The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) ๐
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorโs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingโs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical โThe Mutability of Literatureโ to the eerie and seemingly supernatural โThe Legend of Sleepy Hollow,โ but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, โThe Legend of Sleepy Hollowโ and โRip Van Winkle,โ are Irvingโs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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I was now invited by the butler to walk into the garden, and I felt inclined to visit the orchard and harbor where the justice treated Sir John Falstaff and Cousin Silence โto a last yearโs pippin of his own grafting, with a dish of caraways;โ but I had already spent so much of the day in my ramblings that I was obliged to give up any further investigations. When about to take my leave I was gratified by the civil entreaties of the housekeeper and butler that I would take some refreshmentโ โan instance of good old hospitality which, I grieve to say, we castle-hunters seldom meet with in modern days. I make no doubt it is a virtue which the present representative of the Lucys inherits from his ancestors; for Shakespeare, even in his caricature, makes Justice Shallow importunate in this respect, as witness his pressing instances to Falstaff.
โBy cock and pye, Sir, you shall not away tonightโ โโ โฆ I will not excuse you; you shall not be excused; excuses shall not be admitted; there is no excuse shall serve; you shall not be excused.โ โโ โฆ Some pigeons, Davy, a couple of short-legged hens; a joint of mutton; and any pretty little tiny kickshaws, tell William Cook.โ
I now bade a reluctant farewell to the old hall. My mind had become so completely possessed by the imaginary scenes and characters connected with it that I seemed to be actually living among them. Everything brought them as it were before my eyes, and as the door of the dining-room opened I almost expected to hear the feeble voice of Master Silence quavering forth his favorite ditty:
โโโTis merry in hall, when beards wag all,
And welcome merry Shrovetide!โ
On returning to my inn I could not but reflect on the singular gift of the poet, to be able thus to spread the magic of his mind over the very face of nature, to give to things and places a charm and character not their own, and to turn this โworking-day worldโ into a perfect fairyland. He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart. Under the wizard influence of Shakespeare I had been walking all day in a complete delusion. I had surveyed the landscape through the prism of poetry, which tinged every object with the hues of the rainbow. I had been surrounded with fancied beings, with mere airy nothings conjured up by poetic power, yet which, to me, had all the charm of reality. I had heard Jaques soliloquize beneath his oak; had beheld the fair Rosalind and her companion adventuring through the woodlands; and, above all, had been once more present in spirit with fat Jack Falstaff and his contemporaries, from the august Justice Shallow down to the gentle Master Slender and the sweet Anne Page. Ten thousand honors and blessings on the bard who has thus gilded the dull realities of life with innocent illusions, who has spread exquisite and unbought pleasures in my chequered path, and beguiled my spirit in many a lonely hour with all the cordial and cheerful sympathies of social life!
As I crossed the bridge over the Avon on my return, I paused to contemplate the distant church in which the poet lies buried, and could not but exult in the malediction which has kept his ashes undisturbed in its quiet and hallowed vaults. What honor could his name have derived from being mingled in dusty companionship with the epitaphs and escutcheons and venal eulogiums of a titled multitude? What would a crowded corner in Westminster Abbey have been, compared with this reverend pile, which seems to stand in beautiful loneliness as his sole mausoleum! The solitude about the grave may be but the offspring of an overwrought sensibility; but human nature is made up of foibles and prejudices, and its best and tenderest affections are mingled with these factitious feelings. He who has sought renown about the world, and has reaped a full harvest of worldly favor, will find, after all, that there is no love, no admiration, no applause, so sweet to the soul as that which springs up in his native place. It is there that he seeks to be gathered in peace and honor among his kindred and his early friends. And when the weary heart and failing head begin to warn him that the evening of life is drawing on, he turns as fondly as does the infant to the motherโs arms to sink to sleep in the bosom
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