The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
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In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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The Assinghams were there, by prescription, though quite at the foot of the social ladder, and with the Colonel’s wife, in spite of her humility of position, the Prince was more inwardly occupied than with any other person except Charlotte. He was occupied with Charlotte because, in the first place, she looked so inordinately handsome and held so high, where so much else was mature and sedate, the torch of responsive youth and the standard of passive grace; and because of the fact that, in the second, the occasion, so far as it referred itself with any confidence of emphasis to a hostess, seemed to refer itself preferentially, well-meaningly and perversely, to Maggie. It was not indistinguishable to him, when once they were all stationed, that his wife too had in perfection her own little character; but he wondered how it managed so visibly to simplify itself—and this, he knew, in spite of any desire she entertained—to the essential air of having overmuch on her mind the felicity, and indeed the very conduct and credit, of the feast. He knew, as well, the other things of which her appearance was at any time—and in Eaton Square especially—made up: her resemblance to her father, at times so vivid, and coming out, in the delicate warmth of occasions, like the quickened fragrance of a flower; her resemblance, as he had hit it off for her once in Rome, in the first flushed days, after their engagement, to a little dancing-girl at rest, ever so light of movement but most often panting gently, even a shade compunctiously, on a bench; her approximation, finally—for it was analogy, somehow, more than identity—to the transmitted images of rather neutral and negative propriety that made up, in his long line, the average of wifehood and motherhood. If the Roman matron had been, in sufficiency, first and last, the honour of that line, Maggie would no doubt, at fifty, have expanded, have solidified to some such dignity, even should she suggest a little but a Cornelia in miniature. A light, however, broke for him in season, and when once it had done so it made him more than ever aware of Mrs. Verver’s vaguely, yet quite exquisitely, contingent participation—a mere hinted or tendered discretion; in short of Mrs. Verver’s indescribable, unfathomable relation to the scene. Her placed condition, her natural seat and neighbourhood, her intenser presence, her quieter smile, her fewer jewels, were inevitably all as nothing compared with the preoccupation that burned in Maggie like a small flame and that had in fact kindled in each of her cheeks a little attesting, but fortunately by no means unbecoming, spot. The party was her father’s party, and its greater or smaller success was a question having for her all the importance of his importance; so that sympathy created for her a sort of visible suspense, under pressure of which she bristled with filial reference, with little filial recalls of expression, movement, tone. It was all unmistakable, and as pretty as possible, if one would, and even as funny; but it put the pair so together, as undivided by the marriage of each, that the Princess il n’y avait pas a dire—might sit where she liked: she would still, always, in that house, be irremediably Maggie Verver. The Prince found himself on this occasion so beset with that perception that its natural complement for him would really have been to wonder if Mr. Verver had produced on people something of the same impression in the recorded cases of his having dined with his daughter.
This backward speculation, had it begun to play, however, would have been easily arrested; for it was at present to come over Amerigo as never before that his remarkable father-in-law was the man in the world least equipped with different appearances for different hours. He was simple, he was a revelation of simplicity, and that was the end of him so far as he consisted of an appearance at all—a question that might verily, for a weakness in it, have been argued. It amused our young man, who was taking his pleasure tonight, it will be seen, in sundry occult ways, it amused him to feel how everything else the master of the house consisted of, resources, possessions, facilities and amiabilities amplified by the social legend, depended, for conveying the effect of quantity, on no personal “equation,” no mere measurable medium. Quantity was in the air for these good people, and Mr. Verver’s estimable quality was almost wholly in that pervasion. He was meagre and modest and clearbrowed, and his eyes, if they wandered without fear, yet stayed without defiance; his shoulders were not broad, his chest was not high, his complexion was not fresh, and the crown of
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