The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) 📕
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Author’s Revised Edition published in 1848. The Sketch-Book is the first publication to use Irving’s pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical “The Mutability of Literature” to the eerie and seemingly supernatural “The Legend of Sleepy Hollow,” but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle,” are Irving’s most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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All empires, however, says some philosopher or historian, are doomed to changes and revolutions. Luxury and innovation creep in, factions arise, and families now and then spring up whose ambition and intrigues throw the whole system into confusion. Thus in letter days has the tranquillity of Little Britain been grievously disturbed and its golden simplicity of manners threatened with total subversion by the aspiring family of a retired butcher.
The family of the Lambs had long been among the most thriving and popular in the neighborhood: the Miss Lambs were the belles of Little Britain, and everybody was pleased when Old Lamb had made money enough to shut up shop and put his name on a brass plate on his door. In an evil hour, however, one of the Miss Lambs had the honor of being a lady in attendance on the Lady Mayoress at her grand annual ball, on which occasion she wore three towering ostrich feathers on her head. The family never got over it; they were immediately smitten with a passion for high life; set up a one-horse carriage, put a bit of gold lace round the errand-boy’s hat, and have been the talk and detestation of the whole neighborhood ever since. They could no longer be induced to play at Pope-Joan or blind man’s buff; they could endure no dances but quadrilles, which nobody had ever heard of in Little Britain; and they took to reading novels, talking bad French, and playing upon the piano. Their brother, too, who had been articled to an attorney, set up for a dandy and a critic, characters hitherto unknown in these parts, and he confounded the worthy folks exceedingly by talking about Kean, the Opera, and the Edinburgh Review.
What was still worse, the Lambs gave a grand ball, to which they neglected to invite any of their old neighbors; but they had a great deal of genteel company from Theobald’s Road, Red Lion Square, and other parts towards the west. There were several beaux of their brother’s acquaintance from Gray’s Inn Lane and Hatton Garden, and not less than three aldermen’s ladies with their daughters. This was not to be forgotten or forgiven. All Little Britain was in an uproar with the smacking of whips, the lashing of in miserable horses, and the rattling and jingling of hackney-coaches. The gossips of the neighborhood might be seen popping their nightcaps out at every window, watching the crazy vehicles rumble by; and there was a knot of virulent old cronies that kept a lookout from a house just opposite the retired butcher’s and scanned and criticised everyone that knocked at the door.
This dance was a cause of almost open war, and the whole neighborhood declared they would have nothing more to say to the Lambs. It is true that Mrs. Lamb, when she had no engagements with her quality acquaintance, would give little humdrum tea-junketings to some of her old cronies, “quite,” as she would say, “in a friendly way;” and it is equally true that her invitations were always accepted, in spite of all previous vows to the contrary. Nay, the good ladies would sit and be delighted with the music of the Miss Lambs, who would condescend to strum an Irish melody for them on the piano; and they would listen with wonderful interest to Mrs. Lamb’s anecdotes of Alderman Plunket’s family, of Portsoken Ward, and the Miss Timberlakes, the rich heiresses of Crutched Friars but then they relieved their consciences and averted the reproaches of their confederates by canvassing at the next gossiping convocation everything that had passed, and pulling the Lambs and their rout all to pieces.
The only one of the family that could not be made fashionable was the retired butcher himself. Honest Lamb, in spite of the meekness of his name, was a rough, hearty old fellow, with the voice of a lion, a head of black hair like a shoe-brush, and a broad face mottled like his own beef. It was in vain that the daughters always spoke of him as “the old gentleman,” addressed him as “papa” in tones of infinite softness, and endeavored to coax him into a dressing-gown and slippers and other gentlemanly habits. Do what they might, there was no keeping down the butcher. His sturdy nature would break through all their glozings. He had a hearty vulgar good-humor that was irrepressible. His very jokes made his sensitive daughters shudder, and he persisted in wearing his blue cotton coat of a morning, dining at two o’clock, and having a “bit of sausage with his tea.”
He was doomed, however, to share the unpopularity of his family. He found his old comrades gradually growing cold and civil to him, no longer laughing at his jokes, and now and then throwing out a fling at “some people” and a hint about “quality binding.” This both nettled and perplexed the honest butcher; and his wife and daughters, with the consummate policy of the shrewder sex, taking advantage of the circumstance, at length prevailed upon him to give up his afternoon’s pipe and tankard at Wagstaff’s, to sit after dinner by himself and take his pint of port—a liquor he detested—and to nod in his chair in solitary and dismal gentility.
The Miss Lambs might now be seen flaunting along the streets in French bonnets with unknown beaux, and talking and laughing so loud that it distressed the nerves of every good lady within hearing. They even went so far as to attempt patronage, and actually induced a French dancing master to set up in the neighborhood; but the worthy folks of Little Britain took fire at it, and did so persecute the poor Gaul that he was
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