Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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The varying light of fire and candle in Mrs. Clennam’s room made the greatest change that ever broke the dead monotony of the spot. In her two long narrow windows, the fire shone sullenly all day, and sullenly all night. On rare occasions it flashed up passionately, as she did; but for the most part it was suppressed, like her, and preyed upon itself evenly and slowly. During many hours of the short winter days, however, when it was dusk there early in the afternoon, changing distortions of herself in her wheeled chair, of Mr. Flintwinch with his wry neck, of Mistress Affery coming and going, would be thrown upon the house wall that was over the gateway, and would hover there like shadows from a great magic lantern. As the room-ridden invalid settled for the night, these would gradually disappear: Mistress Affery’s magnified shadow always flitting about, last, until it finally glided away into the air, as though she were off upon a witch excursion. Then the solitary light would burn unchangingly, until it burned pale before the dawn, and at last died under the breath of Mrs. Affery, as her shadow descended on it from the witch-region of sleep.
Strange, if the little sickroom fire were in effect a beacon fire, summoning someone, and that the most unlikely someone in the world, to the spot that must be come to. Strange, if the little sickroom light were in effect a watch-light, burning in that place every night until an appointed event should be watched out! Which of the vast multitude of travellers, under the sun and the stars, climbing the dusty hills and toiling along the weary plains, journeying by land and journeying by sea, coming and going so strangely, to meet and to act and react on one another; which of the host may, with no suspicion of the journey’s end, be travelling surely hither?
Time shall show us. The post of honour and the post of shame, the general’s station and the drummer’s, a peer’s statue in Westminster Abbey and a seaman’s hammock in the bosom of the deep, the mitre and the workhouse, the woolsack and the gallows, the throne and the guillotine—the travellers to all are on the great high road, but it has wonderful divergencies, and only Time shall show us whither each traveller is bound.
On a wintry afternoon at twilight, Mrs. Flintwinch, having been heavy all day, dreamed this dream:
She thought she was in the kitchen getting the kettle ready for tea, and was warming herself with her feet upon the fender and the skirt of her gown tucked up, before the collapsed fire in the middle of the grate, bordered on either hand by a deep cold black ravine. She thought that as she sat thus, musing upon the question whether life was not for some people a rather dull invention, she was frightened by a sudden noise behind her. She thought that she had been similarly frightened once last week, and that the noise was of a mysterious kind—a sound of rustling and of three or four quick beats like a rapid step; while a shock or tremble was communicated to her heart, as if the step had shaken the floor, or even as if she had been touched by some awful hand. She thought that this revived within her certain old fears of hers that the house was haunted; and that she flew up the kitchen stairs without knowing how she got up, to be nearer company.
Mistress Affery thought that on reaching the hall, she saw the door of her liege lord’s office standing open, and the room empty. That she went to the ripped-up window in the little room by the street door to connect her palpitating heart, through the glass, with living things beyond and outside the haunted house. That she then saw, on the wall over the gateway, the shadows of the two clever ones in conversation above. That she then went upstairs with her shoes in her hand, partly to be near the clever ones as a match for most ghosts, and partly to hear what they were talking about.
“None of your nonsense with me,” said Mr. Flintwinch. “I won’t take it from you.”
Mrs. Flintwinch dreamed that she stood behind the door, which was just ajar, and most distinctly heard her husband say these bold words.
“Flintwinch,” returned Mrs. Clennam, in her usual strong low voice, “there is a demon of anger in you. Guard against it.”
“I don’t care whether there’s one or a dozen,” said Mr. Flintwinch, forcibly suggesting in his tone that the higher number was nearer the mark. “If there was fifty, they should all
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