Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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Yet there was upon that brow covered with cold drops, on those quivering lips, in those wild eyes, in the strain of those arms, something vague and dreary that seemed to Léon to glide between them subtly as if to separate them.
He did not dare to question her; but, seeing her so skilled, she must have passed, he thought, through every experience of suffering and of pleasure. What had once charmed now frightened him a little. Besides, he rebelled against his absorption, daily more marked, by her personality. He begrudged Emma this constant victory. He even strove not to love her; then, when he heard the creaking of her boots, he turned coward, like drunkards at the sight of strong drinks.
She did not fail, in truth, to lavish all sorts of attentions upon him, from the delicacies of food to the coquettries of dress and languishing looks. She brought roses to her breast from Yonville, which she threw into his face; was anxious about his health, gave him advice as to his conduct; and, in order the more surely to keep her hold on him, hoping perhaps that heaven would take her part, she tied a medal of the Virgin round his neck. She inquired like a virtuous mother about his companions. She said to him—
“Don’t see them; don’t go out; think only of ourselves; love me!”
She would have liked to be able to watch over his life; and the idea occurred to her of having him followed in the streets. Near the hotel there was always a kind of loafer who accosted travellers, and who would not refuse. But her pride revolted at this.
“Bah! so much the worse. Let him deceive me! What does it matter to me? As if I cared for him!”
One day, when they had parted early and she was returning alone along the boulevard, she saw the walls of her convent; then she sat down on a form in the shade of the elm-trees. How calm that time had been! How she longed for the ineffable sentiments of love that she had tried to figure to herself out of books! The first month of her marriage, her rides in the wood, the viscount that waltzed, and Lagardy singing, all repassed before her eyes. And Léon suddenly appeared to her as far off as the others.
“Yet I love him,” she said to herself.
No matter! She was not happy—she never had been. Whence came this insufficiency in life—this instantaneous turning to decay of everything on which she leant? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet’s heart in an angel’s form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! how impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight.
A metallic clang droned through the air, and four strokes were heard from the convent-clock. Four o’clock! And it seemed to her that she had been there on that form an eternity. But an infinity of passions may be contained in a minute, like a crowd in a small space.
Emma lived all absorbed in hers, and troubled no more about money matters than an archduchess.
Once, however, a wretched-looking man, rubicund and bald, came to her house, saying he had been sent by Monsieur Vinçart of Rouen. He took out the pins that held together the side-pockets of his long green overcoat, stuck them into his sleeve, and politely handed her a paper.
It was a bill for seven hundred francs, signed by her, and which Lheureux, in spite of all his professions, had paid away to Vinçart. She sent her servant for him. He could not come. Then the stranger, who had remained standing, casting right and left curious glances, that his thick, fair eyebrows hid, asked with a naive air—
“What answer am I to take Monsieur Vinçart?”
“Oh,” said Emma, “tell him that I haven’t it. I will send next week; he must wait; yes, till next week.”
And the fellow went without another word.
But the next day at twelve o’clock she received a summons, and the sight of the stamped paper, on which appeared several times in large letters, “Maître Hareng, bailiff at Buchy,” so frightened her that she rushed in hot haste to the linendraper’s. She found him in his shop, doing up a parcel.
“Your obedient!” he said; “I am at your service.”
But Lheureux, all the same, went on with his work, helped by a young girl of about thirteen, somewhat hunchbacked, who was at once his clerk and his servant.
Then, his clogs clattering on the shop-boards, he went up in front of Madame Bovary to the first door, and introduced her into a narrow closet, where, in a large bureau in sapon-wood, lay some ledgers, protected by a horizontal padlocked iron bar. Against the wall, under some remnants of calico, one glimpsed a safe, but of such dimensions that it must contain something besides bills and money. Monsieur Lheureux, in fact, went in for pawnbroking, and it was there that he had put Madame Bovary’s gold chain, together with the earrings of poor old Tellier, who, at last forced to sell out, had bought a meagre store of grocery at Quincampoix, where he was dying of catarrh amongst his candles, that
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