Dad's Favorite Ballads & Poems by Dave Horton (classic books for 7th graders .txt) 📕

And I looked at it, and I thought a bit,
and I looked at my frozen chum;
Then 'Here', said I, with a sudden cry,
'is my cre-ma-tor-eum'.

Some planks I tore from the cabin floor,
and I lit the boiler fire;
Some coal I found that was lying around,
and I heaped the fuel higher;

The flames just soared, and the furnace roared --
such a blaze you seldom see;
And I burrowed a hole in the glowing coal,
and I stuffed in Sam McGee.

Then I made a hike, for I didn't like
to hear him sizzle so;
And the heavens scowled, and the huskies howled,
and the wind began to blow.

It was icy cold, but the hot sweat rolled
down my cheeks, and I don't know why;
And the greasy smoke in an inky cloak
went streaking down the sky.

I do not know how long in the snow
I wrestled with grisly fear;
But the stars came out and they danced about
ere I ventured near;

I was sick with dread, but I bravely said:
'I'll just take a peep inside.
I guess he's cooked, and it's time I looked'
then the door I opened wide.

And there sat Sam, looking cool and calm,
in the heart of the furnace roar;
And he wore a smile you could see a mile,
and said: 'Please close that door.'

It's fine in here, but I greatly fear,
you'll let in the cold and storm --
Since I left Plumtree, down in Tennessee,
it's the first time I've been warm.'

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;

The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Robert W. Service  

Hugh Antoine D'Arcy  

'Twas a balmy summer evening, and a goodly crowd was there,
Which well-nigh filled Joe's barroom, on the corner of the square;
And as songs and witty stories came through the open door,
A vagabond crept slowly in and posed upon the floor.

"Where did it come from?" someone said." The wind has blown it in"
"What does it want?" another cried. "Some whiskey, rum or gin?"
"Here, Toby, sic 'em, if your stomach's equal to the work --
I wouldn't touch him with a fork, he's filthy as a Turk."

This badinage the poor wretch took with stoical good grace;
In fact, he smiled as tho' he thought he'd struck the proper place
"Come, boys, I know there's kindly hearts among so good a crowd --
To be in such good company would make a deacon proud.

"Give me a drink, that's what I want - I'm out of funds, you know,
When I had cash to treat the gang this hand was never slow.
What? You laugh as if you thought this pocket never held a sou;
I once was fixed as well, my boys, as any one of you.

"There, thanks, that's braced me nicely; God bless you one and all;
Next time I pass this good saloon I'll make another call.
Give you a song? No, I can't do that; my singing days are past;
My voice is cracked, my throat's worn out, and my lungs are going fast.
 

"I'll tell you a funny story, and a fact, I promise, too.
Say! Give me another whiskey, and I'll tell what I'll do --
That I was ever a decent man not one of you would think;
But I was, some four or five years back. Say, give me another drink.

"Fill her up, Joe, I want to put some life into my frame --
Such little drinks to a bum like me are miserably tame;
Five fingers -- there, that's the scheme -- and corking whiskey, too.
Well, here's luck, boys, and landlord, my best regards to you.

"You've treated me pretty kindly and I'd like to tell you how
I came to be the dirty sot you see before you now.
As I told you, once I was a man, with muscle, frame, and health,
And but for a blunder ought to have made considerable wealth.

"I was a painter -- not one that daubed on bricks and wood,
But an artist, and for my age, was rated pretty good.
I worked hard at my canvas, and was bidding fair to rise,
For gradually I saw the star of fame before my eyes.

"I made a picture perhaps you've seen, 'tis called the `Chase of Fame.'
It brought me fifteen hundred pounds and added to my name,
And then I met a woman -- now comes the funny part --
With eyes that petrified my brain, and sunk into my heart.

"Why don't you laugh? 'Tis funny that the vagabond you see
Could ever love a woman, and expect her love for me;
But 'twas so, and for a month or two, her smiles were freely given,
And when her loving lips touched mine, it carried me to Heaven.

"Boys, did you ever see a girl for whom your soul you'd give,
With a form like the Milo Venus, too beautiful to live;
With eyes that would beat the Koh-i-noor, and a wealth of chestnut hair?
If so, 'twas she, for there never was another half so fair.

"I was working on a portrait, one afternoon in May,
Of a fair-haired boy, a friend of mine, who lived across the way.
And Madeline admired it, and much to my surprise,
Said she'd like to know the man that had such dreamy eyes.

"It didn't take long to know him, and before the month had flown
My friend had stole my darling, and I was left alone;
And ere a year of misery had passed above my head,
The jewel I had treasured so had tarnished and was dead.

"That's why I took to drink, boys. Why, I never see you smile,
I thought you'd be amused, and laughing all the while.
Why, what's the matter, friend? There's a tear-drop in you eye,
Come, laugh like me. 'Tis only babes and women that should cry.

"Say, boys, if you give me just another whiskey I'll be glad,
And I'll draw right here a picture of the face that drove me mad.
Give me that piece of chalk with which you mark the baseball score --
You shall see the lovely Madeline upon the barroom floor."

Another drink, and with chalk in hand, the vagabond began
To sketch a face that well might buy the soul of any man.
Then, as he placed another lock upon the shapely head,
With a fearful shriek, he leaped and fell across the picture -- dead.

THE HOUSE WITH NOBODY IN IT

WHENEVER I walk to Suffern along the Erie track

I go by a poor old farmhouse with its shingles broken and black.

I suppose I've passed it a hundred times, but I always stop for a minute

And look at the house, the tragic house, the house with nobody in it.

I never have seen a haunted house, but I hear there are such things;

That they hold the talk of spirits, their mirth and sorrowings.

I know this house isn't haunted, and I wish it were, I do;

For it wouldn't be so lonely if it had a ghost or two.

This house on the road to Suffern needs a dozen panes of glass,

And somebody ought to weed the walk and take a scythe to the grass.

It needs new paint and shingles, and the vines should be trimmed and tied;

But what it needs the most of all is some people living inside.

If I had a lot of money and all my debts were paid,

I'd put a gang of men to work with brush and saw and spade.

I'd buy that place and fix it up the way it used to be,

And I'd find some people who wanted a home and give it to them free.

Now a new house standing empty, with staring window and door,

Looks idle, perhaps, and foolish, like a hat on its block in the store.

But there's nothing mournful about it; it cannot be sad and lone

For the lack of something within it that it has never known.

But a house that has done what a house should do, a house that has

sheltered life,

That has put its loving wooden arms around a man and his wife,

A house that has echoed a baby's laugh and held up his stumbling feet,

Is the saddest sight when it's left alone, that ever your eyes could meet.

So whenever I go to Suffern along the Erie track

I never go by the empty house without stopping and looking back;

Yet it hurts me to look at the crumbling roof and the shutters fallen apart,

For I can't help thinking the poor old house is a house with a broken heart.

JOYCE KILMER

A bunch of the boys were whooping it up

In the Malamute saloon;

The kid that handles the music-box

Was hitting a jag-time tune;

Back of the bar, in a solo game,

Sat Dangerous Dan McGrew,

And watching his luck was his light-o'-love,