Lady Audley’s Secret by M. E. Braddon (top ebook reader TXT) 📕

could be altogether at ease in the constrained atmosphere of the Court. Her father was changed; that dear father over whom she had once reigned supreme with the boundless authority of a spoiled child, had accepted another ruler and submitted to a new dynasty. Little by little my lady’s petty power made itself felt in that narrow household; and Alicia saw her father gradually lured across the gulf that divided Lady Audley from her stepdaughter, until he stood at last quite upon the other side of the abyss, and looked coldly upon his only child across that widening chasm.

Alicia felt that he was lost to her. My lady’s beaming smiles, my lady’s winning words, my lady’s radiant glances and bewitching graces had done their work of enchantment, and Sir Michael had grown to look upon his daughter as a somewhat wilful and capricious young person who had behaved with determined unkindness to the wife he loved.

Poor Alicia saw all this, and bore her burden as well as she could. It seemed very hard to be a handsome, gray-eyed heiress, with dogs and horses and servants at her command, and yet to be so much alone in the world as to know of not one friendly ear into which she might pour her sorrows.

“If Bob was good for anything I could have told him how unhappy I am,” thought Miss Audley; “but I may just as well tell Caesar my troubles for any consolation I should get from Cousin Robert.”

Sir Michael Audley obeyed his pretty nurse, and went to bed a little after nine o’clock upon this bleak March evening. Perhaps the baronet’s bedroom was about the pleasantest retreat that an invalid could have chosen in such cold and cheerless weather. The dark-green velvet curtains were drawn before the windows and about the ponderous bed. The wood fire burned redly upon the broad hearth. The reading lamp was lighted upon a delicious little table close to Sir Michael’s pillow, and a heap of magazines and newspapers had been arranged by my lady’s own fair hands for the pleasure of the invalid.

Lady Audley sat by the bedside for about ten minutes, talking to her husband, talking very seriously, about this strange and awful question⁠—Robert Audley’s lunacy; but at the end of that time she rose and bade her husband good night.

She lowered the green silk shade before the reading lamp, adjusting it carefully for the repose of the baronet’s eyes.

“I shall leave you, dear,” she said. “If you can sleep, so much the better. If you wish to read, the books and papers are close to you. I will leave the doors between the rooms open, and I shall hear your voice if you call me.”

Lady Audley went through her dressing-room into the boudoir, where she had sat with her husband since dinner.

Every evidence of womanly refinement was visible in the elegant chamber. My lady’s piano was open, covered with scattered sheets of music and exquisitely-bound collections of scenas and fantasias which no master need have disdained to study. My lady’s easel stood near the window, bearing witness to my lady’s artistic talent, in the shape of a water-colored sketch of the Court and gardens. My lady’s fairy-like embroideries of lace and muslin, rainbow-hued silks, and delicately-tinted wools littered the luxurious apartment; while the looking-glasses, cunningly placed at angles and opposite corners by an artistic upholsterer, multiplied my lady’s image, and in that image reflected the most beautiful object in the enchanted chamber.

Amid all this lamplight, gilding, color, wealth, and beauty, Lucy Audley sat down on a low seat by the fire to think.

If Mr. Holman Hunt could have peeped into the pretty boudoir, I think the picture would have been photographed upon his brain to be reproduced by-and-by upon a bishop’s half-length for the glorification of the pre-Raphaelite brotherhood. My lady in that half-recumbent attitude, with her elbow resting on one knee, and her perfect chin supported by her hand, the rich folds of drapery falling away in long undulating lines from the exquisite outline of her figure, and the luminous, rose-colored firelight enveloping her in a soft haze, only broken by the golden glitter of her yellow hair⁠—beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrian Marie-Antoinette, amid devices of rosebuds and true-lovers’ knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hothouse flowers; fantastical caskets of Indian filigree-work; fragile teacups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Valliere, Athenais de Montespan, and Marie Jeanne Gomard de Vaubernier: cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the mourning of the shrill March wind, and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

I should be preaching a very stale sermon, and harping upon a very familiar moral, if I were to seize this opportunity of declaiming against art and beauty, because my lady was more wretched in this elegant apartment than many a half-starved seamstress in her dreary garret. She was wretched by reason of a wound which lay too deep for the possibility of any solace from such plasters as wealth and luxury; but her wretchedness was of an abnormal nature, and I can see no occasion for seizing upon the fact of her misery as an argument in favor of poverty and discomfort as opposed to opulence. The Benvenuto Cellini carvings and the Sevres porcelain could not give her happiness, because she had passed out of their region. She was no longer innocent; and the pleasure we take in