Accelerando by Charles Stross (good books to read for young adults .txt) 📕
Welcome to the twenty-first century.
The permanent floating meatspace party Manfred is hooking up with is a strange attractor for some of the American exiles cluttering up the cities of Europe this decade - not trustafarians, but honest-to-God political dissidents, draft dodgers, and terminal outsourcing victims. It's the kind of place where weird connections are made and crossed lines make new short circuits into the future, like the street cafes of Switzerland where the pre Great War Russian exiles gathered. Right now it's located in the back of De Wildemann's, a three-hundred-year old brown cafe with a list of brews that runs to sixteen pages and wooden walls stained the color of stale beer. The air is thick with the smells of tobacco, brewer's yeast, and melatonin sp
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- Author: Charles Stross
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“Someone has to, and it better be a long way away from this city
before they realize that it isn’t Aineko. This is a lot better than
the way I expected to go out before you arrived here. No rat fucking
blackmailers are going to get their hands on the family jewels if I
have anything to do with the matter. Are you sure you aren’t a
criminal mastermind? I’m not sure I’ve ever heard of a pyramid scheme
that infects Economics 2.0 structures before.”
“It’s -” Amber swallows. “It’s an alien business model, Ma. You do
know what that means? We brought it back with us from the router, and
we wouldn’t have been able to come back if it hadn’t helped, but I’m
not sure it’s entirely friendly. Is this sensible? You can come back,
now, there’s still time -”
“No.” Pamela waves one liver-spotted hand dismissively. “I’ve been
doing a lot of thinking lately. I’ve been a foolish old woman.” She
grins wickedly. “Committing slow suicide by rejecting gene therapy
just to make you feel guilty was stupid. Not subtle enough. If I was
going to try to guilt-trip you now, I’d have to do something much more
sophisticated. Such as find a way to sacrifice myself heroically for
you.”
“Oh, Ma.”
“Don’t ‘oh Ma’ me. I fucked up my life, don’t try to talk me into
fucking up my death. And don’t feel guilty about me. This isn’t about
you, this is about me. That’s an order.”
Out of the corner of one eye Amber notices Sirhan gesturing wildly at
her. She lets his channel in and does a double take. “But -”
“Hello?” It’s City. “You should see this. Traffic update!” A contoured
and animated diagram appears, superimposed over Pamela’s cramped
funeral capsule and the garden of living and undead dinosaurs. It’s a
weather map of Saturn, with the lily-pad-city and Pamela’s capsule
plotted on it - and one other artifact, a red dot that’s closing in on
them at better than ten thousand kilometers per hour, high in the
frigid stratosphere on the gas giant.
“Oh dear.” Sirhan sees it, too: The bailiff’s re-entry vehicle is
going to be on top of them in thirty minutes at most. Amber watches
the map with mixed emotions. On the one hand, she and her mother have
never seen eye to eye - in fact, that’s a complete understatement:
they’ve been at daggers drawn ever since Amber left home. It’s
fundamentally a control thing. They’re both very strong-willed women
with diametrically opposed views of what their mutual relationship
should be. But Pamela’s turned the tables on her completely, with a
cunningly contrived act of self-sacrifice that brooks no objection.
It’s a total non-sequitur, a rebuttal to all her accusations of
self-centered conceit, and it leaves Amber feeling like a complete
shit even though Pamela’s absolved her of all guilt. Not to mention
that Mother darling’s made her look like an idiot in front of Sirhan,
this prickly and insecure son she’s never met by a man she wouldn’t
dream of fucking (at least, in this incarnation). Which is why she
nearly jumps out of her skin when a knobbly brown hand covered in
matted orange hair lands on her shoulder heavily.
“Yes?” she snaps at the ape. “I suppose you’re Aineko?”
The ape wrinkles its lips, baring its teeth. It has ferociously bad
breath. “If you’re going to be like that, I don’t see why I should
talk to you.”
“Then you must be -” Amber snaps her fingers. “But! But! Mom thinks
she owns you -”
The ape stares at her witheringly. “I recompile my firmware regularly,
thank you so much for your concern. Using a third-party compiler. One
that I’ve bootstrapped myself, starting out on an alarm clock
controller and working up from there.”
“Oh.” She stares at the ape. “Aren’t you going to become a cat again?”
“I shall think about it,” Aineko says with exaggerated dignity. She
sticks her nose in the air - a gesture that doesn’t work half as well
on an orangutan as a feline - and continues; “First, though, I must
have words with your father.”
“And fix your autonomic reflexes if you do,” coos the Manfred-flock.
“I don’t want you eating any of me!”
“Don’t worry, I’m sure your taste is as bad as your jokes.”
“Children!” Sirhan shakes his head tiredly. “How long -”
The camera overspill returns, this time via a quantum-encrypted link
to the capsule. It’s already a couple of hundred kilometers from the
city, far enough for radio to be a problem, but Pamela had the
foresight to bolt a compact free-electron laser to the outside of her
priceless, stolen tin can. “Not long now, I think,” she says,
satisfied, stroking the not-cat. She grins delightedly at the camera.
“Tell Manfred he’s still my bitch; always has been, always will -”
The feed goes dead.
Amber stares at Sirhan, meditatively. “How long?” she asks.
“How long for what?” he replies, cautiously. “Your passenger -”
“Hmm.” She holds up a finger. “Allow time for it to exchange
credentials. They think they’re getting a cat, but they should realize
pretty soon that they’ve been sold a pup. But it’s a fast-talking
son-of-a-Slug, and if he gets past their firewall and hits their
uplink before they manage to trigger their self-destruct -”
A bright double flash of light etches laser-sharp shadows across the
lily-pad habitat. Far away across vast Saturn’s curve, a roiling
mushroom cloud of methane sucked up from the frigid depths of the gas
giant’s troposphere heads toward the stars.
“- Give him sixty-four doubling times, hmm, add a delay factor for
propagation across the system, call it six light-hours across, um, and
I’d say …” she looks at Sirhan. “Oh dear.”
“What?”
The orangutan explains: “Economics 2.0 is more efficient than any
human-designed resource allocation schema. Expect a market bubble and
crash within twelve hours.”
“More than that,” says Amber, idly kicking at a tussock of grass. She
squints at Sirhan. “My mother is dead,” she remarks quietly. Louder:
“She never really asked what we found beyond the router. Neither did
you, did you? The Matrioshka brains - it’s a standard part of the
stellar life cycle. Life begets intelligence, intelligence begets
smart matter and a singularity. I’ve been doing some thinking about
it. I figure the singularity stays close to home in most cases,
because bandwidth and latency time put anyone who leaves at a profound
disadvantage. In effect, the flip side of having such huge resources
close to home is that the travel time to other star systems becomes
much more daunting. So they restructure the entire mass of their star
system into a free-flying shell of nanocomputers, then more of them,
Dyson spheres, shells within shells, like a Russian doll: a Matrioshka
brain. Then Economics 2.0 or one of its successors comes along and
wipes out the creators. But. Some of them survive. Some of them escape
that fate: the enormous collection in the halo around M-31, and maybe
whoever built the routers. Somewhere out there we will find the
transcendent intelligences, the ones that survived their own economic
engines of redistribution - engines that redistribute entropy if their
economic efficiency outstrips their imaginative power, their ability
to invent new wealth.”
She pauses. “My mother’s dead,” she adds conversationally, a tiny
catch in her voice. “Who am I going to kick against now?”
Sirhan clears his through. “I took the liberty of recording some of
her words,” he says slowly, “but she didn’t believe in backups. Or
uploading. Or interfaces.” He glances around. “Is she really gone?”
Amber stares right through him. “Looks that way,” she says quietly. “I
can’t quite believe it.” She glances at the nearest pigeons, calls out
angrily; “Hey, you! What have you got to say for yourself now? Happy
she’s gone?”
But the pigeons, one and all, remain strangely silent. And Sirhan has
the most peculiar feeling that the flock that was once his grandfather
is grieving.
Half a year passes on Saturn - more than a decade on Earth - and a lot
of things have changed in that time. The great terraforming project is
nearly complete, the festival planet dressed for a jubilee that will
last almost twenty of its years - four presingularity lifetimes -
before the Demolition. The lily-pad habitats have proliferated,
joining edge to edge in continent-sized slabs, drifting in the
Saturnine cloud tops: and the refugees have begun to move in.
There’s a market specializing in clothing and fashion accessories
about fifty kilometers away from the transplanted museum where
Sirhan’s mother lives, at a transportation nexus between three
lily-pad habitats where tube trains intersect in a huge maglev
cloverleaf. The market is crowded with strange and spectacular
visuals, algorithms unfolding in faster-than-real time before the
candy-striped awnings of tents. Domed yurts belch aromatic smoke from
crude fireplaces - what is it about hairless primates and their
tendency toward pyromania? - around the feet of diamond-walled
groundscrapers that pace carefully across the smart roads of the city.
The crowds are variegated and wildly mixed, immigrants from every
continent shopping and haggling, and in a few cases, getting out of
their skulls on strange substances on the pavements in front of giant
snail-shelled shebeens and squat bunkers made of thin layers of
concrete sprayed over soap-bubble aerogel. There are no automobiles,
but a bewildering range of personal transport gadgets, from
gyrostabilized pogo sticks and segways to kettenkrads and
spiderpalanquins, jostle for space with pedestrians and animals.
Two women stop outside what in a previous century might have been the
store window of a fashion boutique: The younger one (blonde, with her
hair bound up in elaborate cornrows, wearing black leggings and a long
black leather jacket over a camouflage T) points to an elaborately
retro dress. “Wouldn’t my bum look big in that?” she asks, doubtfully.
“Ma ch�rie, you have but to try it -” The other woman (tall, wearing a
pin-striped man’s business suit from a previous century) flicks a
thought at the window, and the mannequin morphs, sprouting the younger
woman’s head, aping her posture and expression.
“I missed out on the authentic retail experience, you know? It still
feels weird to be back somewhere with shops. ‘S what comes of living
off libraries of public domain designs for too long.” Amber twists her
hips, experimenting. “You get out of the habit of foraging. I don’t
know about this retro thing at all. The Victorian vote isn’t critical,
is it …” She trails off.
“You are a twenty-first-century platform selling, to electors
resimulated and incarnated from the Gilded Age. And yes, a bustle your
derriere does enhance. But -” Annette looks thoughtful.
“Hmm.” Amber frowns, and the shop window dummy turns and waggles its
hips at her, sending tiers of skirts swishing across the floor. Her
frown deepens. “If we’re really going to go through with this election
shit, it’s not just the resimulant voters I need to convince but the
contemporaries, and that’s a matter of substance, not image. They’ve
lived through too much media warfare. They’re immune to any semiotic
payload short of an active cognitive attack. If I send out partials to
canvass them that look as if I’m trying to push buttons -”
“- They will listen to your message, and nothing you wear or say will
sway them. Don’t worry about them, ma ch�rie. The naive resimulated
are another matter, and perhaps might be swayed. This your first
venture into democracy is, in how many years? Your privacy, she is an
illusion now. The question is what image will you project? People will
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