The Duel by Aleksandr Kuprin (notion reading list .TXT) 📕
Description
At the young age of twenty-two Sublieutenant Romashov has become an officer, but he’s already disillusioned with army life in the middle of nowhere, and the brutish and blood-thirsty natures of his commanders and peers. The only thing keeping him from outright depression is his growing infatuation with the wife of a fellow officer; an infatuation which, half-returned, leads inevitably towards the titular subject.
The Duel is regarded as the highlight of Kuprin’s bibliography and was praised by famous Russian authors of the period including Chekhov, Gorky, Bunin and Tolstoy. It was published in 1905 in the middle of the failure of the Russian army in the Russo-Japanese war and widespread social unrest. Kuprin himself had military experience as a lieutenant, which shines through in the novel’s vivid depictions of the minutiae of officer life. The Duel was later adapted for both film and television in Russia. This edition is based on the 1916 translation.
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- Author: Aleksandr Kuprin
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Romashov, the brilliant Staff officer, rises higher and higher towards the pinnacles of power and glory. A dangerous strike has taken place at a steel manufactory. Romashov’s company is charged with the difficult and hazardous task of restoring peace and order amongst the rioters. Night and gloom, incendiarism, a flaming sea of fire, an innumerable, hooting, bloodthirsty mob, a shower of stones. A stately young officer steps in front of the company, his name is Romashov. “Brothers,” cries he, in a strong but melodious voice, “for the third and last time I beseech you to disperse, otherwise—I shall fire.” Wild shouts, derisive laughter, whistling. A stone hits Romashov on the shoulder, but his frank, handsome countenance maintains its unalterable calm. Slowly he turns towards his soldiers, whose eyes scintillate with rage at the insolent outrage that someone had dared to commit on their idolized Captain. A few brief, energetic words of command are heard, “Line and aim—fire!” A crashing report of rifles, immediately followed by a roar of rage and despair from the crowd. A few score dead and wounded lie where they have fallen; the rest flee in disorder or beg for mercy and are taken prisoners. The riot is quelled, and Romashov awaits a gracious token of the Tsar’s gratitude and favour, together with a special reward for the heroism he displayed.
Then comes the longed-for war. Nay, even before the war he is sent by the War Office to Germany as a spy on the enemy’s military power near the frontier. Perfectly familiar with the German language, he enters upon his hazardous career. How delightful is such an adventure to a brave and patriotic man! Absolutely alone, with a German passport in his pocket and a street organ on his back, he wanders from town to town, from village to village, grinds out tunes, collects coppers, plays the part of a simple lout, and meanwhile obtains, in all secrecy, plans and sketches of fortresses, stores, barracks, camps, etc., etc. Foes and perils lie in wait for him every minute. His own Government has left him helpless and unprotected. He is virtually an outlaw. If he succeeds in his purpose, honours and rewards of all kinds await him. Should he be unmasked, he will be condemned straight off to be shot or hanged. He sees himself standing in the dark and gloomy trench, confronted by his executioners. Out of compassion they fasten a white cloth before his eyes; but he tears it away and throws it to the ground with the proud words, “Do you not think an officer can face death?” An old Colonel replies, in a quivering voice: “Listen, my young friend. I have a son of the same age as you. I will spare you. Tell us your name—tell us, at any rate, your nationality, and the death sentence will be commuted to imprisonment.” “I thank you, Colonel; but it is useless. Do your duty.” Then he turns to the soldiers, and says to them in a firm voice in German: “Comrades, there is only one favour I would crave: spare my face, aim at my heart.” The officer in command, deeply moved, raises his white pocket-handkerchief—a crashing report—and Romashov’s story is ended.
This picture made such a lively impression on his imagination that Romashov, who was already very excited and striding along the road, suddenly stopped short, trembling all over. His heart beat violently, and he clenched his hands convulsively. He gained, however, command over himself immediately, and smiling compassionately at himself, he continued on his way in the darkness.
But it was not long before he began to conjure up fresh pictures in his imagination. The cruel war with Prussia and Austria, long expected and prepared for, had come. An enormous battlefield, corpses everywhere, havoc, annihilation, blood, and death. It was the chief battle, on the issue of which the whole war depended. The decisive moment had arrived. The last reserves had been brought up, and one was waiting anxiously for the Russian flanking column to arrive in time to attack the enemy in the rear. At any cost the enemy’s frantic attack must be met without flinching. The most important and threatened position on the field was occupied by the Kerenski regiment, which was being decimated by the concentrated fire of the enemy. The soldiers fight like lions without yielding an inch, although the whole line is being mowed down by a murderous fire of shells. Everyone feels that he is passing through an historical moment. A few more seconds of heroic endurance and victory will be snatched out of the enemy’s hands. But Colonel Shulgovich wavers. He is a brave man—that must be admitted—but the perils of a fight like this are too much for his nerves. He turns pale and trembles. The next moment he signals to the bugler to sound the retreat, and the latter has already put the bugle to his lips, when, that very moment, Colonel Romashov, chief of the Staff, comes dashing from behind the hill on his foaming Arab steed. “Colonel, we dare not retreat. The fate of Russia will be decided here.”
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