Edward III by William Shakespeare (new ebook reader TXT) 📕
Description
The authorship of Edward III has been up for debate ever since it was first published in 1596. Its publisher, Cuthbert Burby, published it without listing an author, and any records that might have shed light on the author’s name (or names) were destroyed in the Great Fire of London in 1666. In the 1760s, the acclaimed scholar Edward Capell was one of the first to claim that William Shakespeare might have been the author.
Many other academicians support this claim, or at least suggest Shakespeare partially wrote it, as certain archaic or obscure words and phrases found in the canonical Shakespearean plays also appear in this one. Others argue that Shakespeare would never write something so historically inaccurate; suggestions of possible alternative playwrights include Thomas Kyd, Christopher Marlowe, Michael Drayton, Thomas Nashe, and George Peele. While the legitimate authorship may never come to light, Edward III has become accepted as part of Shakespeare’s canon of plays.
After the King of France passes away, a new heir must take the throne; without any brothers or sons in the direct line, the crown falls to his nephew, King Edward of England. French nobles refuse to hand over France to the English, claiming that the right of succession should never have passed through his mother Isabel, and order Edward to acknowledge King John as the rightful successor. These disputed claims to the kingdom of France launch the Hundred Years’ War.
This Standard Ebooks production is based on G. C. Moore Smith’s 1897 edition.
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- Author: William Shakespeare
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Unnatural besiege! Woe me unhappy,
To have escap’d the danger of my foes
And to be ten times worse envir’d by friends!
Hath he no means to stain my honest blood,
But to corrupt the author of my blood
To be his scandalous and vile solicitor?
No marvel, though the branches be then infected,
When poison hath encompassed the root:
No marvel, though the leprous infant die,
When the stern dam envenometh the dug.
Why then, give sin a passport to offend,
And youth the dangerous rein of liberty:
Blot out the strict forbidding of the law;
And cancel every canon, that prescribes
A shame for shame or penance for offence.
No, let me die, if his too boist’rous will
Will have it so, before I will consent
To be an actor in his graceless lust.
Why, now thou speak’st as I would have thee speak:
And mark how I unsay my words again.
An honourable grave is more esteem’d,
Than the polluted closet of a king:
The greater man, the greater is the thing,
Be it good or bad, that he shall undertake:
An unreputed mote, flying in the sun,
Presents a greater substance than it is:
The freshest summer’s day doth soonest taint
The loathed carrion that it seems to kiss:
Deep are the blows made with a mighty axe:
That sin doth ten times aggravate itself,
That is committed in a holy place:
An evil deed, done by authority,
Is sin and subornation: deck an ape
In tissue, and the beauty of the robe
Adds but the greater scorn unto the beast.
A spacious field of reasons could I urge
Between his glory, daughter, and thy shame:
That poison shows worst in a golden cup;
Dark night seems darker by the lightning-flash;
Lilies that fester smell far worse than weeds;
And every glory that inclines to sin,
The shame is treble by the opposite.
So leave I, with my blessing in thy bosom;
Which then convert to a most heavy curse,
When thou convert’st from honour’s golden name
To the black faction of bed-blotting shame! Exit.
I’ll follow thee; and when my mind turns so,
My body sink my soul in endless woe! Exit.
The same. A room in the castle.
Enter Derby and Audley, meeting. DerbyThrice-noble Audley, well encounter’d here:
How is it with our sovereign and his peers?
’Tis full a fortnight since I saw his highness,
What time he sent me forth to muster men;
Which I accordingly have done, and bring them hither
In fair array before his majesty.
What news, my Lord of Derby, from the Emperor?
As good as we desire: the Emperor
Hath yielded to his highness friendly aid;
And makes our king lieutenant-general
In all his lands and large dominions:
Then via for the spacious bounds of France!
I have not yet found time to open them;
The king is in his closet, malcontent,
For what, I know not, but he gave in charge,
Till after dinner, none should interrupt him:
The Countess Salisbury, and her father Warwick,
Artois, and all, look underneath the brows.
I have, my liege, levied those horse and foot,
According to your charge, and brought them hither.
Then let those foot trudge hence upon those horse,
According to our discharge, and be gone.—
Derby,
I’ll look upon the countess’ mind anon.
Thus from the heart’s abundance speaks the tongue;
Countess for emperor: and, indeed, why not?
She is as imperator over me;
And I to her
Am as a kneeling vassal that observes
The pleasure or displeasure of her eye.—
What says the more than Cleopatra’s match
To Caesar now?
That yet, my liege, ere night
She will resolve your majesty. Drum within.
What drum is this, that thunders forth this march,
To start the tender Cupid in my bosom?
Poor sheep-skin, how it brawls with him that beateth it!
Go, break the thund’ring parchment-bottom out,
And I will teach it to conduct sweet lines
Unto the bosom of a heavenly nymph:
For I will use it as my writing-paper;
And so reduce him, from a scolding drum,
To be the herald and dear counsel-bearer
Betwixt a goddess and a mighty king.
Go, bid the drummer learn to touch the lute,
Or hang him in the braces of his drum;
For now we think it an uncivil thing,
To trouble heaven with such harsh resounds:
Away.—Exit Lodwick.
The quarrel, that I have, requires no arms
But these of mine; and these shall meet my foe
In a deep march of penetrable groans:
My eyes shall be my arrows; and my sighs
Shall serve me as the vantage of the wind,
To whirl away my sweet’st artillery:
Ah but, alas, she wins the sun of me,
For that is she herself; and thence it comes
That poets term the wanton warrior blind;
But love hath eyes as judgement to his steps,
Till too-much-loved glory dazzles them.—
My liege, the drum that stroke the lusty march
Stands with Prince Edward, your thrice-valiant son.
I see the boy. O, how his mother’s face,
Modell’d in his, corrects my stray’d desire
And rates my heart and chides my thievish eye;
Who being rich enough in seeing her,
Yet seeks elsewhere: and basest theft is that,
Which cannot cloak itself on poverty.—
Now, boy, what news?
I have assembled, my dear lord and father,
The choicest buds of all our English blood
For our affairs in France; and here we come,
To take direction from your majesty.
Still do I
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