Villette by Charlotte BrontĂ« (free e reader .TXT) đ
Description
Charlotte BrontĂ«âs last novel, Villette, is thought to be most closely modelled on her own experiences teaching in a pensionnat in Brussels, the place on which the fictional town of Villette is based. In the novel, first published in 1853, we follow the protagonist Lucy Snowe from the time she is fourteen and lives with her godmother in rural England, through her family tragedies and departure for the town of Villette where she finds work at a French boarding school. People from her past reappear in dramatic ways, she makes new connections, and she learns the stories and secrets of the people around her. Through it all, the reader is made privy to Lucyâs thoughts, feelings, and journey of self-discovery.
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- Author: Charlotte Brontë
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The polite pupil was scarcely gone, when, unceremoniously, without tap, in burst a second intruder. Had I been blind I should have known who this was. A constitutional reserve of manner had by this time told with wholesome and, for me, commodious effect, on the manners of my co-inmates; rarely did I now suffer from rude or intrusive treatment. When I first came, it would happen once and again that a blunt German would clap me on the shoulder, and ask me to run a race; or a riotous Labassecourienne seize me by the arm and drag me towards the playground; urgent proposals to take a swing at the Pas de GĂ©ant, or to join in a certain romping hide-and-seek game called Un, deux, trois, were formerly also of hourly occurrence; but all these little attentions had ceased some time agoâ âceased, too, without my finding it necessary to be at the trouble of point-blank cutting them short. I had now no familiar demonstration to dread or endure, save from one quarter; and as that was English I could bear it. Ginevra Fanshawe made no scruple ofâ âat timesâ âcatching me as I was crossing the carrĂ©, whirling me round in a compulsory waltz, and heartily enjoying the mental and physical discomfiture her proceeding induced. Ginevra Fanshawe it was who now broke in upon âmy learned leisure.â She carried a huge music-book under her arm.
âGo to your practising,â said I to her at once: âaway with you to the little salon!â
âNot till I have had a talk with you, chĂšre amie. I know where you have been spending your vacation, and how you have commenced sacrificing to the graces, and enjoying life like any other belle. I saw you at the concert the other night, dressed, actually, like anybody else. Who is your tailleuse?â
âTittle-tattle; how prettily it begins! My tailleuse!â âa fiddlestick! Come, sheer off, Ginevra. I really donât want your company.â
âBut when I want yours so much, ange farouche, what does a little reluctance on your part signify? Dieu merci! we know how to manoeuvre with our gifted compatrioteâ âthe learned ourse Britannique. And so, Ourson, you know Isidore?â
âI know John Bretton.â
âOh, hush!â (putting her fingers in her ears) âyou crack my tympanums with your rude Anglicisms. But, how is our well-beloved John? Do tell me about him. The poor man must be in a sad way. What did he say to my behaviour the other night? Wasnât I cruel?â
âDo you think I noticed you?â
âIt was a delightful evening. Oh, that divine de Hamal! And then to watch the other sulking and dying in the distance; and the old ladyâ âmy future mamma-in-law! But I am afraid I and Lady Sara were a little rude in quizzing her.â
âLady Sara never quizzed her at all; and for what you did, donât make yourself in the least uneasy: Mrs. Bretton will survive your sneer.â
âShe may; old ladies are tough; but that poor son of hers! Do tell me what he said; I saw he was terribly cut up.â
âHe said you looked as if at heart you were already Madame de Hamal.â
âDid he?â she cried with delight. âHe noticed that? How charming! I thought he would be mad with jealousy.
âGinevra, have you seriously done with Dr. Bretton? Do you want him to give you up?â
âOh! you know he canât do that; but wasnât he mad?â
âQuite mad,â I assented; âas mad as a March hare.â
âWell, and how ever did you get him home?â
âHow ever, indeed! Have you no pity on his poor mother and me? Fancy us holding him tight down in the carriage, and he raving between us, fit to drive everybody delirious. The very coachman went wrong, somehow, and we lost our way.â
âYou donât say so? You are laughing at me. Now, Lucy Snoweâ ââ
âI assure you it is factâ âand fact, also, that Dr. Bretton would not stay in the carriage; he broke from us, and would ride outside.â
âAnd afterwards?â
âAfterwardsâ âwhen he did reach homeâ âthe scene transcends description.â
âOh, but describe itâ âyou know it is such fun!â
âFun for you, Miss Fanshawe? butâ (with stern gravity) âyou know the proverbâ ââWhat is sport to one may be death to another.âââ
âGo on, thereâs a darling Timon.â
âConscientiously, I cannot, unless you assure me you have some heart.â
âI haveâ âsuch an immensity, you donât know!â
âGood! In that case, you will be able to conceive Dr. Graham Bretton rejecting his supper in the first instanceâ âthe chicken, the sweetbread prepared for his refreshment, left on the table untouched. Thenâ âbut it is of no use dwelling at length on the harrowing details. Suffice it to say, that never, in the most stormy fits and moments of his infancy, had his mother such work to tuck the sheets about him as she had that night.â
âHe wouldnât lie still?â
âHe wouldnât lie still: there it was. The sheets might be tucked in, but the thing was to keep them tucked in.â
âAnd what did he say?â
âSay! Canât you imagine him demanding his divine Ginevra, anathematizing that demon, de Hamalâ âraving about golden locks, blue eyes, white arms, glittering bracelets?â
âNo, did he? He saw the bracelet?â
âSaw the bracelet? Yes, as plain as I saw it, and, perhaps, for the first time, he saw also the brand-mark with which its pressure has encircled your arm.
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