Voice of the Fire by Alan Moore (essential reading txt) 📕

too much of things and shall be disappointed. This time there is something else besides, an undertow of qualm I may not place, but all such trepidations must be put away. If I’m to hang a man upon the morrow, then I would this night impale a woman first, and so march briskly up a mollusc-skated path to rap the tar-streaked door.

A Pater Noster-while goes by until at last the door’s unlatched and I’m confronted by the half-wit girl that I saw loitering by the gate when we arrived here yesterday. Encountering her now, I am less certain if she be indeed half-witted, or instead has cultivated a tremendous slowness, as a form of insolence. She stares at me in silence an inordinate amount of time before she deigns to speak, and when she does a lewd and knowing grin is smeared, much like a riotous slogan, on the flat wall of her face.

‘You’ll be they judge, then?’

Voice as thick and slippery as waterweed, her lazy slur has a suggestiveness about it that I soon discover to be constant and habitual. When I reply that yes, I am indeed His Honour Judge Augustus Nicholls and enquire as to her own name, she returns a smile that is at once flirtatious and amused, and holds my eye for some few humid moments before answering.

‘I’m Emmy. You’ll be wantin’ Mary, though. You’d best come in.’

She ushers me into a lamplit passageway so narrow that, as she manoeuvres past me to pull shut the front door in my wake, we are both for a moment pressed together, face to face, there in that closely bounded vestibule. Her heavy bust is pressed against my coat-front, flattened so it seems to disappear in much the same way as the blade of a stage dagger. This sublime compression lasts for but a moment, then she’s by me. As I turn and walk towards the lit room at the passage’s far end I hear her close the door and draw a bolt across.

Another doorway, partly open, leads off from the hall upon my right, and as we pass it by I glance inside. Though it is lit by nothing save such light as filters from the passage where we walk, I can make out a vast array of painted plates and figures made from porcelain arranged upon a huge old dresser just inside the room, which seems immaculately kept and has a richly patterned rug upon its floor. In company with the dresser I can also see an ornate footstool and a quaint low table made of polished cherry-wood. Though I may not view all this front room whilst in passing, I am given the impression of a small, neat space so filled with heirlooms proudly on display as to allow no room for one to enter in. It has a pristine and unused appearance quite at odds with the dilapidated façade of the house, but I move on towards the light there at the hall’s far end, and think no more upon it. Emmy walks behind me, and I hear her flat, bare feet upon the boards. I hear her breath.

The passage leads me to a room so different from the one I have just passed that they might be on separate continents, divided not by some few feet of hall, but by an ocean. From my contemplation of the neat front room so filled with beautiful possessions, I am plunged into a squalid hovel where the gnarled grain of the walls is choked by soot and there is everywhere a smell compounded out of mildew, broiling offal, and that odour that old women have, like tripes and piss. I understand that this is how the poor must choose to live, with all they have of beauty, worth or value hoarded in a room kept just for show, which they themselves may enter not, save that it be to dust or clean. Their true lives are played out behind these cluttered shrines in cheerless middens such as this, where I stand on the threshold now.

A hearth-cum-stove of iron and slate set in the end wall warms the room, but in a stifling way. Beside this, on a bow-legged stool that has her walking-cane propped up against it, sits the wrinkled and obese old dame that I spied yesterday, her eyes like coals in curds fixed fast upon me as I step inside with head bent to avoid the low oak beams. Seen closer to, I note she is afflicted with a moisture on the lungs, so that she wheezes, with her monstrous bosom heaving like the tide beneath her apron and a quiver rippling through her puddled flesh, across her jowls and goitrous neck at every breath.

Set out there in the middle of this noisome chamber is a table far too massive for so cramped a place, that looks as if the cottage were built up about it, being far too broad to fit the door and very old besides, its surface scarred by carving-knives long snapped in hands long dead. Five chairs are set about the table, two of them already occupied by Eleanor and her enchanting mother, both of whom look up and smile upon my entry. I had quite forgot how green their eyes were, and decide that I might bear these miserable surrounds if they should be illuminated by such pulchritude.

‘Judge Nicholls! You have come just as you said.’ It is the Widow Deene who speaks, and the excitement and anticipation in her voice elicits in me smug assurance that all shall be well between us. Scraping back her chair across the rough stone tiles, she rises from her seat and steps across the room to greet me, placing one weak hand upon my elbow as she steers me to my setting, opposite her own. Stood leaning up against the passage door-jamb, Emmy smirks at the assembly. While attempting to ignore the girl, I make small conversation with the widow and with