Antic Hay by Aldous Huxley (kiss me liar novel english txt) 📕

nightmare. The pedals were geared to a little wheel under the saddle and the rim of the wheel rubbed, as it revolved against a brake, carefully adjusted to make the work of the pedaller hard, but not impossibly hard. From a pipe which came up through the floor issued a little jet of water which played on the brake and kept it cool. But no jet of water played on Shearwater. It was his business to get hot. He did get hot.

From time to time his dog-faced young friend, Lancing, came and looked through the window of the experimenting chamber to see how he was getting on. Inside that little wooden house, which might have reminded Lancing, if he had had a literary turn of mind, of the Box in which Gulliver left Brobdingnag, the scenes of intimate life were the same every time he looked in. Shearwater was always at his post on the saddle of the nightmare bicycle, pedalling, pedalling. The water trickled over the brake. And Shearwater sweated. Great drops of sweat came oozing out from under his hair, ran down over his forehead, hung beaded on his eyebrows, ran into his eyes, down his nose, along his cheeks, fell like raindrops. His thick bull-neck was wet; his whole naked body, his arms and legs streamed and shone. The sweat poured off him and was caught as it rained down in a waterproof sheet, to trickle down its sloping folds into a large glass receptacle which stood under a hole in the centre of the sheet at the focal point where all its slopes converged. The automatically controlled heating apparatus in the basement kept the temperature in the box high and steady. Peering through the damp-dimmed panes of the window. Lancing noticed with satisfaction that the mercury stood unchangingly at twenty-seven point five Centigrade. The ventilators at the side and top of the box were open; Shearwater had air enough. Another time, Lancing reflected, they’d make the box airtight and see the effect of a little carbon dioxide poisoning on top of excessive sweating. It might be very interesting, but today they were concerned with sweating only. After seeing that the thermometer was steady, that the ventilators were properly open, the water was still trickling over the brake, Lancing would tap at the window. And Shearwater, who kept his eyes fixed straight before him, as he pedalled slowly and unremittingly along his nightmare road, would turn his head at the sound.

“All right?” Lancing’s lips moved and his eyebrows went up inquiringly.

Shearwater would nod his big, round head, and the sweatdrops, suspended on his eyebrows and his moustache, would fall like little liquid fruits shaken suddenly by the wind.

“Good,” and Lancing would go back to his thick German book under the reading-lamp at the other end of the laboratory.

Constant as the thermometer Shearwater pedalled steadily and slowly on. With a few brief halts for food and rest, he had been pedalling ever since lunchtime. At eleven he would go to bed on a shakedown in the laboratory and at nine tomorrow morning he would re-enter the box and start pedalling again. He would go on all tomorrow and the day after; and after that, as long as he could stand it. One, two, three, four. Pedal, pedal, pedal.⁠ ⁠… He must have travelled the equivalent of sixty or seventy miles this afternoon. He would be getting on for Swindon. He would be nearly at Portsmouth. He would be past Cambridge, past Oxford. He would be nearly at Harwich, pedalling through the green and golden valleys where Constable used to paint. He would be at Winchester by the bright stream. He would have ridden through the beech woods of Arundel out into the sea.⁠ ⁠…

In any case he was far away, he was escaping. And Mrs. Viveash followed, walking swayingly along on feet that seemed to tread between two abysses, at her leisure. Pedal, pedal. The hydrogen ion concentration in the blood.⁠ ⁠… Formidably, calmly, her eyes regarded. The lids cut off an arc of those pale circles. When she smiled, it was a crucifixion. The coils of her hair were copper serpents. Her small gestures loosened enormous fragments of the universe and at the faint dying sound of her voice they had fallen in ruins about him. His world was no longer safe, it had ceased to stand on its foundations. Mrs. Viveash walked among his ruins and did not even notice them. He must build up again. Pedal, pedal. He was not merely escaping; he was working a building machine. It must be built with proportion; with proportion, the old man had said. The old man appeared in the middle of the nightmare road in front of him, clutching his beard. Proportion, proportion. There were first a lot of dirty rocks lying about; then there was St. Paul’s. These bits of his life had to be built up proportionably.

There was work. And there was talk about work and ideas. And there were men who could talk about work and ideas. But so far as he had been concerned that was about all they could do. He would have to find out what else they did; it was interesting. And he would have to find out what other men did; men who couldn’t talk about work and not much about ideas. They had as good kidneys as anyone else.

And then there were women.

On the nightmare road he remained stationary. The pedals went round and round under his driving feet; the sweat ran off him. He was escaping, and yet he was also drawing nearer. He would have to draw nearer. “Woman, what have I to do with you?” Not enough; too much.

Not enough⁠—he was building her in, a great pillar next to the pillar of work.

Too much⁠—he was escaping. If he had not caged himself here in this hot box, he would have run out after her, to throw himself⁠—all in fragments, all dissipated and useless⁠—in front of her. And she wanted none of