Miss Billy by Eleanor Hodgman Porter (the false prince series .TXT) 📕
The lawyer stirred restlessly and pondered.
"But, surely, my dear, isn't there some relative, somewhere?" hedemanded. "How about your mother's people?"
Billy shook her head. Her eyes filled again with tears.
There was only Aunt Ella, ever, that I knew anything about. Sheand mother were the only children there were, and mother died whenI was a year old, you know."
"But your father's people?"
"It's even worse there. He was an only child and an orphan whenmother married him. He died when I was but six months old. Afterthat there was only mother and Aunt Ella, then Aunt Ella alone; andnow--no one."
"And you know nothing of your father's people?"
"Nothing; that is--almost nothing."
"Then there is some one?"
Billy smiled. A deeper pink showed in her cheeks.
"Why, there's one--a man but he isn't really father's people,anyway. But I--I have been tempted to write to him."
"Who is he?"
"The one I'm named
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Bertram concluded, indeed, after a time, that she was too companionable, too cheery. He wished she would hesitate, stammer, blush; be a little shy. He wished that she would display surprise, annoyance, even—anything but that eternal air of comradeship. And then, one afternoon in the early twilight of a January day, he freed his mind, quite unexpectedly.
“Billy, I wish you WOULDN’T be so—so friendly!” he exclaimed in a voice that was almost sharp.
Billy laughed at first, but the next moment a shamed distress drove the merriment quite out of her face.
“You mean that I presume on—on our friendship?” she stammered. “That you fear that I will again—shadow your footsteps?” It was the first time since the memorable night itself that Billy had ever in Bertram’s presence referred to her young guardianship of his welfare. She realized now, suddenly, that she had just been giving the man before her some very “sisterly advice,” and the thought sent a confused red to her cheeks.
Bertram turned quickly.
“Billy, that was the dearest and loveliest thing a girl ever did— only I was too great a chump to appreciate it!” finished Bertram in a voice that was not quite steady.
“Thank you,” smiled the girl, with a slow shake of her head and a relieved look in her eyes; “but I’m afraid I can’t quite agree to that.” The next moment she had demanded mischievously: “Why, then, pray, this unflattering objection to my—friendliness now?”
“Because I don’t want you for a friend, or a sister, or anything else that’s related,” stormed Bertram, with sudden vehemence. “I don’t want you for anything but—a wife! Billy, WON’T you marry me?”
Again Billy laughed—laughed until she saw the pained anger leap to the gray eyes before her; then she became grave at once.
“Bertram, forgive me. I didn’t think you could—you can’t be— serious!”
“But I am.”
Billy shook her head.
“But you don’t love me—not ME, Bertram. It’s only the turn of my head or—or the tilt of my chin that you love—to paint,” she protested, unconsciously echoing the words Calderwell had said to her weeks before. “I’m only another ‘Face of a Girl.’”
“You’re the only ‘Face of a girl’ to me now, Billy,” declared the man, with disarming tenderness.
“No, no, not that,” demurred Billy, in distress. “You don’t mean it. You only think you do. It couldn’t be that. It can’t be!”
“But it is, dear. I think I have loved you ever since that night long ago when I saw your dear, startled face appealing to me from beyond Seaver’s hateful smile. And, Billy, I never went once with Seaver again—anywhere. Did you know that?”
“No; but—I’m glad—so glad!”
“And I’m glad, too. So you see, I must have loved you then, though unconsciously, perhaps; and I love you now.”
“No, no, please don’t say that. It can’t be—it really can’t be. I—I don’t love you—that way, Bertram.”
The man paled a little.
“Billy—forgive me for asking, but it’s so much to me—is it that there is—some one else?” His voice shook.
“No, no, indeed! There is no one.”
“It’s not—Calderwell?”
Billy’s forehead grew pink. She laughed nervous1y.
“No, no, never!”
“But there are others, so many others!”
“Nonsense, Bertram; there’s no one—no one, I assure you!”
“It’s not William, of course, nor Cyril. Cyril hates women.”
A deeper flush came to Billy’s face. Her chin rose a little; and an odd defiance flashed from her eyes. But almost instantly it was gone, and a slow smile had come to her lips.
“Yes, I know. Every one—says that Cyril hates women,” she observed demurely.
“Then, Billy, I sha’n’t give up!” vowed Bertram, softly. “Sometime you WILL love me!”
“No, no, I couldn’t. That is, I’m not going to—to marry,” stammered Billy.
“Not going to marry!”
“No. There’s my music—you know how I love that, and how much it is to me. I don’t think there’ll ever be a man—that I’ll love better.”
Bertram lifted his head. Very slowly he rose till his splendid six feet of clean-limbed strength and manly beauty towered away above the low chair in which Billy sat. His mouth showed new lines about the corners, and his eyes looked down very tenderly at the girl beside him; but his voice, when he spoke, had a light whimsicality that deceived even Billy’s ears.
“And so it’s music—a cold, senseless thing of spidery marks on clean white paper—that is my only rival,” he cried. “Then I’ll warn you, Billy, I’ll warn you. I’m going to win!” And with that he was gone.
Billy did not know whether to be more amazed or amused at Bertram’s proposal of marriage. She was vexed; she was very sure of that. To marry Bertram? Absurd! … Then she reflected that, after all, it was only Bertram, so she calmed herself.
Still, it was annoying. She liked Bertram, she had always liked him. He was a nice boy, and a most congenial companion. He never bored her, as did some others; and he was always thoughtful of cushions and footstools and cups of tea when one was tired. He was, in fact, an ideal friend, just the sort she wanted; and it was such a pity that he must spoil it all now with this silly sentimentality! And of course he had spoiled it all. There was no going back now to their old friendliness. He would be morose or silly by turns, according to whether she frowned or smiled; or else he would take himself off in a tragic sort of way that was very disturbing. He had said, to be sure, that he would “win.” Win, indeed! As if she could marry Bertram! When she married, her choice would fall upon a man, not a boy; a big, grave, earnest man to whom the world meant something; a man who loved music, of course; a man who would single her out from all the world, and show to her, and to her only, the depth and tenderness of his love; a man who—but she was not going to marry, anyway, remembered Billy, suddenly. And with that she began to cry. The whole thing was so “tiresome,” she declared, and so “absurd.”
Billy rather dreaded her next meeting with Bertram. She feared— she knew not what. But, as it turned out, she need not have feared anything, for he met her tranquilly, cheerfully, as usual; and he did nothing and said nothing that he might not have done and said before that twilight chat took place.
Billy was relieved. She concluded that, after all, Bertram was going to be sensible. She decided that she, too, would be sensible. She would accept him on this, his chosen plane, and she would think no more of his “nonsense.”
Billy threw herself then even more enthusiastically into her beloved work. She told Marie that after all was said and done, there could not be any man that would tip the scales one inch with music on the other side. She was a little hurt, it is true, when Marie only laughed and answered:
“But what if the man and the music both happen to be on the same side, my dear; what then?”
Marie’s voice was wistful, in spite of the laugh—so wistful that it reminded Billy of their conversation a few weeks before.
“But it is you, Marie, who want the stockings to darn and the puddings to make,” she retorted playfully. “Not I! And, do you know? I believe I shall turn matchmaker yet, and find you a man; and the chiefest of his qualifications shall be that he’s wretchedly hard on his hose, and that he adores puddings.”
“No, no, Miss Billy, don’t, please!” begged the other, in quick terror. “Forget all I said the other day; please do! Don’t tell— anybody!”
She was so obviously distressed and frightened that Billy was puzzled.
“There, there, ‘twas only a jest, of course,” she soothed her. “But, really Marie, it is the dear, domestic little mouse like yourself that ought to be somebody’s wife—and that’s the kind men are looking for, too.”
Marie gave a slow shake of her head.
“Not the kind of man that is somebody, that does something,” she objected; “and that’s the only kind I could—love. HE wants a wife that is beautiful and clever, that can do things like himself—LIKE HIMSELF!” she iterated feverishly.
Billy opened wide her eyes.
“Why, Marie, one would think—you already knew—such a man,” she cried.
The little music teacher changed her position, and turned her eyes away.
“I do, of course,” she retorted in a merry voice, “lots of them. Don’t you? Come, we’ve discussed my matrimonial prospects quite long enough,” she went on lightly. “You know we started with yours. Suppose we go back to those.”
“But I haven’t any,” demurred Billy, as she turned with a smile to greet Aunt Hannah, who had just entered the room. “I’m not going to marry; am I, Aunt Hannah?”
“Er—what? Marry? My grief and conscience, what a question, Billy! Of course you’re going to marry—when the time comes!” exclaimed Aunt Hannah.
Billy laughed and shook her head vigorously. But even as she opened her lips to reply, Rosa appeared and announced that Mr. Calderwell was waiting downstairs. Billy was angry then, for after the maid was gone, the merriment in Aunt Hannah’s laugh only matched that in Marie’s—and the intonation was unmistakable.
“Well, I’m not!” declared Billy with pink cheeks and much indignation, as she left the room. And as if to convince herself, Marie, Aunt Hannah, and all the world that such was the case, she refused Calderwell so decidedly that night when he, for the half-dozenth time, laid his hand and heart at her feet, that even Calderwell himself was convinced—so far as his own case was concerned—and left town the next day.
Bertram told Aunt Hannah afterward that he understood Mr. Calderwell had gone to parts unknown. To himself Bertram shamelessly owned that the more “unknown” they were, the better he himself would be pleased.
It was on a very cold January afternoon, and Cyril was hurrying up the hill toward Billy’s house, when he was startled to see a slender young woman sitting on a curbstone with her head against an electric-light post. He stopped abruptly.
“I beg your pardon, but—why, Miss Hawthorn! It is Miss Hawthorn; isn’t it?”
Under his questioning eyes the girl’s pale face became so painfully scarlet that in sheer pity the man turned his eyes away. He thought he had seen women blush before, but he decided now that he had not.
“I’m sure—haven’t I met you at Miss Neilson’s? Are you ill? Can’t I do something for you?” he begged.
“Yes—no—that is, I AM Miss Hawthorn, and I’ve met you at Miss Neilson’s,” stammered the girl, faintly. “But there isn’t anything, thank you, that you can do—Mr. Henshaw. I stopped to— rest.”
The man frowned.
“But, surely—pardon me, Miss Hawthorn, but I can’t think it your usual custom to choose an icy curbstone for a resting place, with the thermometer down to zero. You must be ill. Let me take you to Miss Neilson’s.”
“No, no, thank you,” cried the girl, struggling to her feet, the vivid red again flooding her face. “I have a lesson—to give.”
“Nonsense! You’re not fit to give a lesson. Besides, they are all folderol, anyway, half of them. A dozen lessons, more or less, won’t make any difference; they’ll play just as well—and just as atrociously. Come, I insist upon taking you to Miss Neilson’s.”
“No, no, thank you! I really mustn’t. I—” She could say no more. A strong, yet very gentle hand had taken firm hold of her arm in such a way
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