The Necromancers by Robert Hugh Benson (top ten books of all time .txt) 📕

was in the same suit in which he had traveled; he had not even changed his shoes; they were splashed a little with London mud. These things she noticed in the minutes that followed, though she kept her eyes upon his face.

The face itself was beyond her power of analysis. Line for line it was Laurie's features, mouth, eyes and hair; yet its signification was not Laurie's. One that was akin looked at her from out of those windows of the soul—scrutinized her cautiously, questioningly, and suspiciously. It was the face of an enemy who waits. And she sat and looked at it.

A full minute must have passed before she spoke. The face had dropped its eyes after the first long look, as if in a kind of relaxation, and remained motionless, staring at the fire in a sort of dejection. Yet beneath, she perceived plainly, there was the same alert hostility; and when she spoke the eyes rose again with a quick furtive attentiveness. The semi-intelligent beast was soothed, but not yet reassured.

"Laurie?" she said.

The lips moved a little in answer; then again the face glanced down sideways at the fire; the hands dangled almost helplessly between the knees.

There was an appearance of weakness about the attitude that astonished and encouraged her; it appeared as if matters were not yet consummated. Yet she had a sense of nausea at the sight....

"Laurie?" she said again suddenly.

Again the lips moved as if speaking rapidly, and the eyes looked up at her quick and suspicious.

"Well?" said the mouth; and still the hands dangled.

"Laurie," she said steadily, bending all her will at the words, "you're very unwell. Do you understand that?"

Again the noiseless gabbling of the lips, and again a little commonplace sentence, "I'm all right."

His voice was unnatural—a little hoarse, and quite toneless. It was as a voice from behind a mask.

"No," said Maggie carefully, "you're not all right. Listen, Laurie. I tell you you're all wrong; and I've come to help you as well as I can. Will you do your best? I'm speaking to you, Laurie ... to you."

Every time he answered, the lips flickered first as in rapid conversation—as of a man seen talking through a window; but this time he stammered a little over his vowels.

"I—I—I'm all right."

Maggie leaned forward, her hands clasped tightly, and her eyes fixed steadily on that baffling face.

"Laurie; it's you I'm speaking to—you.... Can you hear me? Do you understand?"

Again the eyes rose quick and suspicious; and her hands knit yet more closely together as she fought down the rising nausea. She drew a long breath first; then she delivered a little speech which she had half rehearsed upstairs. As she spoke he looked at her again.

"Laurie," she said, "I want you to listen to me very carefully, and to trust me. I know what is the matter with you; and I think you know too. You can't fight—fight him by yourself.... Just hold on as tightly as you can to me—with your mind, I mean. Do you understand?"

For a moment she thought that he perceived something of what she meant: he looked at her so earnestly with those odd questioning eyes. Then he jerked ever so slightly, as if some string had been suddenly pulled, and glanced down again at the fire....

"I ... I ... I'm all right," he said.

It was horrible to see that motionlessness of body. He sat there as he had probably sat since entering the room. His eyes moved, but scarcely his head; and his hands hung down helplessly.

"Laurie ... attend ..." she began again. Then she broke off.

"Have you prayed, Laurie...? Do you understand what has happened to you? You aren't really ill—at least, not exactly, but—"

Again those eyes lifted, looked, and dropped again.

It was piteous. For the instant the sense of nausea vanished, swallowed up in emotion. Why ... why, he was there all the while—Laurie ... dear Laurie....

With one motion, swift and impetuous, she had thrown herself forward on to her knees, and clasped at the hanging hands.

"Laurie! Laurie!" she cried. "You haven't prayed ... you've been playing, and the machinery has caught you. But it isn't too late! Oh, God! it's not too late. Pray with me! Say the Our Father...."

Again slowly the eyes moved round. He had started ever so little at her rush, and the seizing of his hands; and now she felt those hands moving weakly in her own, as of a sleeping child who tries to detach himself from his mother's arms.

"I ... I ... I'm all—"

She grasped his hands more fiercely, staring straight up into those strange piteous eyes that revealed so little, except formless commotion and uneasiness.

"Say the Our Father with me. 'Our Father—'"

Then his hands tore back, with a movement as fierce as her own, and the eyes blazed with an unreal light. She still clung to his wrists, looking up, struck with a paralysis of fear at the change, and the furious hostility that flamed up in the face. The lips writhed back, half snarling, half smiling....

"Let go! let go!" he hissed at her. "What are you—"

"The Our Father, Laurie ... the Our—"

He wrenched himself backwards, striking her under the chin with his knee. The couch slid backwards a foot against the wall, and he was on his feet. She remained terror-stricken, shocked, looking up at the dully flushed face that glared down on her.

"Laurie! Laurie...! Don't you understand? Say one prayer—"

"How dare you?" he whispered; "how dare you—"

She stood up suddenly—wrenching her will back to self-command. Her breath still came quick and panting; and she waited until once more she breathed naturally. And all the while he stood looking down at her with eyes of extraordinary malevolence.

"Well, will you sit quietly and listen?" she said. "Will you do that?"

Still he stared at her, with lips closed, breathing rapidly through his nostrils. With a sudden movement she turned and went to her chair, sat down and waited.

He still watched her; then, with his eyes on her, with movements as of a man in the act of self-defense, wheeled out the sofa to its place, and sat down. She waited till the tension of his figure seemed to relax again, till the quick glances at her from beneath drooping eyelids ceased, and once more he settled down with dangling hands to look at the fire. Then she began again, quietly and decisively.

"Your mother isn't well," she said. "No ... just listen quietly. What is going to happen tomorrow? I'm speaking to you, Laurie to you. Do you understand?"

"I'm all right," he said dully.

She disregarded it.

"I want to help you, Laurie. You know that, don't you? I'm Maggie Deronnais. You remember?"

"Yes—Maggie Deronnais," said the boy, staring at the fire.

"Yes, I'm Maggie. You trust me, don't you, Laurie? You can believe what I say? Well, I want you to fight too. You and I together. Will you let me do what I can?"

Again the eyes rose, with that odd questioning look. Maggie thought she perceived something else there too. She gathered her forces quietly in silence an instant or two, feeling her heart quicken like the pulse of a moving engine. Then she sprang to her feet.

"Listen, then—in the name of Jesus of Nazareth—"

He recoiled violently with a movement so fierce that the words died on her lips. For one moment she thought he was going to spring. And again he was on his feet, snarling. There was silence for an interminable instant; then a stream of words, scorching and ferocious, snarled at her like the furious growling of a dog—a string of blasphemies and filth.

Just so much she understood. Yet she held her ground, unable to speak, conscious of the torrent of language that swirled against her from that suffused face opposite, yet not understanding a tenth part of what she heard.

... "In the name of..."

On the instant the words ceased; but so overpowering was the venom and malice of the silence that followed that again she was silent, perceiving that the utmost she could do was to hold her ground. So the two stood. If the words were horrible to hear, the silence was more horrible a thousand times; it was as when a man faces the suddenly opened door of a furnace and sees the white cavern within.

He was the first to speak.

"You had better take care," he said.

III

She scarcely knew how it was that she found herself again in her chair, with the figure seated opposite.

It seemed that the direct assault was useless. And indeed she was no longer capable of making it. The nausea had returned, and with it a sensation of weakness. Her knees still were lax and useless; and her hand, as she turned it on the chair-arm, shook violently. Yet she had a curious sense of irresponsibility: there was no longer any terror—nothing but an overpowering weakness of reaction.

She sat back in silence for some minutes, looking now at the fire too, now at the figure opposite, noticing, however, that the helplessness seemed gone. His hands dangled no longer; he sat upright, his hands clasped, yet with a curious look of stiffness and unnaturalness.

Once more she began deliberately to attempt to gather her forces; but the will, it appeared, had lost its nervous grasp of the faculties. It had no longer that quick grip and command with which she had begun. Passivity rather than activity seemed her strength....

Then suddenly and, as it appeared, inevitably, without movement or sound, she began internally to pray, closing her eyes, careless, and indeed unfearing. It seemed her one hope. And behind the steady movement of her will—sufficient at least to elicit acts of petition—her intellect observed a thousand images and thoughts. She perceived the silence of the house and of the breathless spring night outside; she considered Mr. Cathcart in the inn across the road, Mrs. Baxter upstairs: she contemplated the future as it would be on the morrow—Easter Day, was it not?—the past, and scarcely at all the present. She relinquished all plans, all intentions and hopes: she leaned simply upon the supernatural, like a tired child, and looked at pictures.

In remembering it all afterwards, she recalled to herself the fact that this process of prayer seemed strangely tranquil; that there had been in her a consciousness of rest and recuperation as marked as that which a traveler feels who turns into a lighted house from a stormy night. The presence of that other in the room was not even an interruption; the nervous force that the other had generated just now seemed harmless and ineffective. For a time, at least, that was so. But there came a moment when it appeared as if her almost mechanical and rhythmical action of internal effort began to grip something. It was as when an engine after running free clenches itself again upon some wheel or cog.

The moment she was aware of this, she opened her eyes; and saw that the other was looking straight at her intently and questioningly. And in that moment she perceived for the first time that her conflict lay, not externally, as she had thought, but in some interior region of which she was wholly ignorant. It was not by word or action, but by something else which she only half understood that she was to struggle....

She closed her eyes again with quite a new kind of determination. It was not self-command that she needed, but a steady interior concentration of forces.

She began again that resolute wordless play of the will—dismissing with a series of efforts the intellectual images of thought—that play of the will which, it seemed, had affected the boy opposite in a new way. She had no idea of what the crisis would be, or how it would come. She only saw that she had struck upon a new path that led somewhere. She must follow it.

Some little sound roused her; she opened her eyes and looked up.

He had shifted his position, and for a moment her