Thus Spake Zarathustra by Friedrich Nietzsche (ebook reader color screen .TXT) 📕
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Thus Spake Zarathustra was Friedrich Nietzsche’s favorite of the books he wrote, and has been his most popular amongst general readers. Yet some scholars dislike it because of its unphilosophical nature: it eschews jargon and the scaffolding of arguments, which engage only the intellect, in favor of an artistic approach that engages the whole mind.
After ten years of solitude in a cave high in the mountains, Zarathustra wishes to share with humanity the wisdom he has accumulated during this time. He reaches the nearest town and addresses the crowd on the marketplace. He tells them of the Overman: the next step in human evolution, a being who creates their own values, freed from the weight of tradition and morality, and who takes responsibility for their own successes and failures. But the crowd doesn’t understand him; his discourse is met only with rude ignorance. Zarathustra then decides to gather a small group of disciples and share his wisdom with them.
The bulk of the book is Zarathustra’s speeches on topics such as morality, society, individualism, religion, and how suffering and its overcoming are what give meaning to our existence. While already wiser than most, Zarathustra still learns from those he talks to, re-evaluating his thoughts as he deals with disappointment (such as when his disciples prove to be mere followers), and confronting his own doubts. His greatest challenge, though, comes when he faces the existential test of the eternal recurrence of the same: the thought that our lives could repeat indefinitely without the minutest of change.
The inspiration for Zarathustra came to Nietzsche during one of the long hikes he often indulged in despite his failing health. It was a decade of solitude: his physical condition had worsened to the point of forcing him to retire from his position at the University of Basel, and each change of season prompted him to relocate to kinder climes in Switzerland, France, or Italy. The book took two years to write. Each of its four parts was written in a ten-day period of creative effervescence followed by months of gloom, plagued by terrible, debilitating migraines.
Zarathustra was initially received with indifference at best and frustration at worst. It’s a work of philosophy as much as aesthetics: the language is modeled after the Luther Bible and contains numerous references to Homer, Heraclitus, Plato, Goethe, Emerson, and Wagner, to name a few. Later Nietzsche attempted to address the book’s lack of popularity by framing the same concepts in a more traditional, approachable manner in his following book, Beyond Good and Evil, but that book also struggled to find an audience.
With his health steadily deteriorating, Nietzsche’s mind broke down in 1889 and never recovered. His body would live on for 11 more years, and he ended up in the care of his sister, Elisabeth. A stalwart nationalist and anti-Semite, she saw in her brother’s illness the opportunity to turn him into a German hero. Despite her brother’s firm opposition to nationalism, anti-Semitism, and power politics, she perverted his work by promoting it for her own ends. Scores of commentators partook in her lie and enthusiastically used Nietzsche’s work to buttress their own contrary views. Doing so requires one to selectively ignore half the content of the book: Zarathustra’s discourses regularly touch on a priori dark and violent themes, but they also clearly state that these are to be directed towards oneself. Reaching the Overman requires us to know ourselves, and such introspection, given the darker side of human nature, leads to contempt. This contempt for ourselves, says Nietzsche, should be embraced as the first step towards awareness of what we could be. Cruelty, likewise, stems from that knowledge as a necessity to hammer ourselves into the proper shape. Such commentators also conveniently ignored Zarathustra’s many remarks about love: love for ourselves, he says, is what can prevent us from spreading resentment around us during this difficult process of change.
The first English translation of Zarathustra was by Alexander Tille, a German scholar who had emigrated to Scotland. English wasn’t his first language and his work suffered from it. Thomas Common, a Scottish scholar, used Tille’s work as the base for his own translation. Bringing Zarathustra to the English-speaking world was no easy task given Nietzsche’s stylistic idiosyncrasies. Just like Nietzsche, Common took risks: because the book is written in the style of the Luther Bible, Common decided to emulate the style of the King James Bible; he also tried to reproduce the musicality of the language and the new words coined by Nietzsche, some of which have been updated over time—e.g. Common’s “Superman” is nowadays known as “Overman.” While his choices have been controversial, he produced a landmark translation that faithfully tried to convert the unique flavor of Zarathustra into English. Published in 1909, it would take four decades until the next translation by Walter Kaufman in 1954.
But Zarathustra didn’t find its scholarly fame limited to Europe: soon after its publication, it reached Asia, where it was received with enthusiasm, particularly in China and Japan where it influenced the famous Kyoto School. Zarathustra has also received special attention from the music world. Nietzsche loved music and poetry, and it was his wish that this book be taken as music. No fewer than 87 pieces have been inspired by the book, in part or as a whole. The best known are Richard Strauss’ Also Sprach Zarathustra, the fourth movement of Gustav Mahler’s Symphony No. 3, and Frederick Delius’ A Mass of Life.
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- Author: Friedrich Nietzsche
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“Thou outcast, who hast cast thyself out, thou wilt not live amongst men and men’s pity? Well then, do like me! Thus wilt thou learn also from me; only the doer learneth.
“And talk first and foremost to mine animals! The proudest animal and the wisest animal—they might well be the right counsellors for us both!”⸺
Thus spake Zarathustra and went his way, more thoughtfully and slowly even than before: for he asked himself many things, and hardly knew what to answer.
“How poor indeed is man,” thought he in his heart, “how ugly, how wheezy, how full of hidden shame!
“They tell me that man loveth himself. Ah, how great must that self-love be! How much contempt is opposed to it!
“Even this man hath loved himself, as he hath despised himself—a great lover methinketh he is, and a great despiser.
“No one have I yet found who more thoroughly despised himself: even that is elevation. Alas, was this perhaps the higher man whose cry I heard?
“I love the great despisers. Man is something that hath to be surpassed.”⸺
LXVIII The Voluntary BeggarWhen Zarathustra had left the ugliest man, he was chilled and felt lonesome: for much coldness and lonesomeness came over his spirit, so that even his limbs became colder thereby. When, however, he wandered on and on, uphill and down, at times past green meadows, though also sometimes over wild stony couches where formerly perhaps an impatient brook had made its bed, then he turned all at once warmer and heartier again.
“What hath happened unto me?” he asked himself, “something warm and living quickeneth me; it must be in the neighbourhood.
“Already am I less alone; unconscious companions and brethren rove around me; their warm breath toucheth my soul.”
When, however, he spied about and sought for the comforters of his lonesomeness, behold, there were kine there standing together on an eminence, whose proximity and smell had warmed his heart. The kine, however, seemed to listen eagerly to a speaker, and took no heed of him who approached. When, however, Zarathustra was quite nigh unto them, then did he hear plainly that a human voice spake in the midst of the kine, and apparently all of them had turned their heads towards the speaker.
Then ran Zarathustra up speedily and drove the animals aside; for he feared that someone had here met with harm, which the pity of the kine would hardly be able to relieve. But in this he was deceived; for behold, there sat a man on the ground who seemed to be persuading the animals to have no fear of him, a peaceable man and Preacher-on-the-Mount, out of whose eyes kindness itself preached. “What dost thou seek here?” called out Zarathustra in astonishment.
“What do I here seek?” answered he: “the same that thou seekest, thou mischief-maker; that is to say, happiness upon earth.
“To that end, however, I would fain learn of these kine. For I tell thee that I have already talked half a morning unto them, and just now were they about to give me their answer. Why dost thou disturb them?
“Except we be converted and become as kine, we shall in no wise enter into the kingdom of heaven. For we ought to learn from them one thing: ruminating.
“And verily, although a man should gain the whole world, and yet not learn one thing, ruminating, what would it profit him! He would not be rid of his affliction,
“—His great affliction: that, however, is at present called disgust. Who hath not at present his heart, his mouth and his eyes full of disgust? Thou also! Thou also! But behold these kine!”—
Thus spake the Preacher-on-the-Mount, and turned then his own look towards Zarathustra—for hitherto it had rested lovingly on the kine—: then, however, he put on a different expression. “Who is this with whom I talk?” he exclaimed frightened, and sprang up from the ground.
“This is the man without disgust, this is Zarathustra himself, the surmounter of the great disgust, this is the eye, this is the mouth, this is the heart of Zarathustra himself.”
And whilst he thus spake he kissed with o’erflowing eyes the hands of him with whom he spake, and behaved altogether like one to whom a precious gift and jewel hath fallen unawares from heaven. The kine, however, gazed at it all and wondered.
“Speak not of me, thou strange one; thou amiable one!” said Zarathustra, and restrained his affection, “speak to me firstly of thyself! Art thou not the voluntary beggar who once cast away great riches—
“—Who was ashamed of his riches and of the rich, and fled to the poorest to bestow upon them his abundance and his heart? But they received him not.”
“But they received me not,” said the voluntary beggar, “thou knowest it, forsooth. So I went at last to the animals and to those kine.”
“Then learnedst thou,” interrupted Zarathustra, “how much harder it is to give properly than to take properly, and that bestowing well is an art—the last, subtlest master-art of kindness.”
“Especially nowadays,” answered the voluntary beggar: “at present, that is to say, when everything low hath become rebellious and exclusive and haughty in its manner—in the manner of the populace.
“For the hour hath come, thou knowest it forsooth, for the great, evil, long, slow mob-and-slave-insurrection: it extendeth and extendeth!
“Now doth it provoke the lower classes, all benevolence and petty giving; and the overrich may be on their guard!
“Whoever at present drip, like bulgy bottles out of all-too-small necks:—of such bottles at present one willingly breaketh the necks.
“Wanton avidity, bilious envy, careworn revenge, populace-pride: all these struck mine eye. It is no longer true that the poor are blessed. The kingdom of heaven, however, is with the kine.”
“And why is it not with the rich?” asked Zarathustra temptingly, while he kept back the kine which sniffed familiarly
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