Anna Karenina by Leo Tolstoy (feel good books TXT) ๐
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack thatโs appeared in her brotherโs marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoyโs second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and itโs widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
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- Author: Leo Tolstoy
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โGet up; you wonโt feel so excited.โ
Vronsky looked round for the last time at his rivals. He knew that he would not see them during the race. Two were already riding forward to the point from which they were to start. Galtsin, a friend of Vronskyโs and one of his more formidable rivals, was moving round a bay horse that would not let him mount. A little light hussar in tight riding breeches rode off at a gallop, crouched up like a cat on the saddle, in imitation of English jockeys. Prince Kuzovlev sat with a white face on his thoroughbred mare from the Grabovsky stud, while an English groom led her by the bridle. Vronsky and all his comrades knew Kuzovlev and his peculiarity of โweak nervesโ and terrible vanity. They knew that he was afraid of everything, afraid of riding a spirited horse. But now, just because it was terrible, because people broke their necks, and there was a doctor standing at each obstacle, and an ambulance with a cross on it, and a sister of mercy, he had made up his mind to take part in the race. Their eyes met, and Vronsky gave him a friendly and encouraging nod. Only one he did not see, his chief rival, Mahotin on Gladiator.
โDonโt be in a hurry,โ said Cord to Vronsky, โand remember one thing: donโt hold her in at the fences, and donโt urge her on; let her go as she likes.โ
โAll right, all right,โ said Vronsky, taking the reins.
โIf you can, lead the race; but donโt lose heart till the last minute, even if youโre behind.โ
Before the mare had time to move, Vronsky stepped with an agile, vigorous movement into the steel-toothed stirrup, and lightly and firmly seated himself on the creaking leather of the saddle. Getting his right foot in the stirrup, he smoothed the double reins, as he always did, between his fingers, and Cord let go.
As though she did not know which foot to put first, Frou-Frou started, dragging at the reins with her long neck, and as though she were on springs, shaking her rider from side to side. Cord quickened his step, following him. The excited mare, trying to shake off her rider first on one side and then the other, pulled at the reins, and Vronsky tried in vain with voice and hand to soothe her.
They were just reaching the dammed-up stream on their way to the starting point. Several of the riders were in front and several behind, when suddenly Vronsky heard the sound of a horse galloping in the mud behind him, and he was overtaken by Mahotin on his white-legged, lop-eared Gladiator. Mahotin smiled, showing his long teeth, but Vronsky looked angrily at him. He did not like him, and regarded him now as his most formidable rival. He was angry with him for galloping past and exciting his mare. Frou-Frou started into a gallop, her left foot forward, made two bounds, and fretting at the tightened reins, passed into a jolting trot, bumping her rider up and down. Cord, too, scowled, and followed Vronsky almost at a trot.
XXVThere were seventeen officers in all riding in this race. The race course was a large three-mile ring of the form of an ellipse in front of the pavilion. On this course nine obstacles had been arranged: the stream, a big and solid barrier five feet high, just before the pavilion, a dry ditch, a ditch full of water, a precipitous slope, an Irish barricade (one of the most difficult obstacles, consisting of a mound fenced with brushwood, beyond which was a ditch out of sight for the horses, so that the horse had to clear both obstacles or might be killed); then two more ditches filled with water, and one dry one; and the end of the race was just facing the pavilion. But the race began not in the ring, but two hundred yards away from it, and in that part of the course was the first obstacle, a dammed-up stream, seven feet in breadth, which the racers could leap or wade through as they preferred.
Three times they were ranged ready to start, but each time some horse thrust itself out of line, and they had to begin again. The umpire who was starting them, Colonel Sestrin, was beginning to lose his temper, when at last for the fourth time he shouted โAway!โ and the racers started.
Every eye, every opera-glass, was turned on the brightly colored group of riders at the moment they were in line to start.
โTheyโre off! Theyโre starting!โ was heard on all sides after the hush of expectation.
And little groups and solitary figures among the public began running from place to place to get a better view. In the very first minute the close group of horsemen drew out, and it could be seen that they were approaching the stream in twos and threes and one behind another. To the spectators it seemed as though they had all started simultaneously, but to the racers there were seconds of difference that had great value to them.
Frou-Frou, excited and over-nervous, had lost the first moment, and several horses had started before her, but before reaching the stream, Vronsky, who was holding in the mare with all his force as she tugged at the bridle, easily overtook three, and there were left in front of him Mahotinโs chestnut Gladiator, whose hindquarters were moving lightly and rhythmically up and down exactly in front of Vronsky, and in front of all, the dainty mare Diana bearing Kuzovlev more dead than alive.
For the first instant Vronsky was not master either of himself or his mare. Up to the first obstacle, the stream, he could not guide the motions of his mare.
Gladiator and Diana came up to it
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