Dracula by Bram Stoker (readnow TXT) 📕

began to chew. As to Van Helsing, he was employed in a definite way. First he took from his bag a mass of what looked like thin, wafer-like biscuit, which was carefully rolled up in a white napkin; next he took out a double-handful of some whitish stuff, like dough or putty. He crumbled the wafer up fine and worked it into the mass between his hands. This he then took, and rolling it into thin strips, began to lay them into the crevices between the door and its setting in the tomb. I was somewhat puzzled at this, and being close, asked him what it was that he was doing. Arthur and Quincey drew near also, as they too were curious. He answered:⁠—

“I am closing the tomb, so that the Un-Dead may not enter.”

“And is that stuff you have put there going to do it?” asked Quincey. “Great Scott! Is this a game?”

“It is.”

“What is that which you are using?” This time the question was by Arthur. Van Helsing reverently lifted his hat as he answered:⁠—

“The Host. I brought it from Amsterdam. I have an Indulgence.” It was an answer that appalled the most sceptical of us, and we felt individually that in the presence of such earnest purpose as the Professor’s, a purpose which could thus use the to him most sacred of things, it was impossible to distrust. In respectful silence we took the places assigned to us close round the tomb, but hidden from the sight of anyone approaching. I pitied the others, especially Arthur. I had myself been apprenticed by my former visits to this watching horror; and yet I, who had up to an hour ago repudiated the proofs, felt my heart sink within me. Never did tombs look so ghastly white; never did cypress, or yew, or juniper so seem the embodiment of funereal gloom; never did tree or grass wave or rustle so ominously; never did bough creak so mysteriously; and never did the faraway howling of dogs send such a woeful presage through the night.

There was a long spell of silence, a big, aching void, and then from the Professor a keen “S-s-s-s!” He pointed; and far down the avenue of yews we saw a white figure advance⁠—a dim white figure, which held something dark at its breast. The figure stopped, and at the moment a ray of moonlight fell upon the masses of driving clouds and showed in startling prominence a dark-haired woman, dressed in the cerements of the grave. We could not see the face, for it was bent down over what we saw to be a fair-haired child. There was a pause and a sharp little cry, such as a child gives in sleep, or a dog as it lies before the fire and dreams. We were starting forward, but the Professor’s warning hand, seen by us as he stood behind a yew-tree, kept us back; and then as we looked the white figure moved forwards again. It was now near enough for us to see clearly, and the moonlight still held. My own heart grew cold as ice, and I could hear the gasp of Arthur, as we recognised the features of Lucy Westenra. Lucy Westenra, but yet how changed. The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness. Van Helsing stepped out, and, obedient to his gesture, we all advanced too; the four of us ranged in a line before the door of the tomb. Van Helsing raised his lantern and drew the slide; by the concentrated light that fell on Lucy’s face we could see that the lips were crimson with fresh blood, and that the stream had trickled over her chin and stained the purity of her lawn death-robe.

We shuddered with horror. I could see by the tremulous light that even Van Helsing’s iron nerve had failed. Arthur was next to me, and if I had not seized his arm and held him up, he would have fallen.

When Lucy⁠—I call the thing that was before us Lucy because it bore her shape⁠—saw us she drew back with an angry snarl, such as a cat gives when taken unawares; then her eyes ranged over us. Lucy’s eyes in form and colour; but Lucy’s eyes unclean and full of hellfire, instead of the pure, gentle orbs we knew. At that moment the remnant of my love passed into hate and loathing; had she then to be killed, I could have done it with savage delight. As she looked, her eyes blazed with unholy light, and the face became wreathed with a voluptuous smile. Oh, God, how it made me shudder to see it! With a careless motion, she flung to the ground, callous as a devil, the child that up to now she had clutched strenuously to her breast, growling over it as a dog growls over a bone. The child gave a sharp cry, and lay there moaning. There was a cold-bloodedness in the act which wrung a groan from Arthur; when she advanced to him with outstretched arms and a wanton smile he fell back and hid his face in his hands.

She still advanced, however, and with a languorous, voluptuous grace, said:⁠—

“Come to me, Arthur. Leave these others and come to me. My arms are hungry for you. Come, and we can rest together. Come, my husband, come!”

There was something diabolically sweet in her tones⁠—something of the tingling of glass when struck⁠—which rang through the brains even of us who heard the words addressed to another. As for Arthur, he seemed under a spell; moving his hands from his face, he opened wide his arms. She was leaping for them, when Van Helsing sprang forward and held between them his little golden crucifix. She recoiled from it, and, with a suddenly distorted face, full of rage, dashed past him as if to enter the tomb.

When within a foot or two of the door, however, she stopped, as if arrested