Howards End by E. M. Forster (best book recommendations .TXT) 📕
Description
Howards End, published in 1910, is considered by many to be Forster’s masterpiece. The plot revolves around three families in Edwardian England: the Schlegels, a trio of half-German, middle-class siblings who to poor people seem rich, but to rich people seem poor; the Wilcoxes, a large, wealthy family of businessmen; and the Basts, a lower class young couple struggling to keep up appearances.
The Schlegel siblings are sharp, intelligent, and idealistic, and they pursue culture and art with an enthusiasm reminiscent of the Bloomsbury group. They befriend the Wilcoxes while on a trip abroad, and the lonely Wilcox matriarch and Margaret Schlegel, the strong-willed elder sister, strike up a friendship. As their families begin butting heads in London, Helen, the younger Schlegel sister, runs in to Leonard Bast while at the opera. Bast is proud and ambitious, but clearly impoverished and lacking gentility. Helen, a rash and fiery idealist, takes him up as a pet project, oblivious to the deep cultural gulf between Bast and themselves as she tries her best to educate him in matters of art and literature and lift him out of his class.
The interplay between the three families becomes a complex reflection on social codes and class difference in England: how class can lock lives in place, and how even the well-to-do are not immune from becoming ossified in their station thanks to the seemingly-unbreakable social conventions of the age. Capitalism, a still-new philosophy of life, is juxtaposed against humanism and the arts as the families try to do what they each think is the right thing. Forster weaves these threads expertly against the backdrop of London city life and the cozy family cottage of Howards End, the ultimate centerpiece in these three families’ lives.
Read free book «Howards End by E. M. Forster (best book recommendations .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: E. M. Forster
Read book online «Howards End by E. M. Forster (best book recommendations .TXT) 📕». Author - E. M. Forster
Up the avenue Margaret strolled slowly, stopping to watch the sky that gleamed through the upper branches of the chestnuts, or to finger the little horseshoes on the lower branches. Why has not England a great mythology? Our folklore has never advanced beyond daintiness, and the greater melodies about our countryside have all issued through the pipes of Greece. Deep and true as the native imagination can be, it seems to have failed here. It has stopped with the witches and the fairies. It cannot vivify one fraction of a summer field, or give names to half a dozen stars. England still waits for the supreme moment of her literature—for the great poet who shall voice her, or, better still for the thousand little poets whose voices shall pass into our common talk.
At the church the scenery changed. The chestnut avenue opened into a road, smooth but narrow, which led into the untouched country. She followed it for over a mile. Its little hesitations pleased her. Having no urgent destiny, it strolled downhill or up as it wished, taking no trouble about the gradients, or about the view, which nevertheless expanded. The great estates that throttle the south of Hertfordshire were less obtrusive here, and the appearance of the land was neither aristocratic nor suburban. To define it was difficult, but Margaret knew what it was not: it was not snobbish. Though its contours were slight, there was a touch of freedom in their sweep to which Surrey will never attain, and the distant brow of the Chilterns towered like a mountain. “Left to itself,” was Margaret’s opinion, “this county would vote Liberal.” The comradeship, not passionate, that is our highest gift as a nation, was promised by it, as by the low brick farm where she called for the key.
But the inside of the farm was disappointing. A most finished young person received her. “Yes, Mrs. Wilcox; no, Mrs. Wilcox; oh yes, Mrs. Wilcox, auntie received your letter quite duly. Auntie has gone up to your little place at the present moment. Shall I send the servant to direct you?” Followed by: “Of course, auntie does not generally look after your place; she only does it to oblige a neighbour as something exceptional. It gives her something to do. She spends quite a lot of her time there. My husband says to me sometimes, ‘Where’s auntie?’ I say, ‘Need you ask? She’s at Howards End.’ Yes, Mrs. Wilcox. Mrs. Wilcox, could I prevail upon you to accept a piece of cake? Not if I cut it for you?”
Margaret refused the cake, but unfortunately this gave her gentility in the eyes of Miss Avery’s niece.
“I cannot let you go on alone. Now don’t. You really mustn’t. I will direct you myself if it comes to that. I must get my hat. Now”—roguishly—“Mrs. Wilcox, don’t you move while I’m gone.”
Stunned, Margaret did not move from the best parlour, over which the touch of art nouveau had fallen. But the other rooms looked in keeping, though they conveyed the peculiar sadness of a rural interior. Here had lived an elder race, to which we look back with disquietude. The country which we visit at weekends was really a home to it, and the graver sides of life, the deaths, the partings, the yearnings for love, have their deepest expression in the heart of the fields. All was not sadness. The sun was shining without. The thrush sang his two syllables on the budding guelder-rose. Some children were playing uproariously in heaps of golden straw. It was the presence of sadness at all that surprised Margaret, and ended by giving her a feeling of completeness. In these English farms, if anywhere, one might see life steadily and see it whole, group in one vision its transitoriness and its eternal youth, connect—connect without bitterness until all men are brothers. But her thoughts were interrupted by the return of Miss Avery’s niece, and were so tranquillising that she suffered the interruption gladly.
It was quicker to go out by the back door, and, after due explanations, they went out by it. The niece was now mortified by innumerable chickens, who rushed up to her feet for food, and by a shameless and maternal sow. She did not know what animals were coming to. But her gentility withered at the touch of the sweet air. The wind was rising, scattering the straw and ruffling the tails of the ducks as they floated in families over Evie’s pendant. One of those delicious gales of spring, in which leaves still in bud seem to rustle, swept over the land and then fell silent. “Georgie,” sang the thrush. “Cuckoo,” came furtively from the cliff of pine-trees. “Georgie, pretty Georgie,” and the other birds joined in with nonsense. The hedge was a half-painted picture which would be finished in a few days. Celandines grew on its banks, lords and ladies and primroses in the defended hollows; the wild rosebushes, still bearing their withered hips, showed also the promise of blossom. Spring had come, clad in no classical garb, yet fairer than all springs; fairer even than she who walks through the myrtles of
Comments (0)