Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βI was not aware,β said I, βthat South America produced any ivory.β
βThere you are twice mistaken,β said Judson Tate, distributing the words over at least an octave of his wonderful voice. βI did not say that the country I spoke of was in South Americaβ βI must be careful, my dear man; I have been in politics there, you know. But, even soβ βI have played chess against its president with a set carved from the nasal bones of the tapirβ βone of our native specimens of the order of perissodactyle ungulates inhabiting the Cordillerasβ βwhich was as pretty ivory as you would care to see.
βBut is was of romance and adventure and the ways of women that was I going to tell you, and not of zoological animals.
βFor fifteen years I was the ruling power behind old Sancho Benavides, the Royal High Thumbscrew of the republic. Youβve seen his picture in the papersβ βa mushy black man with whiskers like the notes on a Swiss music-box cylinder, and a scroll in his right hand like the ones they write births on in the family Bible. Well, that chocolate potentate used to be the biggest item of interest anywhere between the colour line and the parallels of latitude. It was three throws, horses, whether he was to wind up in the Hall of Fame or the Bureau of Combustibles. Heβd have been sure called the Roosevelt of the Southern Continent if it hadnβt been that Grover Cleveland was President at the time. Heβd hold office a couple of terms, then heβd sit out for a handβ βalways after appointing his own successor for the interims.
βBut it was not Benavides, the Liberator, who was making all this fame for himself. Not him. It was Judson Tate. Benavides was only the chip over the bug. I gave him the tip when to declare war and increase import duties and wear his state trousers. But that wasnβt what I wanted to tell you. How did I get to be It? Iβll tell you. Because Iβm the most gifted talker that ever made vocal sounds since Adam first opened his eyes, pushed aside the smelling-salts, and asked: βWhere am I?β
βAs you observe, I am about the ugliest man you ever saw outside the gallery of photographs of the New England early Christian Scientists. So, at an early age, I perceived that what I lacked in looks I must make up in eloquence. That Iβve done. I get what I go after. As the backstop and still small voice of old Benavides I made all the great historical powers-behind-the-throne, such as Talleyrand, Mrs. de Pompadour, and Loeb, look as small as the minority report of a Duma. I could talk nations into or out of debt, harangue armies to sleep on the battlefield, reduce insurrections, inflammations, taxes, appropriations or surpluses with a few words, and call up the dogs of war or the dove of peace with the same birdlike whistle. Beauty and epaulettes and curly moustaches and Grecian profiles in other men were never in my way. When people first look at me they shudder. Unless they are in the last stages of angina pectoris they are mine in ten minutes after I begin to talk. Women and menβ βI win βem as they come. Now, you wouldnβt think women would fancy a man with a face like mine, would you?β
βOh, yes, Mr. Tate,β said I. βHistory is bright and fiction dull with homely men who have charmed women. There seemsβ ββ
βPardon me,β interrupted Judson Tate, βbut you donβt quite understand. You have yet to hear my story.
βFergus McMahan was a friend of mine in the capital. For a handsome man Iβll admit he was the duty-free merchandise. He had blond curls and laughing blue eyes and was featured regular. They said he was a ringer for the statue they call Herr Mees, the god of speech and eloquence resting in some museum at Rome. Some German anarchist, I suppose. They are always resting and talking.
βBut Fergus was no talker. He was brought up with the idea that to be beautiful was to make good. His conversation was about as edifying as listening to a leak dropping in a tin dishpan at the head of the bed when you want to go to sleep. But he and me got to be friendsβ βmaybe because we was so opposite, donβt you think? Looking at the Halloweβen mask that I call my face when Iβm shaving seemed to give Fergus pleasure; and Iβm sure that whenever I heard the feeble output of throat noises that he called conversation I felt contented to be a gargoyle with a silver tongue.
βOne time I found it necessary to go down to this coast town of Oratama to straighten out a lot of political unrest and chop off a few heads in the customs and military departments. Fergus, who owned the ice and sulphur-match concessions of the republic, says heβll keep me company.
βSo, in a jangle of mule-train bells, we gallops into Oratama, and the town belonged to us as much as Long Island Sound doesnβt belong to Japan when T. R. is at Oyster Bay. I say us; but I mean me. Everybody for four nations, two oceans, one bay and isthmus, and five archipelagoes around had heard of Judson Tate. Gentleman adventurer, they called me. I had been written up in five columns of the yellow journals, 40,000 words (with marginal decorations) in a monthly magazine, and a stickful on the twelfth page of the New York Times. If the beauty of Fergus McMahan gained any part of our reception in Oratama, Iβll eat the price-tag in my Panama. It was me that they hung out paper flowers and palm branches for. I am not a jealous man; I am stating
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