The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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The butler asked whether Mrs. Soames was in the cab, the master had told him they were both expected to dinner.
Soames answered: “No. Mrs. Forsyte has a cold.”
The butler was sorry.
Soames thought he was looking at him inquisitively, and remembering that he was not in dress clothes, asked: “Anybody here to dinner, Warmson?”
“Nobody but Mr. and Mrs. Dartie, sir.”
Again it seemed to Soames that the butler was looking curiously at him. His composure gave way.
“What are you looking at?” he said. “What’s the matter with me, eh?”
The butler blushed, hung up the fur coat, murmured something that sounded like: “Nothing, sir, I’m sure, sir,” and stealthily withdrew.
Soames walked upstairs. Passing the drawing-room without a look, he went straight up to his mother’s and father’s bedroom.
James, standing sideways, the concave lines of his tall, lean figure displayed to advantage in shirtsleeves and evening waistcoat, his head bent, the end of his white tie peeping askew from underneath one white Dundreary whisker, his eyes peering with intense concentration, his lips pouting, was hooking the top hooks of his wife’s bodice. Soames stopped; he felt half-choked, whether because he had come upstairs too fast, or for some other reason. He—he himself had never—never been asked to. …
He heard his father’s voice, as though there were a pin in his mouth, saying: “Who’s that? Who’s there? What d’you want?” His mother’s: “Here, Felice, come and hook this; your master’ll never get done.”
He put his hand up to his throat, and said hoarsely:
“It’s I—Soames!”
He noticed gratefully the affectionate surprise in Emily’s: “Well, my dear boy?” and James’, as he dropped the hook: “What, Soames! What’s brought you up? Aren’t you well?”
He answered mechanically: “I’m all right,” and looked at them, and it seemed impossible to bring out his news.
James, quick to take alarm, began: “You don’t look well. I expect you’ve taken a chill—it’s liver, I shouldn’t wonder. Your mother’ll give you. …”
But Emily broke in quietly: “Have you brought Irene?”
Soames shook his head.
“No,” he stammered, “she—she’s left me!”
Emily deserted the mirror before which she was standing. Her tall, full figure lost its majesty and became very human as she came running over to Soames.
“My dear boy! My dear boy!”
She put her lips to his forehead, and stroked his hand.
James, too, had turned full towards his son; his face looked older.
“Left you?” he said. “What d’you mean—left you? You never told me she was going to leave you.”
Soames answered surlily: “How could I tell? What’s to be done?”
James began walking up and down; he looked strange and stork-like without a coat. “What’s to be done!” he muttered. “How should I know what’s to be done? What’s the good of asking me? Nobody tells me anything, and then they come and ask me what’s to be done; and I should like to know how I’m to tell them! Here’s your mother, there she stands; she doesn’t say anything. What I should say you’ve got to do is to follow her.”
Soames smiled; his peculiar, supercilious smile had never before looked pitiable.
“I don’t know where she’s gone,” he said.
“Don’t know where she’s gone!” said James. “How d’you mean, don’t know where she’s gone? Where d’you suppose she’s gone? She’s gone after that young Bosinney, that’s where she’s gone. I knew how it would be.”
Soames, in the long silence that followed, felt his mother pressing his hand. And all that passed seemed to pass as though his own power of thinking or doing had gone to sleep.
His father’s face, dusky red, twitching as if he were going to cry, and words breaking out that seemed rent from him by some spasm in his soul.
“There’ll be a scandal; I always said so.” Then, no one saying anything: “And there you stand, you and your mother!”
And Emily’s voice, calm, rather contemptuous: “Come, now, James! Soames will do all that he can.”
And James, staring at the floor, a little brokenly: “Well, I can’t help you; I’m getting old. Don’t you be in too great a hurry, my boy.”
And his mother’s voice again: “Soames will do all he can to get her back. We won’t talk of it. It’ll all come right, I dare say.”
And James: “Well, I can’t see how it can come right. And if she hasn’t gone off with that young Bosinney, my advice to you is not to listen to her, but to follow her and get her back.”
Once more Soames felt his mother stroking his hand, in token of her approval, and as though repeating some form of sacred oath, he muttered between his teeth: “I will!”
All three went down to the drawing-room together. There, were gathered the three girls and Dartie; had Irene been present, the family circle would have been complete.
James sank into his armchair, and except for a word of cold greeting to Dartie, whom he both despised and dreaded, as a man likely to be always in want of money, he said nothing till dinner was announced. Soames, too, was silent; Emily alone, a woman of cool courage, maintained a conversation with Winifred on trivial subjects. She was never more composed in her manner and conversation than that evening.
A decision having been come to not to speak of Irene’s flight, no view was expressed by any other member of the family as to the right course to be pursued; there can be little doubt, from the general tone adopted in relation to events as they afterwards turned out, that James’s advice: “Don’t you listen to her, follow her and get her back!” would, with here and there an exception, have been regarded as sound, not only in Park Lane, but amongst the Nicholases, the Rogers, and at Timothy’s. Just as it would surely have been endorsed by that wider body of Forsytes all over London, who were merely excluded from judgment by ignorance of the story.
In spite then of Emily’s efforts, the dinner was served by
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