The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) đź“•
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Author’s Revised Edition published in 1848. The Sketch-Book is the first publication to use Irving’s pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical “The Mutability of Literature” to the eerie and seemingly supernatural “The Legend of Sleepy Hollow,” but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle,” are Irving’s most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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Lo, now is come our joyful’st feast!
Let every man be jolly.
Eache roome with yvie leaves is drest,
And every post with holly.
Now all our neighbours’ chimneys smoke,
And Christmas blocks are burning;
Their ovens they with bak’t meats choke
And all their spits are turning.
Without the door let sorrow lie,
And if, for cold, it hap to die,
Wee’l bury ’t in a Christmas pye,
And evermore be merry.
I had finished my toilet, and was loitering with Frank Bracebridge in the library, when we heard a distant thwacking sound, which he informed me was a signal for the serving up of the dinner. The squire kept up old customs in kitchen as well as hall, and the rolling-pin, struck upon the dresser by the cook, summoned the servants to carry in the meats.
Just in this nick the cook knock’d thrice,
And all the waiters in a trice
His summons did obey;
Each serving-man, with dish in hand,
March’d boldly up, like our train band,
Presented and away.34
The dinner was served up in the great hall, where the squire always held his Christmas banquet. A blazing crackling fire of logs had been heaped on to warm the spacious apartment, and the flame went sparkling and wreathing up the wide-mouthed chimney. The great picture of the crusader and his white horse had been profusely decorated with greens for the occasion, and holly and ivy had likewise been wreathed round the helmet and weapons on the opposite wall, which I understood were the arms of the same warrior. I must own, by the by, I had strong doubts about the authenticity of the painting and armor as having belonged to the crusader, they certainly having the stamp of more recent days; but I was told that the painting had been so considered time out of mind; and that as to the armor, it had been found in a lumber-room and elevated to its present situation by the squire, who at once determined it to be the armor of the family hero; and as he was absolute authority on all such subjects in his own household, the matter had passed into current acceptation. A sideboard was set out just under this chivalric trophy, on which was a display of plate that might have vied (at least in variety) with Belshazzar’s parade of the vessels of the temple: “flagons, cans, cups, beakers, goblets, basins, and ewers,” the gorgeous utensils of good companionship that had gradually accumulated through many generations of jovial housekeepers. Before these stood the two Yule candles, beaming like two stars of the first magnitude; other lights were distributed in branches, and the whole array glittered like a firmament of silver.
We were ushered into this banqueting scene with the sound of minstrelsy, the old harper being seated on a stool beside the fireplace and twanging, his instrument with a vast deal more power than melody. Never did Christmas board display a more goodly and gracious assemblage of countenances; those who were not handsome were at least happy, and happiness is a rare improver of your hard-favored visage. I always consider an old English family as well worth studying as a collection of Holbein’s portraits or Albert Durer’s prints. There is much antiquarian lore to be acquired, much knowledge of the physiognomies of former times. Perhaps it may be from having continually before their eyes those rows of old family portraits, with which the mansions of this country are stocked; certain it is that the quaint features of antiquity are often most faithfully perpetuated in these ancient lines, and I have traced an old family nose through a whole picture-gallery, legitimately handed down from generation to generation almost from the time of the Conquest. Something of the kind was to be observed in the worthy company around me. Many of their faces had evidently originated in a Gothic age, and been merely copied by succeeding generations; and there was one little girl in particular, of staid demeanor, with a high Roman nose and an antique vinegar aspect, who was a great favorite of the squire’s, being, as he said, a Bracebridge all over, and the very counterpart of one of his ancestors who figured in the court of Henry VIII.
The parson said grace, which was not a short familiar one, such as is commonly addressed to the Deity in these unceremonious days, but a long, courtly, well-worded one of the ancient school. There was now a pause, as if something was expected, when suddenly the butler entered the hall with some degree of bustle: he was attended by a servant on each side with a large wax-light, and bore a silver dish on which was an enormous pig’s head decorated with rosemary, with a lemon in its mouth, which was placed with great formality at the head of the table. The moment this pageant made its appearance the harper struck up a flourish; at the conclusion of which the young Oxonian, on receiving a hint from the squire, gave, with an air of the most comic gravity, an old carol, the first verse of which was as follows
Caput apri defero
Reddens laudes Domino,
The boar’s head in hand bring I,
With garlands gay and rosemary.
I pray you all synge merily
Qui estis in convivio.
Though prepared to witness many of these little eccentricities, from being apprised of the peculiar hobby of mine host, yet I confess the parade with which so odd a dish was introduced somewhat perplexed me,
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