The Life of Reason by George Santayana (i have read the book TXT) ๐
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- Author: George Santayana
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Read book online ยซThe Life of Reason by George Santayana (i have read the book TXT) ๐ยป. Author - George Santayana
"It fortifies my soul to know
That though I wander, Truth is so."
The deceptions which nature practises on men are not always cruel. These are also kindly deceptions which prompt him to pursue or expect his own good when, though not destined to come in the form he looks for, this good is really destined to come in some shape or other. Such, for instance, are the illusions of romantic love, which may really terminate in a family life practically better than the absolute and chimerical unions which that love had dreamed of. Such, again, are those illusions of conscience which attach unspeakable vague penalties and repugnances to acts which commonly have bad results, though these are impossible to forecast with precision. When disillusion comes, while it may bring a momentary shock, it ends by producing a settled satisfaction unknown before, a satisfaction which the coveted prize, could it have been attained, would hardly have secured. When on the day of judgment, or earlier, a man perceives that what he thought he was doing for the Lord's sake he was really doing for the benefit of the least, perhaps, of the Lord's creatures, his satisfaction, after a moment's surprise, will certainly be very genuine.
Such kindly illusions are involved in the symbolic method by which general relations and the inconceivably diffuse reality of things have to be apprehended. The stars are in human thought a symbol for the silent forces of destiny, really embodied in forms beyond our apprehension; for who shall say what actual being may or may not correspond to that potentiality of life or sensation which is all that the external world can be to our science? When astrology invented the horoscope it made an absurdly premature translation of celestial hieroglyphics into that language of universal destiny which in the end they may be made to speak. The perfect astronomer, when he understood at last exactly what pragmatic value the universe has, and what fortunes the stars actually forebode, would be pleasantly surprised to discover that he was nothing but an astrologer grown competent and honest.
Ideal society belongs entirely to this realm of kindly illusion, for it is the society of symbols. Whenever religion, art, or science presents us with an image or a formula, involving no matter how momentous a truth, there is something delusive in the representation. It needs translation into the detailed experience which it sums up in our own past or prophecies elsewhere. This eventual change in form, far from nullifying our knowledge, can alone legitimise it. A conception not reducible to the small change of daily experience is like a currency not exchangeable for articles of consumption; it is not a symbol, but a fraud. And yet there is another aspect to the matter. Symbols are presences, and they are those particularly congenial presences which we have inwardly evoked and cast in a form intelligible and familiar to human thinking. Their function is to give flat experience a rational perspective, translating the general flux into stable objects and making it representable in human discourse. They are therefore precious, not only for their representative or practical value, implying useful adjustments to the environing world, but even more, sometimes, for their immediate or รฆsthetic power, for their kinship to the spirit they enlighten and exercise.
This is prevailingly true in the fine arts which seem to express man even more than they express nature; although in art also the symbol would lose all its significance and much of its inward articulation if natural objects and eventual experience could be disregarded in constructing it. In music, indeed, this ulterior significance is reduced to a minimum; yet it persists, since music brings an ideal object before the mind which needs, to some extent, translation into terms no longer musicalโterms, for instance, of skill, dramatic passion, or moral sentiment. But in music pre-eminently, and very largely in all the arts, external propriety is adventitious; so much can the mere presence and weight of a symbol fill the mind and constitute an absolute possession.
In religion and science the overt purpose of symbols is to represent external truths. The inventors of these symbols think they are merely uncovering a self-existent reality, having in itself the very form seen in their idea. They do not perceive that the society of God or Nature is an ideal society, nor that these phantoms, looming in their imagination, are but significant figments whose existent basis is a minute and indefinite series of ordinary perceptions. They consequently attribute whatever value their genial syntheses may have to the object as they picture it. The gods have, they fancy, the aspect and passions, the history and influence which their myth unfolds; nature in its turn contains hypostatically just those laws and forces which are described by theory. Consequently the presence of God or Nature seems to the mythologist not an ideal, but a real and mutual society, as if collateral beings, endowed with the conceived characters, actually existed as men exist. But this opinion is untenable. As Hobbes said, in a phrase which ought to be inscribed in golden letters over the head of every talking philosopher: No discourse whatsoever can end in absolute knowledge of fact. Absolute knowledge of fact is immediate, it is experiential. We should have to become God or Nature in order to know for a fact that they existed. Intellectual knowledge, on the other hand, where it relates to existence, is faith only, a faith which in these matters means trust. For the forces of Nature or the gods, if they had crude existence, so that we might conceivably become what they are, would lose that causal and that religious function which are their essence respectively. They would be merely collateral existences, loaded with all sorts of irrelevant properties, parts of the universal flux, members of a natural society; and while as such they would have their relative importance, they would be embraced in turn within an intelligible system of relations, while their rights and dignities would need to be determined by some supervening ideal. A nature existing in act would require metaphysicsโthe account of a deeper natureโto express its relation to the mind that knew and judged it. Any actual god would need to possess a religion of his own, in order to fix his ideal of conduct and his rights in respect to his creatures or rather, as we should then be, to his neighbours. This situation may have no terrors for the thoughtless; but it evidently introduces something deeper than Nature and something higher than God, depriving these words of the best sense in which a philosopher might care to use them.
The divine and the material are contrasted points of reference required by the actual. Reason, working on the immediate flux of appearances, reaches these ideal realms and, resting in them, perforce calls them realities. Oneโthe realm of causesโsupplies appearances with a basis and calculable order; the otherโthe realm of truth and felicityโsupplies them with a standard and justification. Natural society may accordingly be contrasted with ideal society, not because Nature is not, logically speaking, ideal too, but because in natural society we ally ourselves consciously with our origins and surroundings, in ideal society with our purposes. There is an immense difference in spirituality, in ideality of the moral sort, between gathering or conciliating forces for action and fixing the ends which action should pursue. Both fields are ideal in the sense that intelligence alone could discover or exploit them; yet to call nature ideal is undoubtedly equivocal, since its ideal function is precisely to be the substance and cause of the given flux, a ground-work for experience which, while merely inferred and potential, is none the less mechanical and material. The ideality of nature is indeed of such a sort as to be forfeited if the trusty instrument and true antecedent of human life were not found there. We should be frivolous and inconstant, taking our philosophy for a game and not for method in living, if having set out to look for the causes and practical order of things, and having found them, we should declare that they were not really casual or efficient, on the strange ground that our discovery of them had been a feat of intelligence and had proved a priceless boon. The absurdity could not be greater if in moral science, after the goal of all effort had been determined and happiness defined, we declared that this was not really the good.
Those who are shocked at the assertion that God and Nature are ideal, and that their contrasted prerogatives depend on that fact, may, of course, use the same words in a different way, making them synonymous, and may readily "prove" that God or Nature exists materially and has absolute being. We need but agree to designate by those terms the sum of existences, whatever they (or it) may be to their own feeling. Then the ontological proof asserts its rights unmistakably. Science and religion, however, are superfluous if what we wish to learn is that there is Something, and that All-there-is must assuredly be All-there-is. Ecstasies may doubtless ensue upon considering that Being is and Non-Being is not, as they are said to ensue upon long enough considering one's navel; but the Life of Reason is made of more variegated stuff. Science, when it is not dialectical, describes an ideal order of existences in space and time, such that all incidental facts, as they come, may fill it in and lend it body. Religion, when pure, contemplates some pertinent ideal of intelligence and goodness. Both religion and science live in imaginative discourse, one being an aspiration and the other a hypothesis. Both introduce into the mind an ideal society.
The Life of Reason is no fair reproduction of the universe, but the expression of man alone. A theory of nature is nothing but a mass of observations, made with a hunter's and an artist's eye. A mortal has no time for sympathy with his victim or his model; and, beyond a certain range, he has no capacity for such sympathy. As in order to live he must devour one-half the world and disregard the other, so in order to think and practically to know he must deal summarily and selfishly with his materials; otherwise his intellect would melt again into endless and irrevocable dreams. The law of gravity, because it so notably unifies the motions of matter, is something which these motions themselves know nothing of; it is a description of them in terms of human discourse. Such discourse can never assure us absolutely that the motions it forecasts will occur; the sensible proof must ensue spontaneously in its own good time. In the interval our theory remains pure presumption and hypothesis. Reliable as it may be in that capacity, it is no replica of anything on its own level existing beyond. It creates, like all intelligence, a secondary and merely symbolic world.
When this diversity between the truest theory and the simplest fact, between potential generalities and actual particulars, has been thoroughly appreciated, it becomes clear that much of what is valued in science and religion is not lodged in the miscellany underlying these creations of reason, but is lodged rather in the rational activity itself, and in the intrinsic beauty of all symbols bred in a genial mind. Of course, if these symbols had no real points of
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