Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕
[5] Dodge, Raymond, PSYCHOLOGICAL REVIEW, 1900, VII., p. 456.
[6] Graefe, A., Archiv f. Ophthalmologie, 1895, XLI., 3, S. 136.
This explanation of Graefe is not to be admitted, however, since in the case of eye-movement there are muscular sensations of one's own activity, which are not present when one merely sits in a coach. These sensations of eye-movement are in all cases so intimately connected with our perception of the movement of objects, that they may not be in this case simpl
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opening, it is clear that the 9 cm. of exposure become more than 9°
11’ of eye-movement. Therefore the eye and the fixation-points are so
placed that EA (Fig. 5) = 26 cm. and PP’ = 18 cm. The total
eye-movement is thus 38° 11’, of which the nine-centimeter distance of
exposure is 19° 38’. Now the eye is found to move very well through
19° 38’ in 275[sigma], although, again, this is much more than a
proportionate part of the total time (99.9[sigma]) given by Dodge and
Cline for a movement of the eye through 40°. The eye is in this case
also moving slowly. As before, it is permissible to let the pendulum
run down till it swings too slowly for the eye to move with it; since
any lessened speed of the pendulum only makes the reddish-orange phase
more prominent.
As in the experiment with the dumb-bell, we have also here three
cases: the control, the case of the eye moving, and again a control.
Case 1. T swings with the pendulum. I is placed in the front
groove, and the eye looks straight forward without moving. The
pendulum falls from 9.5° at one side, and the illumination is so
adjusted that the phase in which the band is reddish-orange, is
unmistakably perceived before that in which it is straw-yellow. The
appearance must be 3 followed by 5 (Fig. 8).
Case 2. T is fixed in the background, I on the pendulum, and the
phenomena are observed with the eye moving.
Case 3. A repetition of case 1, to make sure that no different
adaptation or fatigue condition of the eye has come in to modify the
appearance of the two successive phases as at first seen.
The possible appearances to the moving eye are closely analogous to
those in the dumb-bell experiment. If the eye moves too soon or too
late, so that it is at rest during the exposure, the image is like T
itself (Fig. 8) but somewhat fainter and localized midway between the
points P and P’. If the eye moves reflexly at the rate of the
pendulum, the image is of the shape i and shows the two phases (3
followed by 5). It is localized in the middle and appears to move
across the nine-centimeter opening.
A difficulty is met here which was not found in the case of the
dumb-bell. The eye is very liable to come to a full stop on one of the
colored surfaces, and then to move quickly on again to the final
fixation-point. And this happens contrary to the intention of the
subject, and indeed usually without his knowledge. This stopping is
undoubtedly a reflex process, in which the cerebellar mechanism which
tends to hold the fixation on any bright object, asserts itself over
the voluntary movement and arrests the eye on the not moving red or
green surface as the exposure takes place. A comparable phenomenon was
found sometimes in the experiment with the dumb-bell, where an
eye-movement commenced as voluntary would end as a reflex following of
the pendulum. In the present experiment, until the subject is well
trained, the stopping of the eye must be watched by a second person
who looks directly at the eyeball of the subject during each
movement. The appearances are very varied when the eye stops, but the
typical one is shown in Fig. 8:1. The red strip AB is seldom longer
and often shorter than in the figure. That part of it which is
superposed on the green seldom shows the orange phase, being almost
always of a pure straw-yellow. The localization of these images is
variable. All observations made during movements in which the eye
stops, are of course to be excluded.
If now the eye does not stop midway, and the image is not localized in
the center, the appearance is like either 2, 4, or 5, and is localized
over the final fixation-point. 2 is in all probability the case of the
eye moving very much faster than the pendulum, so that if the movement
is from left to right, the right-hand side of the image is the part
first exposed (by the uncovering of the left-hand side of T), which
is carried ahead by the too swift eye-movement and projected in
perception on the right of the later portion. 3 is the case of the eye
moving at very nearly but not quite the rate of the pendulum. The
image which should appear 2 cm. wide (like the opening i) appears
about 3 cm. wide. The middle band is regularly straw-yellow, extremely
seldom reddish, and if we could be sure that the eye moves more slowly
than the pendulum, so that the succession of the stimuli is even
slower than in the control, and the red phase is surely given, this
appearance (3) would be good evidence of anæsthesia during which the
reddish-orange phase elapses. It is more likely, however, that the eye
is moving faster than the pendulum, but whether or not so
inconsiderably faster as still to let the disappearance of the reddish
phase be significant of anæsthesia, is not certain until one shall
have made some possible but tedious measurements of the apparent width
of the after-image. Both here and in the following case the _feeling
of succession_, noticeable between the two phases when the eye is at
rest, has disappeared with the sensation of redness.
The cases in which 5 is seen are, however, indisputably significant.
The image is apparently of just the height and width of i, and there
is not the slightest trace of the reddish-orange phase. The image
flashes out over the final fixation-point, green and straw-yellow,
just as the end-circles of the dumb-bell appeared without their
handle. The rate of succession of the stimuli, green—red—green, on
the retina, is identical with that rate which showed the two phases to
the resting eye: for the pendulum is here moving at the very same
rate, and the eye is moving exactly with the pendulum, as is shown by
the absence of any horizontal elongation of the image seen. The
trained subject seldom sees any other images than 4 and 5, and these
with about equal frequency, although either is often seen in ten or
fifteen consecutive trials. As in the cases of the falsely localized
images and of the handleless dumb-bell, movements of both eyes, as
well as of the head but not the eyes, yield the same phenomena. It is
interesting again to compare the appearance under reflex movement. If
at any time during the experiments the eye is allowed to follow the
pendulum reflexly, the image is at once and invariably seen to pass
through its two phases as it swings past the nine-centimeter opening.
The frequent and unmistakable appearance of this band of straw-yellow
on a non-elongated green field _without the previous phase in which
the band is reddish-orange_, although this latter was unmistakable
when the same stimulation was given to the eye at rest, is
authenticated by eight subjects. _This appearance, together with that
of the handleless dumb-bell, is submitted as a demonstration that
during voluntary movements of the eyes, and probably of the head as
well, there is a moment in which stimulations are not transmitted from
the retina to the cerebral cortex, that is, a moment of central
anæsthesia_. The reason for saying ‘and probably of the head as
well,’ is that although the phenomena described are gotten equally
well from movements of the head, yet it is not perfectly certain that
when the head moves the eyes do not also move slightly within the
head, even when the attempt is made to keep them fixed.
Most of the criticisms which apply to this last experiment apply to
that with the dumb-bell and have already been answered. There is one
however which, while applying to that other, more particularly applies
here. It would be, that these after-images are too brief and
indistinct to be carefully observed, so that judgments as to their
shape, size, and color are not valid evidence. This is a perfectly
sensible criticism, and a person thoroughly convinced of its force
should repeat the experiments and decide for himself what reliance he
will place on the judgments he is able to make. The writer and those
of the subjects who are most trained in optical experiments find the
judgments so simple and easily made as not to be open to doubt.
In the first place, it should be remembered that only those cases are
counted in which the movement was so timed that the image was seen in
direct vision, that is, was given on or very near the fovea. In such
cases a nice discrimination of the shape and color of the images is
easily possible.
Secondly, the judgments are in no case quantitative, that is, they in
no case depend on an estimate of the absolute size of any part of the
image. At most the proportions are estimated. In the case of the
dumb-bell the question is, Has the figure a handle? The other
question, Are the end-circles horizontally elongated? has not to be
answered with mathematical accuracy. It is enough if the end-circles
are approximately round, or indeed are narrower than 9 cm.
horizontally, for at even that low degree of concentration the handle
was still visible to the resting eye. Again, in the experiment with
the color-phases, only two questions are essential to identify the
appearance 5: Does the horizontal yellow band extend quite to both
edges of the image? and, Is there certainly no trace of red or orange
to be seen? The first question does not require a quantitative
judgment, but merely one as to whether there is any green visible to
the right or left of the yellow strip. Both are therefore strictly
questions of quality. And the two are sufficient to identify
appearance 5, for if no red or orange is visible, images 1, 2, and 3
are excluded; and if no green lies to the right or left of the yellow
band, image 4 is excluded. Thus if one is to make the somewhat
superficial distinction between qualitative and quantitative
judgments, the judgments here required are qualitative. Moreover, the
subjects make these judgments unhesitatingly.
Finally, the method of making judgments on after-images is not new in
psychology. Lamansky’s well-known determination of the rate of
eye-movements[22] depends on the possibility of counting accurately
the number of dots in a row of after-images. A very much bolder
assumption is made by Guillery[23] in another measurement of the rate
of eye-movements. A trapezoidal image was generated on the moving
retina, and the after-image of this was projected on to a plane
bearing a scale of lines inclining at various angles. On this the
degree of inclination of one side of the after-image was read off, and
thence the speed of the eye-movement was calculated. In spite of the
boldness of this method, a careful reading of Guillery’s first article
cited above will leave no doubt as to its reliability, and the
accuracy of discrimination possible on these after-images.
[22] Lamansky, S., (Pflüger’s) Archiv f. d. gesammte
Physiologie, 1869, II., S. 418.
[23] Guillery, (Pflüger’s) Archiv f. d. ges. Physiologie, 1898,
LXXI., S. 607; and 1898, LXXIII., S. 87.
As to judgments on the color and color-phases of after-images, there
is ample precedent in the researches of von Helmholtz, Hering, Hess,
von Kries, Hamaker, and Munk. It is therefore justifiable to assume
the possibility of making accurately the four simple judgments of
shape and color described above, which are essential to the two proofs
of anæsthesia.
V. SUMMARY AND COROLLARIES OF THE EXPERIMENTS, AND A
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