Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βββIβm your company,β says I. βI never see this New York, but Iβd like to. But, Luke,β says I, βdonβt you have to have a dispensation or a habeas corpus or something from the state, when you reach out that far for rich men and malefactors?β
βββDid I have a requisition,β says Luke, βwhen I went over into the Brazos bottoms and brought back Bill Grimes and two more for holding up the International? Did me and you have a search warrant or a posse comitatus when we rounded up them six Mexican cow thieves down in Hidalgo? Itβs my business to keep order in Mojada County.β
βββAnd itβs my business as office deputy,β says I, βto see that business is carried on according to law. Between us both we ought to keep things pretty well cleaned up.β
βSo, the next day, Luke packs a blanket and some collars and his mileage book in a haversack, and him and me hits the breeze for New York. It was a powerful long ride. The seats in the cars was too short for six-footers like us to sleep comfortable on; and the conductor had to keep us from getting off at every town that had five-story houses in it. But we got there finally; and we seemed to see right away that he was right about it.
βββLuke,β says I, βas office deputy and from a law standpoint, it donβt look to me like this place is properly and legally in the jurisdiction of Mojada County, Texas.β
βββFrom the standpoint of order,β says he, βitβs amenable to answer for its sins to the properly appointed authorities from Bildad to Jerusalem.β
βββAmen,β says I. βBut letβs turn our trick sudden, and ride. I donβt like the looks of this place.β
βββThink of Pedro Johnson,β says Luke, βa friend of mine and yours shot down by one of these gilded abolitionists at his very door!β
βββIt was at the door of the freight depot,β says I. βBut the law will not be balked at a quibble like that.β
βWe put up at one of them big hotels on Broadway. The next morning I goes down about two miles of stairsteps to the bottom and hunts for Luke. It ainβt no use. It looks like San Jacinto day in San Antone. Thereβs a thousand folks milling around in a kind of a roofed-over plaza with marble pavements and trees growing right out of βem, and I see no more chance of finding Luke than if we was hunting each other in the big pear flat down below Old Fort Ewell. But soon Luke and me runs together in one of the turns of them marble alleys.
βββIt ainβt no use, Bud,β says he. βI canβt find no place to eat at. Iβve been looking for restaurant signs and smelling for ham all over the camp. But Iβm used to going hungry when I have to. Now,β says he, βIβm going out and get a hack and ride down to the address on this Scudder card. You stay here and try to hustle some grub. But I doubt if youβll find it. I wish weβd brought along some cornmeal and bacon and beans. Iβll be back when I see this Scudder, if the trail ainβt wiped out.β
βSo I starts foraging for breakfast. For the honour of old Mojada County I didnβt want to seem green to them abolitionists, so every time I turned a corner in them marble halls I went up to the first desk or counter I see and looks around for grub. If I didnβt see what I wanted I asked for something else. In about half an hour I had a dozen cigars, five story magazines, and seven or eight railroad timetables in my pockets, and never a smell of coffee or bacon to point out the trail.
βOnce a lady sitting at a table and playing a game kind of like pushpin told me to go into a closet that she called Number 3. I went in and shut the door, and the blamed thing lit itself up. I set down on a stool before a shelf and waited. Thinks I, βThis is a private dining-room.β But no waiter never came. When I got to sweating good and hard, I goes out again.
βββDid you get what you wanted?β says she.
βββNo, maβam,β says I. βNot a bite.β
βββThen thereβs no charge,β says she.
βββThanky, maβam,β says I, and I takes up the trail again.
βBy and by I thinks Iβll shed etiquette; and I picks up one of them boys with blue clothes and yellow buttons in front, and he leads me to what he calls the caffay breakfast room. And the first thing I lays my eyes on when I go in is that boy that had shot Pedro Johnson. He was setting all alone at a little table, hitting a egg with a spoon like he was afraid heβd break it.
βI takes the chair across the table from him; and he looks insulted and makes a move like he was going to get up.
βββKeep still, son,β says I. βYouβre apprehended, arrested, and in charge of the Texas authorities. Go on and hammer that egg some more if itβs the inside of it you want. Now, what did you shoot Mr. Johnson, of Bildad, for?β
βAnd may I ask who you are?β says he.
βββYou may,β says I. βGo ahead.β
βββI suppose youβre on,β says this kid, without batting his eyes. βBut what are you eating? Here, waiter!β he calls out, raising his finger. βTake this gentlemanβs order.
βββA beefsteak,β says I, βand some fried eggs and a can of peaches and a quart of coffee will about suffice.β
βWe talk awhile about the sundries of life and then he says:
βββWhat are you going to do about that shooting? I had a right to shoot that man,β says he. βHe called me names that I couldnβt overlook, and then he struck me. He carried a
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