My Reminiscences by Rabindranath Tagore (free children's ebooks pdf .TXT) 📕
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Rabindranath Tagore, sometimes referred to as the Bard of Bengal, was a poet, composer, and artist active in the latter half of the 19th century and the first half of the 20th century. His poetry had a profound impact on Bengali literature—so much so that in 1913 he became the first non-European to win the Nobel Prize in Literature.
Today Tagore is recognized for transforming Bengali art, moving it away from its classical forms by embracing the Bengal Renaissance. Though his artistic output spanned many disciplines, his most famous is perhaps Gitanjali, his collection of poems that he himself later translated to English. His impact on Indian and Bengali letters can be exemplified by the fact that two of his compositions were chosen as national anthems—“Jana Gana Mana” for India, and “Amar Shonar Bangla” for Bangladesh—and that the Sri Lankan national anthem was inspired by his work.
In these autobiographical sketches Tagore gives us windows into his childhood, his youth, and his blossoming as a writer and as a lyricist. He stresses that this is not an autobiography, but more like a palimpsest of memories: glimmers and shadows that illustrate his artistic development, not a strict record of his life.
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- Author: Rabindranath Tagore
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I have since realised how much easier it is to acquire the manner than the matter. Without an effort had I assimilated all the impatience, the short temper, the partiality and the injustice displayed by my teachers to the exclusion of the rest of their teaching. My only consolation is that I had not the power of venting these barbarities on any sentient creature. Nevertheless the difference between my wooden pupils and those of the Seminary did not prevent my psychology from being identical with that of its schoolmasters.
I could not have been long at the Oriental Seminary, for I was still of tender age when I joined the Normal School. The only one of its features which I remember is that before the classes began all the boys had to sit in a row in the gallery and go through some kind of singing or chanting of verses—evidently an attempt at introducing an element of cheerfulness into the daily routine.
Unfortunately the words were English and the tune quite as foreign, so that we had not the faintest notion what sort of incantation we were practising; neither did the meaningless monotony of the performance tend to make us cheerful. This failed to disturb the serene self-satisfaction of the school authorities at having provided such a treat; they deemed it superfluous to inquire into the practical effect of their bounty; they would probably have counted it a crime for the boys not to be dutifully happy. Anyhow they rested content with taking the song as they found it, words and all, from the selfsame English book which had furnished the theory.
The language into which this English resolved itself in our mouths cannot but be edifying to philologists. I can recall only one line:
Kallokee pullokee singill mellaling mellaling mellaling.
After much thought I have been able to guess at the original of a part of it. Of what words kallokee is the transformation still baffles me. The rest I think was:
… full of glee, singing merrily, merrily, merrily!
As my memories of the Normal School emerge from haziness and become clearer they are not the least sweet in any particular. Had I been able to associate with the other boys, the woes of learning might not have seemed so intolerable. But that turned out to be impossible—so nasty were most of the boys in their manners and habits. So, in the intervals of the classes, I would go up to the second storey and while away the time sitting near a window overlooking the street. I would count: one year—two years—three years; wondering how many such would have to be got through like this.
Of the teachers I remember only one, whose language was so foul that, out of sheer contempt for him, I steadily refused to answer any one of his questions. Thus I sat silent throughout the year at the bottom of his class, and while the rest of the class was busy I would be left alone to attempt the solution of many an intricate problem.
One of these, I remember, on which I used to cogitate profoundly, was how to defeat an enemy without having arms. My preoccupation with this question, amidst the hum of the boys reciting their lessons, comes back to me even now. If I could properly train up a number of dogs, tigers and other ferocious beasts, and put a few lines of these on the field of battle, that, I thought, would serve very well as an inspiriting prelude. With our personal prowess let loose thereafter, victory should by no means be out of reach. And, as the picture of this wonderfully simple strategy waxed vivid in my imagination, the victory of my side became assured beyond doubt.
While work had not yet come into my life I always found it easy to devise shortcuts to achievement; since I have been working I find that what is hard is hard indeed, and what is difficult remains difficult. This, of course, is less comforting; but nowhere near so bad as the discomfort of trying to take shortcuts.
When at length a year of that class had passed, we were examined in Bengali by Pandit Madhusudan Vachaspati. I got the largest number of marks of all the boys. The teacher complained to the school authorities that there had been favouritism in my case. So I was examined a second time, with the superintendent of the school seated beside the examiner. This time, also, I got a top place.
VI VersificationI could not have been more than eight years old at the time. Jyoti, a son of a niece of my father’s, was considerably older than I. He had just gained an entrance into English literature, and would recite Hamlet’s soliloquy with great gusto. Why he should have taken it into his head to get a child, as I was, to write poetry I cannot tell. One afternoon he sent for me to his room, and asked me to try and make up a verse; after which he explained to me the
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