she scolded the squat, thick-legged China girls handling linen, plucking fowls, pounding corn in wooden mortars amongst the mud outbuildings at the back of the house, she could bring out such an impassioned, vibrating, sepulchral note that the chained watchdog bolted into his kennel with a great rattle. Luis, a cinnamon-coloured mulatto with a sprouting moustache and thick, dark lips, would stop sweeping the café with a broom of palm-leaves to let a gentle shudder run down his