The Black Mask by E. W. Hornung (read after .TXT) 📕
Description
After the events of The Amateur Cracksman A. J. Raffles is missing, presumed dead, and “Bunny” Manders is destitute but free after a stretch in prison for his crimes. So when a mysterious telegraph arrives suggesting the possibility of a lucrative position, Bunny has little option but to attend the given address.
Raffles was a commercial success for E. W. Hornung, garnering critical praise but also warnings about the glorification of crime. The Black Mask, published two years after his first collection of Raffles stories, takes a markedly more downcast tone, with the high-life escapades of the earlier stories curtailed by Raffles’ purported death.
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- Author: E. W. Hornung
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“Well, then, when—when?” I began to repeat.
“Tomorrow, if you like.”
“Only to look?”
The limitation was my one regret.
“We must do so, Bunny, before we leap.”
“Very well,” I sighed. “But tomorrow it is!”
And the morrow it really was.
I saw the porter that night, and, I still think, bought his absolute allegiance for the second coin of the realm. My story, however, invented by Raffles, was sufficiently specious in itself. That sick gentleman, Mr. Maturin (as I had to remember to call him), was really, or apparently, sickening for fresh air. Dr. Theobald would allow him none; he was pestering me for just one day in the country while the glorious weather lasted. I was myself convinced that no possible harm could come of the experiment. Would the porter help me in so innocent and meritorious an intrigue? The man hesitated. I produced my half-sovereign. The man was lost. And at half-past eight next morning—before the heat of the day—Raffles and I drove to Kew Gardens in a hired landau which was to call for us at midday and wait until we came. The porter had assisted me to carry my invalid downstairs, in a carrying-chair hired (like the landau) from Harrod’s Stores for the occasion.
It was little after nine when we crawled together into the gardens; by half-past my invalid had had enough, and out he tottered on my arm; a cab, a message to our coachman, a timely train to Baker Street, another cab, and we were at the British Museum—brisk pedestrians now—not very many minutes after the opening hour of 10 a.m.
It was one of those glowing days which will not be forgotten by many who were in town at the time. The Diamond Jubilee was upon us, and Queen’s weather had already set in. Raffles, indeed, declared it was as hot as Italy and Australia put together; and certainly the short summer nights gave the channels of wood and asphalt and the continents of brick and mortar but little time to cool. At the British Museum the pigeons were crooning among the shadows of the grimy colonnade, and the stalwart janitors looked less stalwart than usual, as though their medals were too heavy for them. I recognized some habitual Readers going to their labor underneath the dome; of mere visitors we seemed among the first.
“That’s the room,” said Raffles, who had bought the twopenny guide, as we studied it openly on the nearest bench; “number 43, upstairs and sharp round to the right. Come on, Bunny!”
And he led the way in silence, but with a long methodical stride which I could not understand until we came to the corridor leading to the Room of Gold, when he turned to me for a moment.
“A hundred and thirty-nine yards from this to the open street,” said Raffles, “not counting the stairs. I suppose we could do it in twenty seconds, but if we did we should have to jump the gates. No, you must remember to loaf out at slow march, Bunny, whether you like it or not.”
“But you talked about a hiding-place for a night?”
“Quite so—for all night. We should have to get back, go on lying low, and saunter out with the crowd next day—after doing the whole show thoroughly.”
“What! With gold in our pockets—”
“And gold in our boots, and gold up the sleeves and legs of our suits! You leave that to me, Bunny, and wait till you’ve tried two pairs of trousers sewn together at the foot! This is only a preliminary reconnoitre. And here we are.”
It is none of my business to describe the so-called Room of Gold, with which I, for one, was not a little disappointed. The glass cases, which both fill and line it, may contain unique examples of the goldsmith’s art in times and places of which one heard quite enough in the course of one’s classical education; but, from a professional point of view, I would as lief have the ransacking of a single window in the West End as the pick of all those spoils of Etruria and of ancient Greece. The gold may not be so soft as it appears, but it certainly looks as though you could bite off the business ends of the spoons, and stop your own teeth in doing so. Nor should I care to be seen wearing one of the rings; but the greatest fraud of all (from the aforesaid standpoint) is assuredly that very cup of which Raffles had spoken. Moreover, he felt this himself.
“Why, it’s as thin as paper,” said he, “and enamelled like a middle-aged lady of quality! But, by Jove, it’s one of the most beautiful things I ever saw in my life, Bunny. I should like to have it for its own sake, by all my gods!”
The thing had a little square case of plate-glass all to itself at one end of the room. It may have been the thing of beauty that Raffles affected to consider it, but I for my part was in no mood to look at it in that light. Underneath were the names of the plutocrats who had subscribed for this national gewgaw, and I fell to wondering where their £8,000 came in, while Raffles devoured his twopenny guidebook as greedily as a schoolgirl with a zeal for culture.
“Those are scenes from the martyrdom of St. Agnes,” said he … “ ‘translucent on relief … one of the finest specimens of its kind.’ I should think it was! Bunny, you Philistine, why can’t you admire the thing for its own sake? It would be worth having only to live up to! There never was such rich enamelling on
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