National Avenue by Booth Tarkington (book recommendations website .txt) 📕
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National Avenue, originally titled The Midlander, is Booth Tarkington’s final entry in his Growth Trilogy. Like the previous entries in the series, National Avenue addresses the rapid industrialization of small-town America at the turn of the century, and the socioeconomic changes that such change brings with it.
Dan Oliphant and his brother Harlan are the children of a wealthy small-town businessman. Harlan is a traditional upper-class man—affecting an accent, dressing for dinner, and contemplating beauty and culture—while Dan is boisterous and lively, eager to do big things. Dan sees the rise of industry in America’s east as a harbinger for his own Midwestern town, and sets his mind on building an industrial suburb, Ornaby Addition, next to his city’s downtown.
Dan’s idea is met with scorn and mockery from not only his family, but also his fellow townspeople. Dan persists nonetheless, and soon the town must contend with his dream becoming a reality: noisy cars, smoky factories, huge, unappealing buildings, and the destruction of nature and the environment become the new normal as Dan’s industrial dream is realized.
Where The Turmoil focuses on industrialization’s effect on art and culture, and The Magnificent Ambersons focuses on industry’s destruction of family and of small-town life, National Avenue focuses on the men and women who actually bring that change about. Dan is portrayed sympathetically, but Tarkington makes it clear that his dreams and choices lead to a deeply unhappy family life and the ruination of the land around him. But can Dan really be faulted for his dream, or is industry inevitable, and inevitably destructive?
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- Author: Booth Tarkington
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Then he laughed to himself, not grimly, yet somewhat ruefully. Everything he had believed his own seemed to be behaving like that. Ornaby Addition had been as much a part of him as his feet were, but he was making his feet behave; and when he could get his breath, and start in again, he would make Ornaby behave once more. The shellbacks might get Ornaby away from him for a while, but they couldn’t keep it!
When he reached the tall cast-iron Oliphant gateposts, white no longer, but oyster-coloured with the city grime, there was a taxicab waiting in the street before them; and by this time he was so lifelessly tired he wished the cab might carry him into the house, but exerting his will, made his erratic feet serve him that far. He found his brother-in-law in the library with Mrs. Oliphant, who was crying quietly.
George jumped up as Dan came into the room. “Dan, I’m glad you’ve come before I have to go. I’ve got to catch the six-fifteen for New York—”
“No,” Dan said, and he sat heavily in one of the comfortable old easy-chairs. “No. I don’t believe you better leave town just now. They’ve thrown me out of control, but I got ’em to promise they’ll keep you on, George. If there’s somebody there that’s in my interest, maybe when I get on my feet again—” He turned to his mother, looking at her perplexedly: “For heaven’s sake, don’t cry, mother! I’m sorry you’ve heard about it, but don’t you fret: I’ll get back—after I’ve had a few days’ rest, maybe I will. I don’t believe you’d better go to New York just now, George.”
“I’ve got to,” George said. “Dan, I want—I want you to forgive me.”
“For wanting to go to New York?”
“No. For ever introducing you to my sister. Your mother wasn’t at home this afternoon, and at three o’clock Lena left for New York.”
“She did?”
“Yes. Your chauffeur took her to the train. She told him—Dan, she told him to say she wouldn’t be back, and she took Henry with her.”
“Wait a minute!” Dan passed his hand over his forehead, and uttered a confused and plaintive sound of laughter. “Just a minute,” he said apologetically. “There’s a good deal kind of seems to’ve hit me all at once. I guess I’ll have to go kind of slow takin’ it in. You say Lena says she isn’t comin’ back home?”
“She had the kindness to tell the chauffeur to say so,” George replied bitterly.
“And Henry—”
“Henry went with her.”
“I guess then I better go after him,” Dan said, and he rose; but immediately sank back in his chair. “I don’t know if I’d be able to go on your train, though. I expect maybe I need a good night’s sleep, first. I—”
“Will you leave it to me?” George asked sharply. “Will you just leave it to me?”
“You mean gettin’ them to come home?”
“ ‘Them!’ ” George said. “I’m not sure that you need my sister here any longer. I don’t think you ever needed her very much. But you do want your son, and if you’ll leave it to me, I think I can bring him. Will you, Dan?”
“I guess I’ll have to—just now,” Dan answered, with a repetition of his apologetic laugh. “It’s all seemed to’ve kind of hit me at once, as it were, George. I’m afraid what I need’s a good night’s sleep. I’m afraid I’ll have to leave it to you.”
“I’ll bring him!” McMillan promised. “I’ll have him back here with me four days from now.”
XXXHe made this promise with an angrily confident determination to fulfil it, but the next few days were to teach him that he had not yet learned all there was to know about his sister. When he forced his way to an interview with her in her rooms in the hotel to which she had gone in New York, she laughed at his fury.
“Why haven’t I been a good wife to him?” she asked. “I’ve spent quite a number of years in purgatory, trying to stick to what I undertook when he married me! Oh, yes, I know you like the place, George; and I don’t challenge your viewpoint. But I have my own, and, whether it’s right or not, it’s mine and I can’t get rid of it. I suffer by it, and I have to live by it—and to me the place has always been a purgatory. It’s interesting to you, but it’s hideous to me. You like the people;—to you they seem intelligent and friendly. To me they’re intrusive barbarians with unbearable voices. I stood it at first because I had to; I didn’t have anywhere else to go, and I did care for Dan. Then I kept on standing it because I’d got the habit, I suppose, and because it’s hard to get the courage to break away. Well, thank Heaven, something’s given me the courage at last. I was always just on the very verge of it, and the trouble about Henry pushed me over. I’ve perished for years because I couldn’t get a breath of art; I haven’t lived—”
“You could have!” he cried. “With such a man—”
“Dan? Good heavens! I might go on living with a man, even after I’d stopped caring for him, if he still cared for me; but it’s years since I realized absolutely that neither of us cared for the other. I knew then I’d have to do this some
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