Jane Eyre by Charlotte Brontë (black female authors .txt) 📕
Description
Jane Eyre experienced abuse at a young age, not only from her aunt—who raised her after both her parents died—but also from the headmaster of Lowood Institution, where she is sent away to. After ten years of living and teaching at Lowood Jane decides she is ready to see more of the world and takes a position as a governess at Thornfield Hall. Jane later meets the mysterious master of Thornfield Hall, Mr. Rochester, and becomes drawn to him.
Charlotte Brontë published Jane Eyre: An Autobiography on October 16th 1847 using the pen name “Currer Bell.” The novel is known for revolutionizing prose fiction, and is considered to be ahead of its time because of how it deals with topics of class, religion, and feminism.
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- Author: Charlotte Brontë
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“I feel tired often, sleepy sometimes, but seldom sad.”
“Then you have some secret hope to buoy you up and please you with whispers of the future?”
“Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself.”
“A mean nutriment for the spirit to exist on: and sitting in that window-seat (you see I know your habits )—”
“You have learned them from the servants.”
“Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole—”
I started to my feet when I heard the name.
“You have—have you?” thought I; “there is diablerie in the business after all, then!”
“Don’t be alarmed,” continued the strange being; “she’s a safe hand is Mrs. Poole: close and quiet; anyone may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?”
“I like to observe all the faces and all the figures.”
“But do you never single one from the rest—or it may be, two?”
“I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them.”
“What tale do you like best to hear?”
“Oh, I have not much choice! They generally run on the same theme—courtship; and promise to end in the same catastrophe—marriage.”
“And do you like that monotonous theme?”
“Positively, I don’t care about it: it is nothing to me.”
“Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you—”
“I what?”
“You know—and perhaps think well of.”
“I don’t know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me.”
“You don’t know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!”
“He is not at home.”
“A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here tonight or tomorrow: does that circumstance exclude him from the list of your acquaintance—blot him, as it were, out of existence?”
“No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced.”
“I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester’s eyes that they overflow like two cups filled above the brim: have you never remarked that?”
“Mr. Rochester has a right to enjoy the society of his guests.”
“No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?”
“The eagerness of a listener quickens the tongue of a narrator.” I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse.
“Eagerness of a listener!” repeated she: “yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?”
“Grateful! I cannot remember detecting gratitude in his face.”
“Detecting! You have analysed, then. And what did you detect, if not gratitude?”
I said nothing.
“You have seen love: have you not?—and, looking forward, you have seen him married, and beheld his bride happy?”
“Humph! Not exactly. Your witch’s skill is rather at fault sometimes.”
“What the devil have you seen, then?”
“Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?”
“Yes; and to the beautiful Miss Ingram.”
“Shortly?”
“Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll—he’s dished—”
“But, mother, I did not come to hear Mr. Rochester’s fortune: I came to hear my own; and you have told me nothing of it.”
“Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is
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