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and went in her eyes and a pair of pink spots that stayed in her cheeks⁠—with the great adventure of dining out and with the greater one still, possibly, of finding a gentleman whom she must think of as very, very old, a gentleman with eyeglasses, wrinkles, a long grizzled moustache. She spoke the prettiest English, our friend thought, that he had ever heard spoken, just as he had believed her a few minutes before to be speaking the prettiest French. He wondered almost wistfully if such a sweep of the lyre didn’t react on the spirit itself; and his fancy had in fact, before he knew it, begun so to stray and embroider that he finally found himself, absent and extravagant, sitting with the child in a friendly silence. Only by this time he felt her flutter to have fortunately dropped and that she was more at her ease. She trusted him, liked him, and it was to come back to him afterwards that she had told him things. She had dipped into the waiting medium at last and found neither surge nor chill⁠—nothing but the small splash she could herself make in the pleasant warmth, nothing but the safety of dipping and dipping again. At the end of the ten minutes he was to spend with her his impression⁠—with all it had thrown off and all it had taken in⁠—was complete. She had been free, as she knew freedom, partly to show him that, unlike other little persons she knew, she had imbibed that ideal. She was delightfully quaint about herself, but the vision of what she had imbibed was what most held him. It really consisted, he was soon enough to feel, in just one great little matter, the fact that, whatever her nature, she was thoroughly⁠—he had to cast about for the word, but it came⁠—bred. He couldn’t of course on so short an acquaintance speak for her nature, but the idea of breeding was what she had meanwhile dropped into his mind. He had never yet known it so sharply presented. Her mother gave it, no doubt; but her mother, to make that less sensible, gave so much else besides, and on neither of the two previous occasions, extraordinary woman, Strether felt, anything like what she was giving tonight. Little Jeanne was a case, an exquisite case of education; whereas the Countess, whom it so amused him to think of by that denomination, was a case, also exquisite, of⁠—well, he didn’t know what.

“He has wonderful taste, notre jeune homme”: this was what Gloriani said to him on turning away from the inspection of a small picture suspended near the door of the room. The high celebrity in question had just come in, apparently in search of Mademoiselle de Vionnet, but while Strether had got up from beside her their fellow guest, with his eye sharply caught, had paused for a long look. The thing was a landscape, of no size, but of the French school, as our friend was glad to feel he knew, and also of a quality⁠—which he liked to think he should also have guessed; its frame was large out of proportion to the canvas, and he had never seen a person look at anything, he thought, just as Gloriani, with his nose very near and quick movements of the head from side to side and bottom to top, examined this feature of Chad’s collection. The artist used that word the next moment smiling courteously, wiping his nippers and looking round him further⁠—paying the place in short by the very manner of his presence and by something Strether fancied he could make out in this particular glance, such a tribute as, to the latter’s sense, settled many things once for all. Strether was conscious at this instant, for that matter, as he hadn’t yet been, of how, round about him, quite without him, they were consistently settled. Gloriani’s smile, deeply Italian, he considered, and finely inscrutable, had had for him, during dinner, at which they were not neighbours, an indefinite greeting; but the quality in it was gone that had appeared on the other occasion to turn him inside out; it was as if even the momentary link supplied by the doubt between them had snapped. He was conscious now of the final reality, which was that there wasn’t so much a doubt as a difference altogether; all the more that over the difference the famous sculptor seemed to signal almost condolingly, yet oh how vacantly! as across some great flat sheet of water. He threw out the bridge of a charming hollow civility on which Strether wouldn’t have trusted his own full weight a moment. That idea, even though but transient and perhaps belated, had performed the office of putting Strether more at his ease, and the blurred picture had already dropped⁠—dropped with the sound of something else said and with his becoming aware, by another quick turn, that Gloriani was now on the sofa talking with Jeanne, while he himself had in his ears again the familiar friendliness and the elusive meaning of the “Oh, oh, oh!” that had made him, a fortnight before, challenge Miss Barrace in vain. She had always the air, this picturesque and original lady, who struck him, so oddly, as both antique and modern⁠—she had always the air of taking up some joke that one had already had out with her. The point itself, no doubt, was what was antique, and the use she made of it what was modern. He felt just now that her good-natured irony did bear on something, and it troubled him a little that she wouldn’t be more explicit only assuring him, with the pleasure of observation so visible in her, that she wouldn’t tell him more for the world. He could take refuge but in asking her what she had done with Waymarsh, though it must be added that he felt himself a little on the way

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