The Turmoil by Booth Tarkington (read aloud books .txt) đ
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Bibbs is the dreamy, sensitive son of Mr. Sheridan, a cigar-chomping, larger-than-life businessman in the turn-of-the-century American Midwest. Sheridan made his fortune in the rapid industrialization that was overtaking the small towns and cities of America, but Bibbsânamed so âmainly through lack of imagination on his motherâs partââis too sickly to help his father in Sheridanâs relentless quest for âBigness.â
The Sheridan family moves to a house next door to the old-money Vertrees family, whose fortunes have declined precipitously in this new eraâs thirst for industry. Bibbs makes fast friends with Mary, Vertreesâ daughter; but as he tries to make a life for himself as a poet and writer, away from the cutthroat world of business, he must face off against the relentless drum of money, growth, and Bigness that has consumed American small-town life.
The Turmoil is the first book in Tarkingtonâs Growth trilogy, a series that explores the destruction of traditional small-town America in favor of industrialization, pollution, automobiles, overcrowding, and suburbia. Tarkington makes no secret of his opinion on the matter: the trilogy is filled with acrid smoke, towering buildings crammed with people, noise and deadly accidents caused by brand-new cars, brutal working conditions, and a yearning for the clean, bright, slow, dignified days of yore.
The book was made in to two silent films just eight years apart from each other. Its sequel, The Magnificent Ambersons, went on to win the Pulitzer prize in 1919.
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- Author: Booth Tarkington
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It was the telephone that called him from his vision. It rang fiercely.
He lifted the thing from his desk and answeredâ âand as the small voice inside it spoke he dropped the receiver with a crash. He trembled violently as he picked it up, but he told himself he was wrongâ âhe had been mistakenâ âyet it was a startlingly beautiful voice; startlingly kind, too, and ineffably like the one he hungered most to hear.
âWho?â he said, his own voice shakingâ âlike his hand.
âMary.â
He responded with two hushed and incredulous words: âIs it?â
There was a little thrill of pathetic half-laughter in the instrument. âBibbsâ âI wanted toâ âjust to see if youâ ââ
âYesâ âMary?â
âI was looking when you were so nearly run over. I saw it, Bibbs. They said you hadnât been hurt, they thought, but I wanted to know for myself.â
âNo, no, I wasnât hurt at allâ âMary. It was father who came nearer it. He saved me.â
âYes, I saw; but you had fallen. I couldnât get through the crowd until you had gone. And I wanted to know.â
âMaryâ âwould youâ âhave minded?â he said.
There was a long interval before she answered.
âYes.â
âThen whyâ ââ
âYes, Bibbs?â
âI donât know what to say,â he cried. âItâs so wonderful to hear your voice againâ âIâm shaking, Maryâ âIâ âI donât knowâ âI donât know anything except that I am talking to you! It is youâ âMary?â
âYes, Bibbs!â
âMaryâ âIâve seen you from my window at homeâ âonly five times since Iâ âsince then. You lookedâ âoh, how can I tell you? It was like a man chained in a cave catching a glimpse of the blue sky, Mary. Mary, wonât youâ âlet me see you againâ ânear? I think I could make you really forgive meâ âyouâd have toâ ââ
âI didâ âthen.â
âNoâ ânot reallyâ âor you wouldnât have said you couldnât see me any more.â
âThat wasnât the reason.â The voice was very low.
âMary,â he said, even more tremulously than before, âI canâtâ âyou couldnât mean it was becauseâ âyou canât mean it was because youâ âcare?â
There was no answer.
âMary?â he called, huskily. âIf you mean thatâ âyouâd let me see youâ âwouldnât you?â
And now the voice was so low he could not be sure it spoke at all, but if it did, the words were, âYes, Bibbsâ âdear.â
But the voice was not in the instrumentâ âit was so gentle and so light, so almost nothing, it seemed to be made of airâ âand it came from the air.
Slowly and incredulously he turnedâ âand glory fell upon his shining eyes. The door of his fatherâs room had opened.
Mary stood upon the threshold.
ColophonThe Turmoil
was published in 1915 by
Booth Tarkington.
This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 1997 by
Lois Heiser and David Widger
for
Project Gutenberg
and on digital scans available at
Google Books.
The cover page is adapted from
Randolph Street, Chicago,
a painting completed in 1905 by
Colin Campbell Cooper.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
October 4, 2020, 6:35 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/booth-tarkington/the-turmoil.
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