Main Street by Sinclair Lewis (ink book reader .TXT) 📕
Description
Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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He had supped in four minutes. His coat off, his sleeves rolled up, he was scrubbing his hands in a tin basin in the sink, using the bar of yellow kitchen soap.
Carol had not dared to look into the farther room while she labored over the supper of beer, rye bread, moist cornbeef and cabbage, set on the kitchen table. The man in there was groaning. In her one glance she had seen that his blue flannel shirt was open at a corded tobacco-brown neck, the hollows of which were sprinkled with thin black and gray hairs. He was covered with a sheet, like a corpse, and outside the sheet was his right arm, wrapped in towels stained with blood.
But Kennicott strode into the other room gaily, and she followed him. With surprising delicacy in his large fingers he unwrapped the towels and revealed an arm which, below the elbow, was a mass of blood and raw flesh. The man bellowed. The room grew thick about her; she was very seasick; she fled to a chair in the kitchen. Through the haze of nausea she heard Kennicott grumbling, “Afraid it will have to come off, Adolph. What did you do? Fall on a reaper blade? We’ll fix it right up. Carrie! Carol!”
She couldn’t—she couldn’t get up. Then she was up, her knees like water, her stomach revolving a thousand times a second, her eyes filmed, her ears full of roaring. She couldn’t reach the dining-room. She was going to faint. Then she was in the dining-room, leaning against the wall, trying to smile, flushing hot and cold along her chest and sides, while Kennicott mumbled, “Say, help Mrs. Morgenroth and me carry him in on the kitchen table. No, first go out and shove those two tables together, and put a blanket on them and a clean sheet.”
It was salvation to push the heavy tables, to scrub them, to be exact in placing the sheet. Her head cleared; she was able to look calmly in at her husband and the farmwife while they undressed the wailing man, got him into a clean nightgown, and washed his arm. Kennicott came to lay out his instruments. She realized that, with no hospital facilities, yet with no worry about it, her husband—her husband—was going to perform a surgical operation, that miraculous boldness of which one read in stories about famous surgeons.
She helped them to move Adolph into the kitchen. The man was in such a funk that he would not use his legs. He was heavy, and smelled of sweat and the stable. But she put her arm about his waist, her sleek head by his chest; she tugged at him; she clicked her tongue in imitation of Kennicott’s cheerful noises.
When Adolph was on the table Kennicott laid a hemispheric steel and cotton frame on his face; suggested to Carol, “Now you sit here at his head and keep the ether dripping—about this fast, see? I’ll watch his breathing. Look who’s here! Real anesthetist! Ochsner hasn’t got a better one! Class, eh? … Now, now, Adolph, take it easy. This won’t hurt you a bit. Put you all nice and asleep and it won’t hurt a bit. Schweig’ mal! Bald schlaft man grat wie ein Kind. So! So! Bald geht’s besser!”
As she let the ether drip, nervously trying to keep the rhythm that Kennicott had indicated, Carol stared at her husband with the abandon of hero-worship.
He shook his head. “Bad light—bad light. Here, Mrs. Morgenroth, you stand right here and hold this lamp. Hier, und dieses—dieses lamp halten—so!”
By that streaky glimmer he worked, swiftly, at ease. The room was still. Carol tried to look at him, yet not look at the seeping blood, the crimson slash, the vicious scalpel. The ether fumes were sweet, choking. Her head seemed to be floating away from her body. Her arm was feeble.
It was not the blood but the grating of the surgical saw on the living bone that broke her, and she knew that she had been fighting off nausea, that she was beaten. She was lost in dizziness. She heard Kennicott’s voice—
“Sick? Trot outdoors couple minutes. Adolph will stay under now.”
She was fumbling at a doorknob which whirled in insulting circles; she was on the stoop, gasping, forcing air into her chest, her head clearing. As she returned she caught the scene as a whole: the cavernous kitchen, two milk-cans a leaden patch by the wall, hams dangling from a beam, bats of light at the stove door, and in the center, illuminated by a small glass lamp held by a frightened stout woman, Dr. Kennicott bending over a body which was humped under a sheet—the surgeon, his bare arms daubed with blood, his hands, in pale-yellow rubber gloves, loosening the tourniquet, his face without emotion save when he threw up his head and clucked at the farmwife, “Hold that light steady just a second more—noch blos esn wenig.”
“He speaks a vulgar, common, incorrect German of life and death and birth and the soil. I read the French and German of sentimental lovers and Christmas garlands. And I thought that it was I who had the culture!” she worshiped as she returned to her place.
After a time he snapped, “That’s enough. Don’t give him any more ether.” He was concentrated on tying an artery. His gruffness seemed heroic to her.
As he shaped the flap of flesh she murmured, “Oh, you are wonderful!”
He was surprised. “Why, this is a cinch. Now if it had been like last week—Get me some more water. Now last week I had a case with an ooze in the peritoneal cavity, and by golly if it wasn’t a stomach ulcer that I hadn’t suspected and—There. Say, I certainly am sleepy. Let’s turn in here. Too
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