Madame Bovary by Gustave Flaubert (great reads txt) 📕

And the lumbering machine set out. It went down the Rue Grand-Pont, crossed the Place des Arts, the Quai Napoléon, the Pont Neuf, and stopped short before the statue of Pierre Corneille.

“Go on,” cried a voice that came from within.

The cab went on again, and as soon as it reached the Carrefour Lafayette, set off downhill, and entered the station at a gallop.

“No, straight on!” cried the same voice.

The cab came out by the gate, and soon having reached the Cours, trotted quietly beneath the elm-trees. The coachman wiped his brow, put his leather hat between his knees, and drove his carriage beyond the side alley by the meadow to the margin of the waters.

It went along by the river, along the towing-path paved with sharp pebbles, and for a long while in the direction of Oyssel, beyond the isles.

But suddenly it turned with a dash across Quatremares, Sotteville, La Grande-Chausée, the Rue d’Elbeuf, and made its third halt in front of the Jardin des Plantes.

“Get on, will you?” cried the voice more furiously.

And at once resuming its course, it passed by Saint-Sever, by the Quai’des Curandiers, the Quai aux Meules, once more over the bridge, by the Place du Champ de Mars, and behind the hospital gardens, where old men in black coats were walking in the sun along the terrace all green with ivy. It went up the Boulevard Bouvreuil, along the Boulevard Cauchoise, then the whole of Mont-Riboudet to the Deville hills.

It came back; and then, without any fixed plan or direction, wandered about at hazard. The cab was seen at Saint-Pol, at Lescure, at Mont Gargan, at La Rougue-Marc and Place du Gaillardbois; in the Rue Maladrerie, Rue Dinanderie, before Saint-Romain, Saint-Vivien, Saint-Maclou, Saint-Niçaise⁠—in front of the Customs, at the Vieille Tour, the Trois Pipes, and the Monumental Cemetery. From time to time the coachman, on his box cast despairing eyes at the public-houses. He could not understand what furious desire for locomotion urged these individuals never to wish to stop. He tried to now and then, and at once exclamations of anger burst forth behind him. Then he lashed his perspiring jades afresh, but indifferent to their jolting, running up against things here and there, not caring if he did, demoralised, and almost weeping with thirst, fatigue, and depression.

And on the harbour, in the midst of the drays and casks, and in the streets, at the corners, the good folk opened large wonder-stricken eyes at this sight, so extraordinary in the provinces, a cab with blinds drawn, and which appeared thus constantly shut more closely than a tomb, and tossing about like a vessel.

Once in the middle of the day, in the open country, just as the sun beat most fiercely against the old plated lanterns, a bared hand passed beneath the small blinds of yellow canvas, and threw out some scraps of paper that scattered in the wind, and farther off lighted like white butterflies on a field of red clover all in bloom.

At about six o’clock the carriage stopped in a back street of the Beauvoisine Quarter, and a woman got out, who walked with her veil down, and without turning her head.

On reaching the inn, Madame Bovary was surprised not to see the diligence. Hivert, who had waited for her fifty-three minutes, had at last started.

Yet nothing forced her to go; but she had given her word that she would return that same evening. Moreover, Charles expected her, and in her heart she felt already that cowardly docility that is for some women at once the chastisement and atonement of adultery.

She packed her box quickly, paid her bill, took a cab in the yard, hurrying on the driver, urging him on, every moment inquiring about the time and the miles traversed. He succeeded in catching up the Hirondelle as it neared the first houses of Quincampoix.

Hardly was she seated in her corner than she closed her eyes, and opened them at the foot of the hill, when from afar she recognised Félicité, who was on the lookout in front of the farrier’s shop. Hivert pulled in his horses and, the servant, climbing up to the window, said mysteriously⁠—

“Madame, you must go at once to Monsieur Homais. It’s for something important.”

The village was silent as usual. At the corner of the streets were small pink heaps that smoked in the air, for this was the time for jam-making, and everyone at Yonville prepared his supply on the same day. But in front of the chemist’s shop one might admire a far larger heap, and that surpassed the others with the superiority that a laboratory must have over ordinary stores, a general need over individual fancy.

She went in. The large armchair was upset, and even the Fanal de Rouen lay on the ground, outspread between two pestles. She pushed open the lobby door, and in the middle of the kitchen, amid brown jars full of picked currants, of powdered sugar and lump sugar, of the scales on the table, and of the pans on the fire, she saw all the Homais, small and large, with aprons reaching to their chins, and with forks in their hands. Justin was standing up with bowed head, and the chemist was screaming⁠—

“Who told you to go and fetch it in the Capharnaüm.”

“What is it? What is the matter?”

“What is it?” replied the druggist. “We are making preserves; they are simmering; but they were about to boil over, because there is too much juice, and I ordered another pan. Then he, from indolence, from laziness, went and took, hanging on its nail in my laboratory, the key of the Capharnaüm.”

It was thus the druggist called a small room under the leads, full of the utensils and the goods of his trade. He often spent long hours there alone, labelling, decanting, and doing up again; and he looked upon it not as a simple store, but as a veritable sanctuary,