The Magnificent Ambersons by Booth Tarkington (little red riding hood ebook .TXT) 📕
Description
The Magnificent Ambersons, winner of the 1919 Pulitzer prize, is considered by many to be Booth Tarkington’s finest novel and an American classic. The story is set in the Midwest, where George, the spoiled and oblivious scion of an old-money family, must cope with their waning fortunes and the rise of industry barons in the automobile age.
George’s antiheroic struggles with modernity encapsulate a greater theme of change and renewal—specifically, the very American notion of a small community exploding into a dark and dirty city virtually overnight by virtue of industrial “progress.” Tarkington’s nuanced portrayal of the often-unlikable Amberson family and his paradoxical framing of progress as a destroyer of family, community, and environment, make The Magnificent Ambersons a fascinating and forward-thinking novel—certainly one with a permanent place in the American social canon. Despite the often heavy themes, Tarkington’s prose remains uniquely witty, charming, and brisk.
The novel is the second in Tarkington’s Growth trilogy of novels, and has been adapted several times for radio, film, and television, including a 1942 Orson Welles adaptation that many consider one of the finest American films ever made.
Read free book «The Magnificent Ambersons by Booth Tarkington (little red riding hood ebook .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Booth Tarkington
Read book online «The Magnificent Ambersons by Booth Tarkington (little red riding hood ebook .TXT) 📕». Author - Booth Tarkington
For a moment he had believed that Isabel was there, believed that she was close to him, entreating him—entreating him “to be kind.” But with this recollection a strange agitation came upon him. After all, had she not spoken to him? If his own unknown consciousness had told the “psychic’s” unknown consciousness how to make the picture of the pretty brown-haired, brown-eyed lady, hadn’t the picture been a true one? And hadn’t the true Isabel—oh, indeed her very soul!—called to him out of his own true memory of her?
And as the train roared through the darkened evening he looked out beyond his window, and saw her as he had seen her on his journey, a few days ago—an ethereal figure flying beside the train, but now it seemed to him that she kept her face toward his window with an infinite wistfulness.
… “To be kind!” If it had been Isabel, was that what she would have said? If she were anywhere, and could come to him through the invisible wall, what would be the first thing she would say to him?
Ah, well enough, and perhaps bitterly enough, he knew the answer to that question! “To be kind”—to Georgie!
… A redcap at the station, when he arrived, leaped for his bag, abandoning another which the Pullman porter had handed him. “Yessuh, Mist’ Morgan. Yessuh. You’ car waitin’ front the station fer you, Mist’ Morgan, suh!”
And people in the crowd about the gates turned to stare, as he passed through, whispering, “That’s Morgan.”
Outside, the neat chauffeur stood at the door of the touring-car like a soldier in whipcord.
“I’ll not go home now, Harry,” said Eugene, when he had got in. “Drive to the City Hospital.”
“Yes, sir,” the man returned. “Miss Lucy’s there. She said she expected you’d come there before you went home.”
“She did?”
“Yes, sir.”
Eugene stared. “I suppose Mr. Minafer must be pretty bad,” he said.
“Yes, sir. I understand he’s liable to get well, though, sir.” He moved his lever into high speed, and the car went through the heavy traffic like some fast, faithful beast that knew its way about, and knew its master’s need of haste. Eugene did not speak again until they reached the hospital.
Fanny met him in the upper corridor, and took him to an open door.
He stopped on the threshold, startled; for, from the waxen face on the pillow, almost it seemed the eyes of Isabel herself were looking at him: never before had the resemblance between mother and son been so strong—and Eugene knew that now he had once seen it thus startlingly, he need divest himself of no bitterness “to be kind” to Georgie.
George was startled, too. He lifted a white hand in a queer gesture, half forbidding, half imploring, and then let his arm fall back upon the coverlet. “You must have thought my mother wanted you to come,” he said, “so that I could ask you to—to forgive me.”
But Lucy, who sat beside him, lifted ineffable eyes from him to her father, and shook her head. “No, just to take his hand—gently!”
She was radiant.
But for Eugene another radiance filled the room. He knew that he had been true at last to his true love, and that through him she had brought her boy under shelter again. Her eyes would look wistful no more.
ColophonThe Magnificent Ambersons
was published in 1918 by
Booth Tarkington.
This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2009 by
An Anonymous Volunteer and David Widger
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.
The cover page is adapted from
The Hatch Family,
a painting completed in 1871 by
Eastman Johnson.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
June 15, 2017, 3:40 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/booth-tarkington/the-magnificent-ambersons.
The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.
UncopyrightMay you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.
Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.
Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.
Non-authorship activities performed on public domain items—so-called “sweat of the brow” work—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain
Comments (0)