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Theda here, if she went in for that sort of thing⁠ ⁠…” He turned to her, shifting his hand from her wrist to her hair. He stroked it, letting the strands slip slowly through his fingers. “You know I lost tonight, baby, don’t you?” he said softly.

I stood up. “Come along,” I said to her. “Let’s leave.”

She just sat there. I couldn’t even tell if she was trembling. I tried to read a message in her eyes through the mask.

“I’ll take you away,” I said to her. “I can do it. I really will.”

He smiled at me. “She’d like to go with you,” he said. “Wouldn’t you, baby?”

“Will you or won’t you?” I said to her. She still just sat there.

He slowly knotted his fingers in her hair.

“Listen, you little vermin,” I snapped at him, “Take your hands off her.”

He came up from the seat like a snake. I’m no fighter. I just know that the more scared I am, the harder and straighter I hit. This time I was lucky. But as he crumpled back, I felt a slap and four stabs of pain in my cheek. I clapped my hand to it. I could feel the four gashes made by her dagger finger caps, and the warm blood oozing out from them.

She didn’t look at me. She was bending over little Zirk and cuddling her mask to his cheek and crooning: “There, there, don’t feel bad, you’ll be able to hurt me afterward.”

There were sounds around us, but they didn’t come close. I leaned forward and ripped the mask from her face.

I really don’t know why I should have expected her face to be anything else. It was very pale, of course, and there weren’t any cosmetics. I suppose there’s no point in wearing any under a mask. The eyebrows were untidy and the lips chapped. But as for the general expression, as for the feelings crawling and wriggling across it⁠—

Have you ever lifted a rock from damp soil? Have you ever watched the slimy white grubs?

I looked down at her, she up at me. “Yes, you’re so frightened, aren’t you?” I said sarcastically. “You dread this little nightly drama, don’t you? You’re scared to death.”

And I walked right out into the purple night, still holding my hand to my bleeding cheek. No one stopped me, not even the girl wrestlers. I wished I could tear a tab from under my shirt, and test it then and there, and find I’d taken too much radiation, and so be able to ask to cross the Hudson and go down New Jersey, past the lingering radiance of the Narrows Bomb, and so on to Sandy Hook to wait for the rusty ship that would take me back over the seas to England.

Nice Girl with 5 Husbands

To be given paid-up leisure and find yourself unable to create is unpleasant for any artist. To be stranded in a cluster of desert cabins with a dozen lonely people in the same predicament only makes it worse. So Tom Dorset was understandably irked with himself and the Tosker-Brown Vacation Fellowships as he climbed with the sun into the valley of red stones. He accepted the chafing of his camera strap against his shoulder as the nagging of conscience. He agreed with the disparaging hisses of the grains of sand rutched by his sneakers, and he wished that the occasional breezes, which faintly echoed the same criticisms, could blow him into a friendlier, less jealous age.

He had no way of knowing that just as there are winds that blow through space, so there are winds that blow through time. Such winds may be strong or weak. The strong ones are rare and seldom blow for short distances, or more of us would know about them. What they pick up is almost always whirled far into the future or past.

This has happened to people. There was Ambrose Bierce, who walked out of America and existence, and there are thousands of others who have disappeared without a trace, though many of these may not have been caught up by time tornadoes and I do not know if a time gale blew across the deck of the Marie Celeste.

Sometimes a time wind is playful, snatching up an object, sporting with it for a season and then returning it unharmed to its original place. Sometimes we may be blown about by whimsical time winds without realizing it. Memory, for example, is a tiny time breeze, so weak that it can ripple only the mind.

A very few time winds are like the monsoon, blowing at fixed intervals, first in one direction, then the other. Such a time wind blows near a balancing rock in a valley of red stones in the American Southwest. Every morning at ten o’clock, it blows a hundred years into the future; every afternoon at two, it blows a hundred years into the past.

Quite a number of people have unwittingly seen time winds in operation. There are misty spots on the sea’s horizon and wavery patches over desert sands. There are mirages and will o’ the wisps and ice blinks. And there are dust devils, such as Tom Dorset walked into near the balancing rock.

It seemed to him no more than a spiteful upgust of sand, against which he closed his eyes until the warm granules stopped peppering the lids. He opened them to see the balancing rock had silently fallen and lay a quarter buried⁠—no, that couldn’t be, he told himself instantly. He had been preoccupied; he must have passed the balancing rock and held its image in his mind.

Despite this rationalization he was quite shaken. The strap of his camera slipped slowly down his arm without his feeling it. And just then there stepped around the giant bobbin of the rock an extraordinarily pretty girl with hair the same pinkish copper color.

She was barefoot and wearing a pale blue playsuit rather like a Grecian tunic. But most important,

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