Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
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Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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Meanwhile, he had forgotten to drink. The gypsy made her little pout, from impatience, and pressed the spout to the tusked month of Quasimodo, with a smile.
He drank with deep draughts. His thirst was burning.
When he had finished, the wretch protruded his black lips, no doubt, with the object of kissing the beautiful hand which had just succoured him. But the young girl, who was, perhaps, somewhat distrustful, and who remembered the violent attempt of the night, withdrew her hand with the frightened gesture of a child who is afraid of being bitten by a beast.
Then the poor deaf man fixed on her a look full of reproach and inexpressible sadness.
It would have been a touching spectacle anywhere—this beautiful, fresh, pure, and charming girl, who was at the same time so weak, thus hastening to the relief of so much misery, deformity, and malevolence. On the pillory, the spectacle was sublime.
The very populace were captivated by it, and began to clap their hands, crying—
“Noël! Noël!”
It was at that moment that the recluse caught sight, from the window of her bole, of the gypsy on the pillory, and hurled at her her sinister imprecation—
“Accursed be thou, daughter of Egypt! Accursed! accursed!”
V End of the Story of the CakeLa Esmeralda turned pale and descended from the pillory, staggering as she went. The voice of the recluse still pursued her—
“Descend! descend! Thief of Egypt! thou shalt ascend it once more!”
“The sacked nun is in one of her tantrums,” muttered the populace; and that was the end of it. For that sort of woman was feared; which rendered them sacred. People did not then willingly attack one who prayed day and night.
The hour had arrived for removing Quasimodo. He was unbound, the crowd dispersed.
Near the Grand Pont, Mahiette, who was returning with her two companions, suddenly halted—
“By the way, Eustache! what did you do with that cake?”
“Mother,” said the child, “while you were talking with that lady in the bole, a big dog took a bite of my cake, and then I bit it also.”
“What, sir, did you eat the whole of it?” she went on.
“Mother, it was the dog. I told him, but he would not listen to me. Then I bit into it, also.”
“ ’Tis a terrible child!” said the mother, smiling and scolding at one and the same time. “Do you see, Oudarde? He already eats all the fruit from the cherry-tree in our orchard of Charlerange. So his grandfather says that he will be a captain. Just let me catch you at it again, Master Eustache. Come along, you greedy fellow!”
Book VII I The Danger of Confiding One’s Secret to a GoatMany weeks had elapsed.
The first of March had arrived. The sun, which Dubartas, that classic ancestor of periphrase, had not yet dubbed the “Grand-duke of Candles,” was none the less radiant and joyous on that account. It was one of those spring days which possesses so much sweetness and beauty, that all Paris turns out into the squares and promenades and celebrates them as though they were Sundays. In those days of brilliancy, warmth, and serenity, there is a certain hour above all others, when the façade of Notre-Dame should be admired. It is the moment when the sun, already declining towards the west, looks the cathedral almost full in the face. Its rays, growing more and more horizontal, withdraw slowly from the pavement of the square, and mount up the perpendicular façade, whose thousand bosses in high relief they cause to start out from the shadows, while the great central rose window flames like the eye of a cyclops, inflamed with the reflections of the forge.
This was the hour.
Opposite the lofty cathedral, reddened by the setting sun, on the stone balcony built above the porch of a rich Gothic house, which formed the angle of the square and the Rue du Parvis, several young girls were laughing and chatting with every sort of grace and mirth. From the length of the veil which fell from their pointed coif, twined with pearls, to their heels, from the fineness of the embroidered chemisette which covered their shoulders and allowed a glimpse, according to the pleasing custom of the time, of the swell of their fair virgin bosoms, from the opulence of their under-petticoats still more precious than their overdress (marvellous refinement), from the gauze, the silk, the velvet, with which all this was composed, and, above all, from the whiteness of their hands, which certified to their leisure and idleness, it was easy to divine they were noble and wealthy heiresses. They were, in fact, Damoiselle Fleur-de-Lys de Gondelaurier and her companions, Diane de Christeuil, Amelotte de Montmichel, Colombe de Gaillefontaine, and the little de Champchevrier maiden; all damsels of good birth, assembled at that moment at the house of the dame widow de Gondelaurier, on account of Monseigneur de Beaujeu and Madame his wife, who were to come to Paris in the month of April, there to choose maids of honor for the Dauphiness Marguerite, who was to be received in Picardy from the hands of the Flemings. Now, all the squires for twenty leagues around were intriguing for this favor for their daughters, and a goodly number of the latter had been already brought or sent to Paris. These four maidens had been confided to the discreet and venerable charge of Madame Aloïse de Gondelaurier, widow of a former commander of the king’s cross-bowmen, who had retired with her only daughter to her house in the Place du Parvis, Notre-Dame, in Paris.
The balcony on which these young girls stood opened from a chamber richly tapestried in fawn-colored Flanders leather, stamped with golden foliage. The beams, which cut the ceiling in parallel lines, diverted the eye
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