The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) ๐
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdropโa world called โMiddle Earthโ by Eddison, thirty-two years before Tolkienโsโand in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchlandโbut the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddisonโs expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgsonโs The Night Land. But where critics often find The Night Landโs prose obtuse and difficult, they have nothing but praise for Eddisonโs beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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The Queen said, โBehold, ambrosia which the Gods do eat and nectar which they drink; on which meat and wine myself do feed, by the bounty of the blessed Gods. And the savour thereof wearieth not, and the glow thereof and the perfume thereof dieth not forever.โ
So they tasted of the ambrosia, that was white to look on and crisp to the tooth and sweet, and being eaten revived strength in the body more than a surfeit of bullockโs flesh, and of the nectar that was all afoam and coloured like the inmost fires of sunset. Surely somewhat of the peace of the Gods was in that nectar divine.
The Queen said, โTell me, why are ye come?โ
Juss answered, โSurely there was a dream sent me, O Queen Sophonisba, through the gate of horn, and it bade me inquire hither after him I most desire, for want of whom my whole soul languisheth in sorrow this year gone by: even after my dear brother, the Lord Goldry Bluszco.โ
His words ceased in his throat. For with the speaking of that name the firm fabric of that palace quivered like the leaves of a forest under a sudden squall. Colour went from the scene, like the blood chased from a manโs face by fear, and all was of a pallid hue, like the landscape which one beholds of a bright summer day after lying with eyes closed for a space face-upward under the blazing sun: all gray and cold, the warm colours burnt to ashes. Withal, followed the appearance of hateful little creatures issuing from the joints of the paving stones and the great blocks of the walls and pillars: some like grasshoppers with human heads and wings of flies, some like fishes with stings in their tails, some fat like toads, some like eels a-wriggling with puppy-dogsโ heads and assesโ ears: loathly ones, exiles of glory, scaly and obscene.
The horror passed. Colour returned. The Queen sat like a graven statue, her lips parted. After a while she said with a shaken voice, low and with downcast eyes, โSirs, you demand of me a very strange matter, such as wherewith never hitherto I have been acquainted. As you are noble, I beseech you speak not that name again. In the name of the blessed Gods, speak it not again.โ
Lord Juss was silent. Nought good were his thoughts within him.
In due time a little martlet by the Queenโs command brought them to their bedchambers. And there in great beds soft and fragrant they went to rest.
Juss waked long in the doubtful light, troubled at heart. At length he fell into a troubled sleep. The glimmer of the lamps mingled with his dreams and his dreams with it, so that scarce he wist whether asleep or waking he beheld the walls of the bedchamber dispart in sunder, disclosing a prospect of vast paths of moonlight, and a solitary mountain peak standing naked out of a sea of cloud that gleamed white beneath the moon. It seemed to him that the power of flight was upon him, and that he flew to that mountain and hung in air beholding it near at hand, and a circle as the appearance of fire round about it, and on the summit of the mountain the likeness of a burg or citadel of brass that was green with eld and surface-battered by the frosts and winds of ages. On the battlements was the appearance of a great company both men and women, never still, now walking on the wall with hands lifted up as in supplication to the crystal lamps of heaven, now flinging themselves on their knees or leaning against the brazen battlements to bury their faces in their hands, or standing at gaze as nightwalkers gazing into the void. Some seemed men of war, and some great courtiers by their costly apparel, rulers and kings and kingsโ daughters, grave bearded counsellors, youths and maidens and crowned queens. And when they went, and when they stood, and when they seemed to cry aloud bitterly, all was noiseless even as the tomb, and the faces of those mourners pallid as a dead corpse is pallid.
Then it seemed to Juss that he beheld a keep of brass flat-roofed standing on the right, a little higher than the walls, with battlements about the roof. He strove to cry aloud, but it was as if some devil gripped his throat stifling him, for no sound came. For in the midst of the roof, as it were on a bench of stone, was the appearance of one reclining; his chin resting in his great right hand, his elbow on an arm of the bench, his cloak about him gorgeous with cloth of gold, his ponderous two-handed sword beside him with its heart-shaped ruby pommel darkly resplendent in the moonlight. Nought otherwise looked he than when Juss last beheld him, on their ship before the darkness swallowed them; only the ruddy hues of life seemed departed from him, and his brow seemed clouded with sorrow. His eye met his brotherโs, but with no look of recognition, gazing as if on some far point in the deeps beyond the star-shine. It seemed to Juss that even so would he have looked to find his brother Goldry as he now found him; his head unbent for all the tyranny of those dark powers that held him in captivity: keeping like a God his patient vigil, heedless alike of the laments of them that shared his prison and of the menace of the houseless night about him.
The vision passed; and Lord Juss perceived himself in his bed again, the cold
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