His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

without saying a word, they went their former round; they started along the quays, under the plane trees, seeing the past rise up before them at every step. Everything spread out again: the bridges with their arches opening upon the sheeny water; the Cité, enveloped in shade, above which rose the flavescent towers of Notre-Dame; the great curve of the right bank flooded with sunlight, and ending in the indistinct silhouette of the Pavillon de Flore, together with the broad avenues, the monuments and edifices on both banks, and all the life of the river, the floating washhouses, the baths, and the lighters.

As of old, the orb in its decline followed them, seemingly rolling along the distant housetops, and assuming a crescent shape, as it appeared from behind the dome of the Institute. There was a dazzling sunset, they had never beheld a more magnificent one, such a majestic descent amidst tiny cloudlets that changed into purple network, between the meshes of which a shower of gold escaped. But of the past that thus rose up before their eyes there came to them nought but invincible sadness⁠—a sensation that things escaped them, and that it was impossible for them to retrace their way up stream and live their life over again. All those old stones remained cold. The constant current beneath the bridges, the water that had ever flowed onward and onward, seemed to have borne away something of their own selves, the delight of early desire and the joyfulness of hope. Now that they belonged to one another, they no longer tasted the simple happiness born of feeling the warm pressure of their arms as they strolled on slowly, enveloped by the mighty vitality of Paris.

On reaching the Pont des Saints-Pères, Claude, in sheer despair, stopped short. He had relinquished Christine’s arm, and had turned his face towards the point of the Cité. She no doubt felt the severance that was taking place and became very sad. Seeing that he lingered there obliviously, she wished to regain her hold upon him.

“My dear,” said she, “let us go home; it’s time. Jacques will be waiting for us, you know.”

But he went half way across the bridge, and she had to follow him. Then once more he remained motionless, with his eyes still fixed on the Cité, on that island which ever rode at anchor, the cradle and heart of Paris, where for centuries all the blood of her arteries had converged amid the constant growth of faubourgs invading the plain. And a glow came over Claude’s face, his eyes sparkled, and at last he made a sweeping gesture:

“Look! Look!”

In the immediate foreground beneath them was the port of St. Nicolas, with the low shanties serving as offices for the inspectors of navigation, and the large paved riverbank sloping down, littered with piles of sand, barrels, and sacks, and edged with a row of lighters, still full, in which busy lumpers swarmed beneath the gigantic arm of an iron crane. Then on the other side of the river, above a cold swimming-bath, resounding with the shouts of the last bathers of the season, the strips of grey linen that served as a roofing flapped in the wind. In the middle, the open stream flowed on in rippling, greenish wavelets tipped here and there with white, blue, and pink. And then there came the Pont des Arts, standing back, high above the water on its iron girders, like black lacework, and animated by a ceaseless procession of foot-passengers, who looked like ants careering over the narrow line of the horizontal plane. Below, the Seine flowed away to the far distance; you saw the old arches of the Pont-Neuf, browny with stone-rust; on the left, as far as the Isle of St. Louis, came a mirror-like gap; and the other arm of the river curved sharply, the lock gates of the Mint shutting out the view with a bar of foam. Along the Pont-Neuf passed big yellow omnibuses, motley vehicles of all kinds, with the mechanical regularity of so many children’s toys. The whole of the background was inframed within the perspective of the two banks; on the right were houses on the quays, partly hidden by a cluster of lofty trees, from behind which on the horizon there emerged a corner of the Hôtel de Ville, together with the square clock tower of St. Gervais, both looking as indistinct as if they had stood far away in the suburbs. And on the left bank there was a wing of the Institute, the flat frontage of the Mint, and yet another enfilade of trees.

But the centre of the immense picture, that which rose most prominently from the stream and soared to the sky, was the Cité, showing like the prow of an antique vessel, ever burnished by the setting sun. Down below, the poplars on the strip of ground that joins the two sections of the Pont-Neuf hid the statue of Henri IV with a dense mass of green foliage. Higher up, the sun set the two lines of frontages in contrast, wrapping the grey buildings of the Quai de l’Horloge in shade, and illumining with a blaze those of the Quai des Orfèvres, rows of irregular houses which stood out so clearly that one distinguished the smallest details, the shops, the signboards, even the curtains at the windows. Higher up, amid the jagged outlines of chimney stacks, behind a slanting chessboard of smaller roofs, the pepper-caster turrets of the Palais de Justice and the garrets of the Prefecture of Police displayed sheets of slate, intersected by a colossal advertisement painted in blue upon a wall, with gigantic letters which, visible to all Paris, seemed like some efflorescence of the feverish life of modern times sprouting on the city’s brow. Higher, higher still, betwixt the twin towers of Notre-Dame, of the colour of old gold, two arrows darted upwards, the spire of the cathedral itself, and to the left that of the Sainte-Chapelle, both so