His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

“All this, my boys, is because you are vexed at Fagerolles’ success.”

They energetically denied it; they burst out in protestations. Fagerolles, the young master! What a good joke!

“Oh, you are turning your back upon us, we know it,” said Mahoudeau. “There’s no fear of your writing a line about us nowadays.”

“Well, my dear fellow,” answered Jory, vexed, “everything I write about you is cut out. You make yourselves hated everywhere. Ah! if I had a paper of my own!”

Henriette came back, and Sandoz’s eyes having sought hers, she answered him with a glance and the same affectionate, quiet smile that he had shown when leaving his mother’s room in former times. Then she summoned them all. They sat down again round the table while she made the tea and poured it out. But the gathering grew sad, benumbed, as it were, with lassitude. Sandoz vainly tried a diversion by admitting Bertrand, the big dog, who grovelled at sight of the sugar-basin, and ended by going to sleep near the stove, where he snored like a man. Since the discussion on Fagerolles there had been intervals of silence, a kind of bored irritation, which fell heavily upon them amidst the dense tobacco smoke. And, in fact, Gagnière felt so out of sorts that he left the table for a moment to seat himself at the piano, murdering some passages from Wagner in a subdued key, with the stiff fingers of an amateur who tries his first scale at thirty.

Towards eleven o’clock Dubuche, arriving at last, contributed the finishing touch to the general frost. He had made his escape from a ball to fulfil what he considered a remaining duty towards his old comrades; and his dress-coat, his white necktie, his fat, pale face, all proclaimed his vexation at having come, the importance he attached to the sacrifice, and the fear he felt of compromising his new position. He avoided mentioning his wife, so that he might not have to bring her to Sandoz’s. When he had shaken hands with Claude, without showing more emotion than if he had met him the day before, he declined a cup of tea and spoke slowly⁠—puffing out his cheeks the while⁠—of his worry in settling in a brand-new house, and of the work that had overwhelmed him since he had attended to the business of his father-in-law, who was building a whole street near the Parc Monceau.

Then Claude distinctly felt that something had snapped. Had life then already carried away the evenings of former days, those evenings so fraternal in their very violence, when nothing had as yet separated them, when not one of them had thought of keeping his part of glory to himself? Nowadays the battle was beginning. Each hungry one was eagerly biting. And a fissure was there, a scarcely perceptible crack that had rent the old, sworn friendships, and some day would make them crumble into a thousand pieces.

However, Sandoz, with his craving for perpetuity, had so far noticed nothing; he still beheld them as they had been in the Rue d’Enfer, all arm in arm, starting off to victory. Why change what was well? Did not happiness consist in one pleasure selected from among all, and then enjoyed forever afterwards? And when, an hour later, the others made up their minds to go off, wearied by the dull egotism of Dubuche, who had not left off talking about his own affairs; when they had dragged Gagnière, in a trance, away from the piano, Sandoz, followed by his wife, absolutely insisted, despite the coldness of the night, on accompanying them all to the gate at the end of the garden. He shook hands all round, and shouted after them:

“Till Thursday, Claude; till next Thursday, all of you, eh? Mind you all come!”

“Till Thursday!” repeated Henriette, who had taken the lantern and was holding it aloft so as to light the steps.

And, amid the laughter, Gagnière and Mahoudeau replied, jokingly: “Till Thursday, young master! Good night, young master!”

Once in the Rue Nollet, Dubuche immediately hailed a cab, in which he drove away. The other four walked together as far as the outer boulevards, scarcely exchanging a word, looking dazed, as it were, at having been in each other’s company so long. At last Jory decamped, pretending that some proofs were waiting for him at the office of his newspaper. Then Gagnière mechanically stopped Claude in front of the Café Baudequin, the gas of which was still blazing away. Mahoudeau refused to go in, and went off alone, sadly ruminating, towards the Rue du Cherche-Midi.

Without knowing how, Claude found himself seated at their old table, opposite Gagnière, who was silent. The café had not changed. The friends still met there of a Sunday, showing a deal of fervour, in fact, since Sandoz had lived in the neighbourhood; but the band was now lost amid a flood of newcomers; it was slowly being submerged by the increasing triteness of the young disciples of the “open air.” At that hour of night, however, the establishment was getting empty. Three young painters, whom Claude did not know, came to shake hands with him as they went off; and then there merely remained a petty retired tradesman of the neighbourhood, asleep in front of a saucer.

Gagnière, quite at his ease, as if he had been at home, absolutely indifferent to the yawns of the solitary waiter, who was stretching his arms, glanced towards Claude, but without seeing him, for his eyes were dim.

“By the way,” said the latter, “what were you explaining to Mahoudeau this evening? Yes, about the red of a flag turning yellowish amid the blue of the sky. That was it, eh? You are studying the theory of complementary colours.”

But the other did not answer. He took up his glass of beer, set it down again without tasting its contents, and with an ecstatic smile ended by muttering:

“Haydn has all the gracefulness of a rhetorician⁠—his is a gentle music, quivering like the voice