An Essay on Criticism by Alexander Pope (best ereader for pdf txt) 📕

war. When the Greeks were challenged by Hector he was chosen their champion and it was in their encounter that he seized a huge stone and hurled it at Hector.

Thus rendered by Pope himself:

 

“Then Ajax seized the fragment of a rock

Applied each nerve, and swinging round on high,

With force tempestuous let the ruin fly

The huge stone thundering through his buckler broke.”

Camilla, queen of the Volsci, was brought up in the woods, and, according to Virgil, was swifter than the winds. She led an army to assist Turnus against Aeneas.

 

“Dura pan, cursuque pedum praevertere ventos.

Illa vel intactae segetis per summa volaret

Gramina nec teneras cursu laesisset aristas;

Vel mare per medium fluctu suspensa tumenti,

Ferret iter, celeres nec tingeret aequore plantas.”

Aen. vii 807-811.

Thus rendered by Dryden.

 

“Outstripped the winds in speed upon the plain,

Flew o’er the fields, nor hurt the bearded grain;

She swept the seas, and as she skimmed along,

Her flying feet unbathed on billows hung”]

[Lines 374-381: This passage refers to Dryden’s ode, Alexander’s Feast, or The Power of Music. Timotheus, mentioned in it, was a musician of Boeotia, a favorite of Alexander’s, not the great musician Timotheus, who died before Alexander was born, unless, indeed, Dryden have confused the two.]

[Line 376: The son of Libyan Jove.—A title arrogated to himself by Alexander.]

[Line 393: Dullness here ‘seems to be incorrectly used. Ignorance is apt to magnify, but dullness reposes in stolid indifference.’]

[Line 441: Sentences—Passages from the Fathers of the Church who were regarded as decisive authorities on all disputed points of doctrine.]

[Line 444: Scotists—The disciples of Duns Scotus, one of the most famous and influential of the scholastics of the fourteenth century, who was opposed to Thomas Aquinas (1224-1274), another famous scholastic, regarding the doctrines of grace and the freedom of the will, but especially the immaculate conception of the Virgin. The followers of the latter were called Thomists, between whom and the Scotists bitter controversies were carried on.]

[Line 445: Duck Lane.—A place near Smithfield where old books were sold. The cobwebs were kindred to the works of these controversialists, because their arguments were intricate and obscure. Scotus is said to have demolished two hundred objections to the doctrine of the immaculate conception, and established it by a cloud of proofs.]

[Line 459: Parsons.—This is an allusion to Jeremy Collier, the author of A Short View etc, of the English Stage. Critics, beaux.—This to the Duke of Buckingham, the author of The Rehearsal.]

[Line 463: Blackmore, Sir Richard (1652-1729), one of the court physicians and the writer of a great deal of worthless poetry. He attacked the dramatists of the time generally and Dryden individually, and is the Quack Maurus of Dryden’s prologue to The Secular Masque. Millbourn, Rev. Luke, who criticised Dryden; which criticism, although sneered at by Pope, is allowed to have been judicious and decisive.]

[Line 465: Zoilus. See note on line 183.]

[Line 479: Patriarch wits—Perhaps an allusion to the great age to which the antediluvian patriarchs of the Bible lived.]

[Line 536: An easy monarch.—Charles II.]

[Line 541: At that time ladies went to the theater in masks.]

[Line 544: A foreign reign.—The reign of the foreigner, William III.]

[Line 545: Socinus.—The reaction from the fanaticism of the Puritans, who held extreme notions of free grace and satisfaction, by resolving all Christianity into morality, led the way to the introduction of Socinianism, the most prominent feature of which is the denial of the existence of the Trinity.]

[Line 552: Wit’s Titans.—The Titans, in Greek mythology, were the children of Uranus (heaven) and Gaea (earth), and of gigantic size. They engaged in a conflict with Zeus, the king of heaven, which lasted ten years. They were completely defeated, and hurled down into a dungeon below Tartarus. Very often they are confounded with the Giants, as has apparently been done here by Pope. These were a later progeny of the same parents, and in revenge for what had been done to the Titans, conspired to dethrone Zeus. In order to scale heaven, they piled Mount Ossa upon Pelion, and would have succeeded in their attempt if Zeus had not called in the assistance of his son Hercules.]

[Line 585: Appius.—He refers to Dennis (see note to verse 270) who had published a tragedy called Appius and Virginia. He retaliated for these remarks by coarse personalities upon Pope, in his criticism of this poem.]

[Line 617: Durfey’s Tales.—Thomas D’Urfey, the author (in the reign of Charles II.) of a sequel in five acts of The Rehearsal, a series of sonnets entitled Pills to Purge Melancholy, the Tales here alluded to, etc. He was a very inferior poet, although Addison pleaded for him.]

[Line 619: Garth, Dr., afterwards Sir Samuel (born 1660) an eminent physician and a poet of considerable reputation He is best known as the author of The Dispensary, a poetical satire on the apothecaries and physicians who opposed the project of giving medicine gratuitously to the sick poor. The poet alludes to a slander current at the time with regard to the authorship of the poem.]

[Line 623: St Paul’s Churchyard, before the fire of London, was the headquarters of the booksellers.]

[Lines 645, 646: See note on line 138.]

[Line 648: The Maeonian star.—Homer, supposed by some to have been born in Maeonia, a part of Lydia in Asia Minor, and whose poems were the chief subject of Aristotle’s criticism.]

[Line 652: Who conquered nature—He wrote, besides his other works, treatises on Astronomy, Mechanics, Physics, and Natural History.]

[Line 665: Dionysius, born at Halicarnassus about 50 B.C., was a learned critic, historian, and rhetorician at Rome in the Augustan age.]

[Line 667: Petronius.—A Roman voluptuary at the court of Nero whose ambition was to shine as a court exquisite. He is generally supposed to be the author of certain fragments of a comic romance called Petronii Arbitri Satyricon.]

[Line 669: Quintilian, born in Spain 40 A.D. was a celebrated teacher of rhetoric and oratory at Rome. His greatwork is De Institutione Oratorica, a complete system of rhetoric, which is here referred to.]

[Line 675: Longinus, a Platonic philosopher and famous rhetorician, born either in Syria or at Athens about 213 A.D., was probably the best critic of antiquity. From his immense knowledge, he was called “a living library” and “walking museum,” hence the poet speaks of him as inspired by all the Nine—Muses that is. These were Clio, the muse of History, Euterpe, of Music, Thaleia, of Pastoral and Comic Poetry and Festivals, Melpomene, of Tragedy, Terpsichore, of Dancing, Erato, of Lyric and Amorous Poetry, Polyhymnia, of Rhetoric and Singing, Urania, of Astronomy, Calliope, of Eloquence and Heroic Poetry.]

[Line 686: Rome.—For this pronunciation (to rhyme with doom) he has Shakespeare’s example as precedent.]

[Line 692: Goths.—A powerful nation of the Germanic race, which, originally from the Baltic, first settled near the Black Sea, and then overran and took an important part in the subversion of the Roman empire. They were distinguished as Ostro Goths (Eastern Goths) on the shores of the Black Sea, the Visi Goths (Western Goths) on the Danube, and the Moeso Goths, in Moesia ]

[Line 693: Erasmus.—A Dutchman (1467-1536), and at one time a Roman Catholic priest, who acted as tutor to Alexander Stuart, a natural son of James IV. of Scotland as professor of Greek for a short time at Oxford, and was the most learned man of his time. His best known work is his Colloquia, which contains satirical onslaughts on monks, cloister life, festivals, pilgrimages etc.]

[Line 696: Vandals.—A race of European barbarians, who first appear historically about the second century, south of the Baltic. They overran in succession Gaul, Spain, and Italy. In 455 they took and plundered Rome, and the way they mutilated and destroyed the works of art has become a proverb, hence the monks are compared to them in their ignorance of art and science.]

[Line 697: Leo.—Leo X., or the Great (1513-1521), was a scholar himself, and gave much encouragement to learning and art.]

[Line 704: Raphael (1483-1520), an Italian, is almost universally regarded as the greatest of painters. He received much encouragement from Leo. Vida—A poet patronised by Leo. He was the son of poor parents at Cremona (see line 707), which therefore the poet says, would be next in fame to Mantua, the birthplace of Virgil as it was next to it in place.

 

“Mantua vae miserae nimium vicina Cremona.”—Virg.]

[Line 714: Boileau.—An illustrious French poet (1636-1711), who wrote a poem on the Art of Poetry, which is copiously imitated by Pope in this poem.]

[Lines 723, 724: Refers to the Duke of Buckingham’s Essay on Poetry which had been eulogized also by Dryden and Dr. Garth.]

[Line 725: Roscommon, the Earl of, a poet, who has the honor to be the first critic who praised Milton’s Paradise Lost, died 1684.]

[Line 729: Walsh.—An indifferent writer, to whom Pope owed a good deal, died 1710.]

 

End of the Project Gutenberg EBook of An Essay on Criticism, by Alexander Pope

*** END OF THE PROJECT GUTENBERG EBOOK AN ESSAY ON CRITICISM ***

This file should be named esycr10.txt or esycr10.zip Corrected EDITIONS of our eBooks get a new NUMBER, esycr11.txt VERSIONS based on separate sources get new LETTER, esycr10a.txt

Produced by Ted Garvin, David Garcia and the Online Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date.

Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.

Most people start at our Web sites at: http://gutenberg.net or http://promo.net/pg

These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new eBooks, and how to subscribe to our email newsletter (free!).

 

Those of you who want to download any eBook before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want, as it appears in our Newsletters.

 

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2002 as we release over 100 new text files per month: 1240 more eBooks in 2001 for a total of 4000+ We are already on our way to trying for 2000 more eBooks in 2002 If they reach just 1-2% of the world’s population then the total will reach over half a trillion eBooks given