Villette by Charlotte BrontĂ« (free e reader .TXT) đ
Description
Charlotte BrontĂ«âs last novel, Villette, is thought to be most closely modelled on her own experiences teaching in a pensionnat in Brussels, the place on which the fictional town of Villette is based. In the novel, first published in 1853, we follow the protagonist Lucy Snowe from the time she is fourteen and lives with her godmother in rural England, through her family tragedies and departure for the town of Villette where she finds work at a French boarding school. People from her past reappear in dramatic ways, she makes new connections, and she learns the stories and secrets of the people around her. Through it all, the reader is made privy to Lucyâs thoughts, feelings, and journey of self-discovery.
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- Author: Charlotte Brontë
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âBut I have looked at her a great many times while Monsieur has been talking; I can see her quite well from this corner.â
âTurn to the wall and study your four pictures of a womanâs life.â
âExcuse me, M. Paul; they are too hideous, but if you admire them, allow me to vacate my seat and leave you to their contemplation.â
âMademoiselle,â he said, grimacing a half-smile, or what he intended for a smile, though it was but a grim and hurried manifestation. âYou nurslings of Protestantism astonish me. You unguarded Englishwomen walk calmly amidst red-hot ploughshares and escape burning. I believe, if some of you were thrown into Nebuchadnezzarâs hottest furnace you would issue forth untraversed by the smell of fire.â
âWill Monsieur have the goodness to move an inch to one side?â
âHow! At what are you gazing now? You are not recognising an acquaintance amongst that group of jeunes gens?â
âI think soâ âYes, I see there a person I know.â
In fact, I had caught a glimpse of a head too pretty to belong to any other than the redoubted Colonel de Hamal. What a very finished, highly polished little pate it was! What a figure, so trim and natty! What womanish feet and hands! How daintily he held a glass to one of his optics! with what admiration he gazed upon the Cleopatra! and then, how engagingly he tittered and whispered a friend at his elbow! Oh, the man of sense! Oh, the refined gentleman of superior taste and tact! I observed him for about ten minutes, and perceived that he was exceedingly taken with this dusk and portly Venus of the Nile. So much was I interested in his bearing, so absorbed in divining his character by his looks and movements, I temporarily forgot M. Paul; in the interim a group came between that gentleman and me; or possibly his scruples might have received another and worse shock from my present abstraction, causing him to withdraw voluntarily; at any rate, when I again looked round, he was gone.
My eye, pursuant of the search, met not him, but another and dissimilar figure, well seen amidst the crowd, for the height as well as the port lent each its distinction. This way came Dr. John, in visage, in shape, in hue, as unlike the dark, acerb, and caustic little professor, as the fruit of the Hesperides might be unlike the sloe in the wild thicket; as the high-couraged but tractable Arabian is unlike the rude and stubborn âsheltie.â He was looking for me, but had not yet explored the corner where the schoolmaster had just put me. I remained quiet; yet another minute I would watch.
He approached de Hamal; he paused near him; I thought he had a pleasure in looking over his head; Dr. Bretton, too, gazed on the Cleopatra. I doubt if it were to his taste: he did not simper like the little Count; his mouth looked fastidious, his eye cool; without demonstration he stepped aside, leaving room for others to approach. I saw now that he was waiting, and, rising, I joined him.
We took one turn round the gallery; with Graham it was very pleasant to take such a turn. I always liked dearly to hear what he had to say about either pictures or books; because without pretending to be a connoisseur, he always spoke his thought, and that was sure to be fresh; very often it was also just and pithy. It was pleasant also to tell him some things he did not knowâ âhe listened so kindly, so teachably; unformalized by scruples lest so to bend his bright handsome head, to gather a womanâs rather obscure and stammering explanation, should imperil the dignity of his manhood. And when he communicated information in return, it was with a lucid intelligence that left all his words clear graven on the memory; no explanation of his giving, no fact of his narrating, did I ever forget.
As we left the gallery, I asked him what he thought of the Cleopatra (after making him laugh by telling him how Professor Emanuel had sent me to the right about, and taking him to see the sweet series of pictures recommended to my attention.)
âPooh!â said he. âMy mother is a better-looking woman. I heard some French fops, yonder, designating her as âle type du voluptueux;â if so, I can only say, le voluptueux is little to my liking. Compare that mulatto with Ginevra!â
XX The ConcertOne morning, Mrs. Bretton, coming promptly into my room, desired me to open my drawers and show her my dresses; which I did, without a word.
âThat will do,â said she, when she had turned them over. âYou must have a new one.â
She went out. She returned presently with a dressmaker. She had me measured. âI mean,â said she, âto follow my own taste, and to have my own way in this little matter.â
Two days after came homeâ âa pink dress!
âThat is not for me,â I said, hurriedly, feeling that I would almost as soon clothe myself in the costume of a Chinese lady of rank.
âWe shall see whether it is for you or not,â rejoined my godmother, adding with her resistless decision: âMark my words. You will wear it this very evening.â
I thought I should not; I thought no human force should avail to put me into it. A pink dress! I knew it not. It knew not me. I had not proved it.
My godmother went on to decree that I was to go with her and Graham to a concert that same night: which concert, she explained, was a grand affair to be held in the large salle, or hall, of the principal musical society. The most advanced of the pupils of the Conservatoire were to perform: it was to be followed by a lottery au bénéfice des pauvres; and to crown all, the King, Queen, and Prince of Labassecour were to be present. Graham, in sending tickets, had
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