Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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“Napoleon has landed at Cannes.” Such news might create a panic at Vienna, and cause Russia to drop his cards, and take Prussia into a corner, and Talleyrand and Metternich to wag their heads together, while Prince Hardenberg, and even the present Marquis of Londonderry, were puzzled; but how was this intelligence to affect a young lady in Russell Square, before whose door the watchman sang the hours when she was asleep: who, if she strolled in the square, was guarded there by the railings and the beadle: who, if she walked ever so short a distance to buy a ribbon in Southampton Row, was followed by Black Sambo with an enormous cane: who was always cared for, dressed, put to bed, and watched over by ever so many guardian angels, with and without wages? Bon Dieu, I say, is it not hard that the fateful rush of the great Imperial struggle can’t take place without affecting a poor little harmless girl of eighteen, who is occupied in billing and cooing, or working muslin collars in Russell Square? You too, kindly, homely flower!—is the great roaring war tempest coming to sweep you down, here, although cowering under the shelter of Holborn? Yes; Napoleon is flinging his last stake, and poor little Emmy Sedley’s happiness forms, somehow, part of it.
In the first place, her father’s fortune was swept down with that fatal news. All his speculations had of late gone wrong with the luckless old gentleman. Ventures had failed; merchants had broken; funds had risen when he calculated they would fall. What need to particularize? If success is rare and slow, everybody knows how quick and easy ruin is. Old Sedley had kept his own sad counsel. Everything seemed to go on as usual in the quiet, opulent house; the good-natured mistress pursuing, quite unsuspiciously, her bustling idleness, and daily easy avocations; the daughter absorbed still in one selfish, tender thought, and quite regardless of all the world besides, when that final crash came, under which the worthy family fell.
One night Mrs. Sedley was writing cards for a party; the Osbornes had given one, and she must not be behindhand; John Sedley, who had come home very late from the City, sat silent at the chimney side, while his wife was prattling to him; Emmy had gone up to her room ailing and low-spirited. “She’s not happy,” the mother went on. “George Osborne neglects her. I’ve no patience with the airs of those people. The girls have not been in the house these three weeks; and George has been twice in town without coming. Edward Dale saw him at the Opera. Edward would marry her I’m sure: and there’s Captain Dobbin who, I think, would—only I hate all army men. Such a dandy as George has become. With his military airs, indeed! We must show some folks that we’re as good as they. Only give Edward Dale any encouragement, and you’ll see. We must have a party, Mr. S. Why don’t you speak, John? Shall I say Tuesday fortnight? Why don’t you answer? Good God, John, what has happened?”
John Sedley sprang up out of his chair to meet his wife, who ran to him. He seized her in his arms, and said with a hasty voice, “We’re ruined, Mary. We’ve got the world to begin over again, dear. It’s best that you should know all, and at once.” As he spoke, he trembled in every limb, and almost fell. He thought the news would have overpowered his wife—his wife, to whom he had never said a hard word. But it was he that was the most moved, sudden as the shock was to her. When he sank back into his seat, it was the wife that took the office of consoler. She took his trembling hand, and kissed it, and put it round her neck: she called him her John—her dear John—her old man—her kind old man; she poured out a hundred words of incoherent love and tenderness; her faithful voice and simple caresses wrought this sad heart up to an inexpressible delight and anguish, and cheered and solaced his overburdened soul.
Only once in the course of the long night as they sat together, and poor Sedley opened his pent-up soul, and told the story of his losses and embarrassments—the treason of some of his oldest friends, the manly kindness of some, from whom he never could have expected it—in a general confession—only once did the faithful wife give way to emotion.
“My God, my God, it will break Emmy’s heart,” she said.
The father had forgotten the poor girl. She was lying, awake and unhappy, overhead. In the midst of friends, home, and kind parents, she was alone. To how many people can anyone tell all? Who will be open where there is no sympathy, or has call to speak to those who never can understand? Our gentle Amelia was thus solitary. She had no confidante, so to speak, ever since she had anything to confide. She could not tell the old mother her doubts and cares; the would-be sisters seemed every day more strange to her. And she had misgivings and fears which she dared not acknowledge to herself, though she was always secretly brooding over them.
Her heart tried to persist in asserting that George Osborne was worthy and faithful to her, though she knew otherwise. How many a thing had she said, and got no echo from him. How many suspicions of selfishness and indifference had she to encounter and obstinately overcome. To whom could the poor little martyr tell these daily struggles and tortures? Her hero himself only half understood her. She did not dare to own that the man she loved was her inferior; or to feel that she had given her heart away too soon. Given once, the pure bashful
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