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British army he would find even more apparent in the German army; that which he desires in the British police he would find flourishing, in the French police. The ideal of discipline is not the whole of life, but it is spread over the whole of the world. And the worship of it tends to confirm in Mr. Kipling a certain note of worldly wisdom, of the experience of the wanderer, which is one of the genuine charms of his best work.

The great gap in his mind is what may be roughly called the lack of patriotism⁠—that is to say, he lacks altogether the faculty of attaching himself to any cause or community finally and tragically; for all finality must be tragic. He admires England, but he does not love her; for we admire things with reasons, but love them without reasons. He admires England because she is strong, not because she is English. There is no harshness in saying this, for, to do him justice, he avows it with his usual picturesque candour. In a very interesting poem, he says that

“If England was what England seems”

—that is, weak and inefficient; if England were not what (as he believes) she is⁠—that is, powerful and practical⁠—

“How quick we’d chuck ’er! But she ain’t!”

He admits, that is, that his devotion is the result of a criticism, and this is quite enough to put it in another category altogether from the patriotism of the Boers, whom he hounded down in South Africa. In speaking of the really patriotic peoples, such as the Irish, he has some difficulty in keeping a shrill irritation out of his language. The frame of mind which he really describes with beauty and nobility is the frame of mind of the cosmopolitan man who has seen men and cities.

“For to admire and for to see,
For to be’old this world so wide.”

He is a perfect master of that light melancholy with which a man looks back on having been the citizen of many communities, of that light melancholy with which a man looks back on having been the lover of many women. He is the philanderer of the nations. But a man may have learnt much about women in flirtations, and still be ignorant of first love; a man may have known as many lands as Ulysses, and still be ignorant of patriotism.

Mr. Rudyard Kipling has asked in a celebrated epigram what they can know of England who know England only. It is a far deeper and sharper question to ask, “What can they know of England who know only the world?” for the world does not include England any more than it includes the Church. The moment we care for anything deeply, the world⁠—that is, all the other miscellaneous interests⁠—becomes our enemy. Christians showed it when they talked of keeping one’s self “unspotted from the world;” but lovers talk of it just as much when they talk of the “world well lost.” Astronomically speaking, I understand that England is situated on the world; similarly, I suppose that the Church was a part of the world, and even the lovers inhabitants of that orb. But they all felt a certain truth⁠—the truth that the moment you love anything the world becomes your foe. Thus Mr. Kipling does certainly know the world; he is a man of the world, with all the narrowness that belongs to those imprisoned in that planet. He knows England as an intelligent English gentleman knows Venice. He has been to England a great many times; he has stopped there for long visits. But he does not belong to it, or to any place; and the proof of it is this, that he thinks of England as a place. The moment we are rooted in a place, the place vanishes. We live like a tree with the whole strength of the universe.

The globetrotter lives in a smaller world than the peasant. He is always breathing, an air of locality. London is a place, to be compared to Chicago; Chicago is a place, to be compared to Timbuktu. But Timbuktu is not a place, since there, at least, live men who regard it as the universe, and breathe, not an air of locality, but the winds of the world. The man in the saloon steamer has seen all the races of men, and he is thinking of the things that divide men⁠—diet, dress, decorum, rings in the nose as in Africa, or in the ears as in Europe, blue paint among the ancients, or red paint among the modern Britons. The man in the cabbage field has seen nothing at all; but he is thinking of the things that unite men⁠—hunger and babies, and the beauty of women, and the promise or menace of the sky. Mr. Kipling, with all his merits, is the globetrotter; he has not the patience to become part of anything. So great and genuine a man is not to be accused of a merely cynical cosmopolitanism; still, his cosmopolitanism is his weakness. That weakness is splendidly expressed in one of his finest poems, “The Sestina of the Tramp Royal,” in which a man declares that he can endure anything in the way of hunger or horror, but not permanent presence in one place. In this there is certainly danger. The more dead and dry and dusty a thing is the more it travels about; dust is like this and the thistledown and the High Commissioner in South Africa. Fertile things are somewhat heavier, like the heavy fruit trees on the pregnant mud of the Nile. In the heated idleness of youth we were all rather inclined to quarrel with the implication of that proverb which says that a rolling stone gathers no moss. We were inclined to ask, “Who wants to gather moss, except silly old ladies?” But for all that we begin to perceive that the proverb is right. The rolling stone rolls echoing from rock to rock; but the

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