Accelerando by Charles Stross (good books to read for young adults .txt) đź“•
Welcome to the twenty-first century.
The permanent floating meatspace party Manfred is hooking up with is a strange attractor for some of the American exiles cluttering up the cities of Europe this decade - not trustafarians, but honest-to-God political dissidents, draft dodgers, and terminal outsourcing victims. It's the kind of place where weird connections are made and crossed lines make new short circuits into the future, like the street cafes of Switzerland where the pre Great War Russian exiles gathered. Right now it's located in the back of De Wildemann's, a three-hundred-year old brown cafe with a list of brews that runs to sixteen pages and wooden walls stained the color of stale beer. The air is thick with the smells of tobacco, brewer's yeast, and melatonin sp
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about the economics of scarcity,” he says. “Anyway, humans will be
obsolete as economic units within a couple more decades. All I want to
do is make everybody rich beyond their wildest dreams before that
happens.” A pause for a sip of coffee, and to think, one honest
statement deserves another: “And to pay off a divorce settlement.”
“Ye-es? Well, let me show you my library, my friend,” he says,
standing up. “This way.”
Gianni ambles out of the white living room with its carnivorous
leather sofas, and up a cast-iron spiral staircase that nails some
kind of upper level to the underside of the roof. “Human beings aren’t
rational,” he calls over his shoulder. “That was the big mistake of
the Chicago School economists, neoliberals to a man, and of my
predecessors, too. If human behavior was logical, there would be no
gambling, hmm? The house always wins, after all.” The staircase
debouches into another airy whitewashed room, where one wall is
occupied by a wooden bench supporting a number of ancient,
promiscuously cabled servers and a very new, eye-wateringly expensive
solid volume renderer. Opposite the bench is a wall occupied from
floor to ceiling by bookcases: Manfred looks at the ancient,
low-density medium and sneezes, momentarily bemused by the sight of
data density measured in kilograms per megabyte rather than vice
versa.
“What’s it fabbing?” Manfred asks, pointing at the renderer, which is
whining to itself and slowly sintering together something that
resembles a carriage clockmaker’s fever dream of a spring-powered hard
disk drive.
“Oh, one of Johnny’s toys - a micromechanical digital phonograph
player,” Gianni says dismissively. “He used to design Babbage engines
for the Pentagon - stealth computers. (No van Eck radiation, you
know.) Look.” He carefully pulls a fabric-bound document out of the
obsolescent data wall and shows the spine to Manfred: “On the Theory
of Games, by John von Neumann. Signed first edition.”
Aineko meeps and dumps a slew of confusing purple finite state
automata into Manfred’s left eye. The hardback is dusty and dry
beneath his fingertips as he remembers to turn the pages gently. “This
copy belonged to the personal library of Oleg Kordiovsky. A lucky man
is Oleg: He bought it in 1952, while on a visit to New York, and the
MVD let him to keep it.”
“He must be -” Manfred pauses. More data, historical time lines. “Part
of GosPlan?”
“Correct.” Gianni smiles thinly. “Two years before the central
committee denounced computers as bourgeois deviationist pseudoscience
intended to dehumanize the proletarian. They recognized the power of
robots even then. A shame they did not anticipate the compiler or the
Net.”
“I don’t understand the significance. Nobody back then could expect
that the main obstacle to doing away with market capitalism would be
overcome within half a century, surely?”
“Indeed not. But it’s true: Since the 1980s, it has been possible - in
principle - to resolve resource allocation problems algorithmically,
by computer, instead of needing a market. Markets are wasteful: They
allow competition, much of which is thrown on the scrap heap. So why
do they persist?”
Manfred shrugs. “You tell me. Conservativism?”
Gianni closes the book and puts it back on the shelf. “Markets afford
their participants the illusion of free will, my friend. You will find
that human beings do not like being forced into doing something, even
if it is in their best interests. Of necessity, a command economy must
be coercive - it does, after all, command.”
“But my system doesn’t! It mediates where supplies go, not who has to
produce what -”
Gianni is shaking his head. “Backward chaining or forward chaining, it
is still an expert system, my friend. Your companies need no human
beings, and this is a good thing, but they must not direct the
activities of human beings, either. If they do, you have just enslaved
people to an abstract machine, as dictators have throughout history.”
Manfred’s eyes scan along the bookshelf. “But the market itself is an
abstract machine! A lousy one, too. I’m mostly free of it - but how
long is it going to continue oppressing people?”
“Maybe not as long as you fear.” Gianni sits down next to the
renderer, which is currently extruding the inference mill of the
analytical engine. “The marginal value of money decreases, after all:
The more you have, the less it means to you. We are on the edge of a
period of prolonged economic growth, with annual averages in excess of
twenty percent, if the Council of Europe’s predictor metrics are
anything to go by. The last of the flaccid industrial economy has
withered away, and this era’s muscle of economic growth, what used to
be the high-technology sector, is now everything. We can afford a
little wastage, my friend, if that is the price of keeping people
happy until the marginal value of money withers away completely.”
Realization dawns. “You want to abolish scarcity, not just money!”
“Indeed.” Gianni grins. “There’s more to that than mere economic
performance; you have to consider abundance as a factor. Don’t plan
the economy; take things out of the economy. Do you pay for the air
you breathe? Should uploaded minds - who will be the backbone of our
economy, by and by - have to pay for processor cycles? No and no. Now,
do you want to know how you can pay for your divorce settlement? And
can I interest you, and your interestingly accredited new manager, in
a little project of mine?”
*
The shutters are thrown back, the curtains tied out of the way, and
Annette’s huge living room windows are drawn open in the morning
breeze.
Manfred sits on a leather-topped piano stool, his suitcase open at his
feet. He’s running a link from the case to Annette’s stereo, an
antique stand-alone unit with a satellite Internet uplink. Someone has
chipped it, crudely revoking its copy protection algorithm: The back
of its case bears scars from the soldering iron. Annette is curled up
on the huge sofa, wrapped in a kaftan and a pair of high-bandwidth
goggles, thrashing out an internal Arianespace scheduling problem with
some colleagues in Iran and Guyana.
His suitcase is full of noise, but what’s coming out of the stereo is
ragtime. Subtract entropy from a data stream - coincidentally
uncompressing it - and what’s left is information. With a capacity of
about a trillion terabytes, the suitcase’s holographic storage
reservoir has enough capacity to hold every music, film, and video
production of the twentieth century with room to spare. This is all
stuff that is effectively out of copyright control, work-for-hire
owned by bankrupt companies, released before the CCAA could make their
media clampdown stick. Manfred is streaming the music through
Annette’s stereo - but keeping the noise it was convoluted with.
High-grade entropy is valuable, too …
Presently, Manfred sighs and pushes his glasses up his forehead,
killing the displays. He’s thought his way around every permutation of
what’s going on, and it looks like Gianni was right: There’s nothing
left to do but wait for everyone to show up.
For a moment, he feels old and desolate, as slow as an unassisted
human mind. Agencies have been swapping in and out of his head for the
past day, ever since he got back from Rome. He’s developed a butterfly
attention span, irritable and unable to focus on anything while the
information streams fight it out for control of his cortex, arguing
about a solution to his predicament. Annette is putting up with his
mood swings surprisingly calmly. He’s not sure why, but he glances her
way fondly. Her obsessions run surprisingly deep, and she’s quite
clearly using him for her own purposes. So why does he feel more
comfortable around her than he did with Pam?
She stretches and pushes her goggles up. “Oui?”
“I was just thinking.” He smiles. “Three days and you haven’t told me
what I should be doing with myself, yet.”
She pulls a face. “Why would I do that?”
“Oh, no reason. I’m just not over - ” He shrugs uncomfortably. There
it is, an inexplicable absence in his life, but not one he feels he
urgently needs to fill yet. Is this what a relationship between equals
feels like? He’s not sure: Starting with the occlusive cocooning of
his upbringing and continuing through all his adult relationships,
he’s been effectively - voluntarily - dominated by his partners. Maybe
the antisubmissive conditioning is working, after all. But if so, why
the creative malaise? Why isn’t he coming up with original new ideas
this week? Could it be that his peculiar brand of creativity is an
outlet, that he needs the pressure of being lovingly enslaved to make
him burst out into a great flowering of imaginative brilliance? Or
could it be that he really is missing Pam?
Annette stands up and walks over, slowly. He looks at her and feels
lust and affection, and isn’t sure whether or not this is love. “When
are they due?” she asks, leaning over him.
“Any -” The doorbell chimes.
“Ah. I will get that.” She stalks away, opens the door.
“You!”
Manfred’s head snaps round as if he’s on a leash. Her leash: But he
wasn’t expecting her to come in person.
“Yes, me,” Annette says easily. “Come in. Be my guest.”
Pam enters the apartment living room with flashing eyes, her tame
lawyer in tow. “Well, look what the robot kitty dragged in,” she
drawls, fixing Manfred with an expression that owes more to anger than
to humor. It’s not like her, this blunt hostility, and he wonders
where it came from.
Manfred rises. For a moment he’s transfixed by the sight of his
dominatrix wife, and his - mistress? conspirator? lover? - side by
side. The contrast is marked: Annette’s expression of ironic amusement
a foil for Pamela’s angry sincerity. Somewhere behind them stands a
balding middle-aged man in a suit, carrying a folio: just the kind of
diligent serf Pam might have turned him into, given time. Manfred
musters up a smile. “Can I offer you some coffee?” he asks. “The party
of the third part seems to be late.”
“Coffee would be great, mine’s dark, no sugar,” twitters the lawyer.
He puts his briefcase down on a side table and fiddles with his
wearable until a light begins to blink from his spectacle frames: “I’m
recording this, I’m sure you understand.”
Annette sniffs and heads for the kitchen, which is charmingly manual
but not very efficient; Pam is pretending she doesn’t exist. “Well,
well, well.” She shakes her head. “I’d expected better of you than a
French tart’s boudoir, Manny. And before the ink’s dry on the divorce
- these days that’ll cost you, didn’t you think of that?”
“I’m surprised you’re not in the hospital,” he says, changing the
subject. “Is postnatal recovery outsourced these days?”
“The employers.” She slips her coat off her shoulders and hangs it
behind the broad wooden door. “They subsidize everything when you
reach my grade.” Pamela is wearing a very short, very expensive dress,
the kind of weapon in the war between the sexes that ought to come
with an end-user certificate: But to his surprise it has no effect on
him. He realizes that he’s completely unable to evaluate her gender,
almost as if she’s become a member of another species. “As you’d be
aware if you’d been paying attention.”
“I always pay attention, Pam. It’s the only currency I carry.”
“Very droll, ha-ha,” interrupts Glashwiecz. “You do realize that
you’re paying me while I stand here listening to this fascinating
byplay?”
Manfred stares
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