The Shaving of Shagpat by George Meredith (good books to read in english .TXT) π
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The Shaving of Shagpat isnβt just George Meredithβs first published novel, itβs also his only foray into fantasy literature. Shagpat sold poorly in its day despite good reviews, and after its disappointing sales Meredith pursed a career as a writer of romantic fiction instead. Despite its poor financial reception, Shagpat enjoys a good modern reputation and remains a classic of fantasy literature, with George Eliot going so far as to call it a βwork of genius.β
The book is set in the medieval fantasy-Persia of the Arabian Nights and other oriental romances. Shibli Bagarag, a poor but talented barber, encounters a mystical crone named Noorna. Together they embark on a quest to save the city of Shagpat from a tyrant who holds the city under his command by virtue of the powers of his magical hair. On the way they battle genies and afreets, save princesses, hunt for treasures, and so on.
Meredithβs language is purposefully florid, evoking the richness of the setting, and his frequent usage of quotations and aphorisms from βthe poetβ give the fantasy a decidedly literate air.
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- Author: George Meredith
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So Kadza said, looking up, βIsβt seen of Allah, and be the genii still in their depths?β but she constrained herself, peering and perking out her chin, and lifting one foot and the other foot, as on furnaces of fire in the excess of the fury she smothered. And lo, Baba Mustapha worked diligently, and Shagpat was behind an exulting lather, even as one pelted with wheaten flour-balls or balls of powdery perfume, and his hairiness was as branches of the forest foliage bent under a sudden fall of overwhelming snow that filleth the pits and sharpeneth the wolves with hunger, and teacheth new cunning to the fox. A fox was Baba Mustapha in his stratagems, and a wolf in the fierceness of his setting upon Shagpat. Surely he drew forth the blade that was to shear Shagpat, and made with it in the air a preparatory sweep and flourish; and the blade frolicked and sent forth a light, and seemed eager for Shagpat. So Baba Mustapha addressed his arm to the shearing, and inclined gently the edge of the blade, and they marked him let it slide twice to a level with the head of Shagpat, and at the third time it touched, and Kadza howled, but from Baba Mustapha there burst a howl to madden the beasts; and he flung up his blade, and wrenched open his robe, crying, βA flea was it to bite in that fashion? Now, I swear by the Merciful, a fang like thatβs common to tigers and hyenas and ferocious animals.β
Then looked he for the mark of the bite, plaining of its pang, and he could find the mark nowhere. So, as he caressed himself, eyeing Shagpat sheepishly and with gathering awe, Noorna said hurriedly to Kadza, βAway now, and call them in, the crowd about the palace, that they may behold the triumph of Shagpat, for βtis ripe, O Kadza!β
And Kadza replied, βThouβrt a wise woman, and Iβll have thee richly rewarded. Lo, Iβm as a camel lightened of fifty loads, and the glory of Shagpat see I as a new sun rising in the desert. Wullahy! thouβrt wise, and Iβll do thy bidding.β
Now, she went flying back to the palace, and called shrill calls to the crowd, and collected them in the palace, and headed them through the garden, and it was when Baba Mustapha had summoned courage for a second essay, and was in the act of standing over Shagpat to operate on him, that the crowd burst the doors, and he was quickly seized by them, and tugged at and hauled at and pummelled, and torn and vituperated, and as a wrecked vessel on stormy waters, plunging up and down with tattered sails, when the crew fling overboard freight and ballast and provision. Surely his time would have been short with that mob, but Noorna made Kadza see the use of examining him before the King, and there were in that mob sheikhs and fakirs, holy men who listened to the words of Kadza, and exerted themselves to rescue Baba Mustapha, and quieted the rage that was prevailing, and bore Baba Mustapha with them to the great palace of the King, which was in the centre of that City. Now, when the King heard of the attempt on Shagpat, and the affair of the Pomegranate Grain, he gave orders for the admission of the people, as many of them as could be contained in the Hall of Justice: and he set a guard over Baba Mustapha, and commanded that Shagpat should be brought to the palace even as he then was, and with the lather on him. So the regal mandate went forth, and Shagpat was brought in state on cushions, and the potency of the drug preserved his sedateness through all this, and he remained motionless in sleep, folded in the centre of calm and satisfaction, while this tumult was raging and the City shook with uproar. But the people, when they saw him whitened behind a lather, wrath at Baba Mustaphaβs polluting touch and the audacity of barbercraft wrestled in them with the outpouring of reverence for Shagpat, and a clamour arose for the instant sacrifice of Baba Mustapha at the foot of their idol Shagpat. And the whole of the City of Shagpat, men, women, and children, and the sheikhs and the dervishes and crafts of the City besieged the Kingβs palace in that middle hour of the noon, clamouring for the sacrifice of Baba Mustapha at the feet of their idol Shagpat.
The Burning of the IdenticalNow, the Great Hall for the dispensing of justice in the palace of the King was one on which the architect and the artificers had lavished all their arts and subtleties of design and taste and their conceptions of uniformity and grandeur, so that none entered it without a sense of abasement, and the soul acknowledged awfulness and power in him that ruled and sat eminent on the throne of that hall. For, lo! the throne was of solid weighty gold, overhung with rich silks and purples; and the hall was lofty, with massive pillars, fifty on either side, ranging in stateliness down toward the blaze of the throne; and the pillars were pillars of porphyry and of jasper and precious marble, carven over all of them with sentences of the cunningest wisdom, distichs of excellence, odes of the poet, stanzas sharp with the incisiveness of wit, and that solve knotty points with but one stroke; and these
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