Short Fiction by Aleksandr Kuprin (nonfiction book recommendations .txt) 📕
Description
Aleksandr Kuprin was one of the most celebrated Russian authors of the early twentieth century, writing both novels (including his most famous, The Duel) and short fiction. Along with Chekhov and Bunin, he did much to draw attention away from the “great Russian novel” and to make short fiction popular. His work is famed for its descriptive qualities and sense of place, but it always centers on the souls of the stories’ subjects. The themes of his work are wide and varied, and include biblical parables, bittersweet romances, spy fiction, and farce, among many others. In 1920, under some political pressure, Kuprin left Russia for France, and his later work primarily adopts his new homeland for the setting.
This collection comprises the best individual translations into English of each of his short stories and novellas available in the public domain, presented in chronological order of their translated publication.
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- Author: Aleksandr Kuprin
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In front of the balcony was a wide, much-trampled platform. On this Sergey spread his little mattress, and grandfather, having fixed the organ on its stick, prepared to turn the handle. But just as he was in the act of doing this, a most unexpected and strange sight suddenly attracted his attention.
A boy of nine or ten rushed suddenly out of the house on to the terrace like a bomb, giving forth piercing shrieks. He was in a sailor suit, with bare arms and legs. His fair curls hung in a tangle on his shoulders. Away he rushed, and after him came six people; two women in aprons, a stout old lackey, without moustache or beard but with grey side-whiskers, wearing a frock coat, a lean, carrotty-haired, red-nosed girl in a blue-checked dress, a young sickly-looking but very beautiful lady in a blue dressing-jacket trimmed with lace, and, last of all, a stout, bald gentleman in a suit of Tussore silk, and with gold spectacles. They were all very much excited, waved their arms, spoke loudly, and even jostled one another. You could see at one that the cause of all their anxiety was the boy in the sailor suit, who had so suddenly rushed on to the terrace.
And the boy, the cause of all this hurly-burly, did not cease screaming for one second, but threw himself down on his stomach, turned quickly over on to his back, and began to kick out with his legs on all sides. The little crowd of grownups fussed around him. The old lackey in the frock coat pressed his hands to his starched shirtfront and begged and implored the boy to be quiet, his long side-whiskers trembling as he spoke:
“Little father, master! … Nikolai Apollonovitch! … Do not vex your little mamma. Do get up, sir; be so good, so kind—take a little, sir. The mixture’s sweet as sweet, just syrup, sir. Now let me help you up. …”
The women in the aprons clapped their hands and chirped quickly-quickly, in seemingly passionate and frightened voices. The red-nosed girl made tragic gestures, and cried out something evidently very touching, but completely incomprehensible, as it was in a foreign language. The gentleman in the gold spectacles made speeches to the boy in a reasoning bass voice, wagged his head to and fro as he spoke, and slowly waved his hands up and down. And the beautiful, delicate—looking lady moaned wearily, pressing a lace handkerchief to her eyes.
“Ah, Trilly, ah, God in Heaven! … Angel mine, I beseech you, listen, your own mother begs you. Now do, do take the medicine, take it and you’ll see, you’ll feel better at once, and the stomachache will go away and the headache. Now do it for me, my joy! Oh, Trilly, if you want it, your mamma will go down on her knees. See, darling, I’m on my knees before you. If you wish it, I’ll give you gold—a sovereign, two sovereigns, five sovereigns. Trilly, would you like a live ass? Would you like a live horse? Oh, for goodness’ sake, say something to him, doctor.”
“Pay attention, Trilly. Be a man!” droned the stout gentleman in the spectacles.
“Ai-yai-yai-ya-a-a-a!” yelled the boy, squirming on the ground, and kicking about desperately with his feet.
Despite his extreme agitation he managed to give several kicks to the people around him, and they, for their part, got out of his way sufficiently cleverly.
Sergey looked upon the scene with curiosity and astonishment, and at last nudged the old man in the side and said:
“Grandfather Lodishkin, what’s the matter with him? Can’t they give him a beating?”
“A beating—I like that. … That sort isn’t beaten, but beats everybody else. A crazy boy; ill, I expect.”
“Insane?” enquired Sergey.
“How should I know? Hst, be quiet! …”
“Ai-yai-ya-a! Scum, fatheads!” shouted the boy, louder and louder.
“Well, begin, Sergey. Now’s the time, for I know!” ordered Lodishkin suddenly, taking hold of the handle of his organ and turning it with resolution. The snuffling and false notes of the ancient galop rose in the garden. All the people stopped suddenly and looked round; even the boy became silent for a few seconds.
“Ah, God in heaven, they will upset my poor Trilly still more!” cried the lady in the blue dressing-jacket, with tears in her eyes. “Chase them off, quickly, quickly. Drive them away, and the dirty dog with them. Dogs have always such dreadful diseases. Why do you stand there helplessly, Ivan, as if you were turned to stone?” She shook her handkerchief wearily in the direction of grandfather and the little boy; the lean, red-nosed girl made dreadful eyes; someone gave a threatening whisper; the lackey in the dress coat ran swiftly from the balcony on his tiptoes, and, with an expression of horror on his face, cried to the organ grinder, spreading out his arms like wings as he spoke:
“Whatever does it mean—who permitted them—who let them through? March! Clear out! …”
The organ became silent in a melancholy whimper.
“Fine gentleman, allow us to explain,” began the old man delicately.
“No explanations whatever! March!” roared the lackey in a hoarse, angry whisper.
His whole fat face turned purple, and his eyes protruded to such a degree that they looked as if they would suddenly roll out and run away like wheels. The sight was so dreadful that grandfather involuntarily took two steps backward.
“Put the things up, Sergey,” said he, hurriedly jolting the organ on to his back. “Come on!”
But they had not succeeded in taking more than ten steps when the child began to shriek even worse than ever:
“Ai-yai-yai! Give it me! I wa‑ant
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