Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) ๐
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Considered by many to be Maughamโs masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philipโs love life, a central aspect to the book, also mirrors Maughamโs own stormy affairs.
Maugham originally titled the book โBeauty from Ashesโ before settling on the final title, taken from a section of Spinozaโs Ethics in which he discusses how oneโs inability to control oneโs emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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โBut if all that is true,โ cried Philip, โwhat is the use of anything? If you take away duty and goodness and beauty why are we brought into the world?โ
โHere comes the gorgeous East to suggest an answer,โ smiled Cronshaw.
He pointed to two persons who at that moment opened the door of the cafรฉ, and, with a blast of cold air, entered. They were Levantines, itinerant vendors of cheap rugs, and each bore on his arm a bundle. It was Sunday evening, and the cafรฉ was very full. They passed among the tables, and in that atmosphere heavy and discoloured with tobacco smoke, rank with humanity, they seemed to bring an air of mystery. They were clad in European, shabby clothes, their thin greatcoats were threadbare, but each wore a tarbouch. Their faces were gray with cold. One was of middle age, with a black beard, but the other was a youth of eighteen, with a face deeply scarred by smallpox and with one eye only. They passed by Cronshaw and Philip.
โAllah is great, and Muhammad is his prophet,โ said Cronshaw impressively.
The elder advanced with a cringing smile, like a mongrel used to blows. With a sidelong glance at the door and a quick surreptitious movement he showed a pornographic picture.
โAre you Masr-ed-Deen, the merchant of Alexandria, or is it from far Bagdad that you bring your goods, O, my uncle; and yonder one-eyed youth, do I see in him one of the three kings of whom Scheherazade told stories to her lord?โ
The pedlarโs smile grew more ingratiating, though he understood no word of what Cronshaw said, and like a conjurer he produced a sandalwood box.
โNay, show us the priceless web of Eastern looms,โ quoth Cronshaw. โFor I would point a moral and adorn a tale.โ
The Levantine unfolded a tablecloth, red and yellow, vulgar, hideous, and grotesque.
โThirty-five francs,โ he said.
โO, my uncle, this cloth knew not the weavers of Samarkand, and those colours were never made in the vats of Bokhara.โ
โTwenty-five francs,โ smiled the pedlar obsequiously.
โUltima Thule was the place of its manufacture, even Birmingham the place of my birth.โ
โFifteen francs,โ cringed the bearded man.
โGet thee gone, fellow,โ said Cronshaw. โMay wild asses defile the grave of thy maternal grandmother.โ
Imperturbably, but smiling no more, the Levantine passed with his wares to another table. Cronshaw turned to Philip.
โHave you ever been to the Cluny, the museum? There you will see Persian carpets of the most exquisite hue and of a pattern the beautiful intricacy of which delights and amazes the eye. In them you will see the mystery and the sensual beauty of the East, the roses of Hafiz and the wine-cup of Omar; but presently you will see more. You were asking just now what was the meaning of life. Go and look at those Persian carpets, and one of these days the answer will come to you.โ
โYou are cryptic,โ said Philip.
โI am drunk,โ answered Cronshaw.
XLVIPhilip did not find living in Paris as cheap as he had been led to believe and by February had spent most of the money with which he started. He was too proud to appeal to his guardian, nor did he wish Aunt Louisa to know that his circumstances were straitened, since he was certain she would make an effort to send him something from her own pocket, and he knew how little she could afford to. In three months he would attain his majority and come into possession of his small fortune. He tided over the interval by selling the few trinkets which he had inherited from his father.
At about this time Lawson suggested that they should take a small studio which was vacant in one of the streets that led out of the Boulevard Raspail. It was very cheap. It had a room attached, which they could use as a bedroom; and since Philip was at the school every morning Lawson could have the undisturbed use of the studio then; Lawson, after wandering from school to school, had come to the conclusion that he could work best alone, and proposed to get a model in three or four days a week. At first Philip hesitated on account of the expense, but they reckoned it out; and it seemed (they were so anxious to have a studio of their own that they calculated pragmatically) that the cost would not be much greater than that of living in a hotel. Though the rent and the cleaning by the concierge would come to a little more, they would save on the petit dรฉjeuner, which they could make themselves. A year or two earlier Philip would have refused to share a room with anyone, since he was so sensitive about his deformed foot, but his morbid way of looking at it was growing less marked: in Paris it did not seem to matter so much, and, though he never by any chance forgot it himself, he ceased to feel that other people were constantly noticing it.
They moved in, bought a couple of beds, a washing-stand, a few chairs, and felt for the first time the thrill of possession. They were so excited that the first night they went to bed in what they could call a home they lay awake talking till three in the morning;
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