A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) π
Description
In 1839, Thoreau and his brother took a small boat upriver and back. Some years later, while in his cabin at Walden Pond, he gathered his notes from that journey and other writings from his journals, and composed this, his first book.
Like the rivers it describes, the book meanders through varying territories and climates. He writes of the natural surroundings they encounter and of the history of the region, but also takes long and remarkable detours through topics like friendship, history, a comparison of Christianity and Hinduism, Vedic literature, government and conscience, Thoreauβs philosophy of literature, monuments and graveyards, poetry (in particular Ossian, Chaucer, and certain minor Greek poets), and the satires of Aulus Persius Flaccus. Thoreau also includes several poems of his own.
Thoreau had the first edition of this book published at his own expense, and at first it struggled to find an audience. βI have now a library of nearly 900 volumes,β he remarked at one point, βover 700 of which I wrote myself.β
Read free book Β«A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: Henry David Thoreau
Read book online Β«A Week on the Concord and Merrimack Rivers by Henry David Thoreau (literature books to read TXT) πΒ». Author - Henry David Thoreau
Sometimes we lodged at an inn in the woods, where trout-fishers from distant cities had arrived before us, and where, to our astonishment, the settlers dropped in at nightfall to have a chat and hear the news, though there was but one road, and no other house was visibleβ βas if they had come out of the earth. There we sometimes read old newspapers, who never before read new ones, and in the rustle of their leaves heard the dashing of the surf along the Atlantic shore, instead of the sough of the wind among the pines. But then walking had given us an appetite even for the least palatable and nutritious food.
Some hard and dry book in a dead language, which you have found it impossible to read at home, but for which you have still a lingering regard, is the best to carry with you on a journey. At a country inn, in the barren society of ostlers and travellers, I could undertake the writers of the silver or the brazen age with confidence. Almost the last regular service which I performed in the cause of literature was to read the works of Aulus Persius Flaccus.
If you have imagined what a divine work is spread out for the poet, and approach this author too, in the hope of finding the field at length fairly entered on, you will hardly dissent from the words of the prologue,
Ipse semipaganus
Ad sacra Vatum carmen affero nostrum.
I half pagan
Bring my verses to the shrine of the poets.
Here is none of the interior dignity of Virgil, nor the elegance and vivacity of Horace, nor will any sibyl be needed to remind you that from those older Greek poets there is a sad descent to Persius. You can scarcely distinguish one harmonious sound amid this unmusical bickering with the follies of men.
One sees that music has its place in thought, but hardly as yet in language. When the Muse arrives, we wait for her to remould language, and impart to it her own rhythm. Hitherto the verse groans and labors with its load, and goes not forward blithely, singing by the way. The best ode may be parodied, indeed is itself a parody, and has a poor and trivial sound, like a man stepping on the rounds of a ladder. Homer and Shakespeare and Milton and Marvell and Wordsworth are but the rustling of leaves and crackling of twigs in the forest, and there is not yet the sound of any bird. The Muse has never lifted
Comments (0)