American library books » Self-Help » Bridge Of Writing (Domination #2) by DeYtH Banger (best ereader for graphic novels .TXT) 📕

Read book online «Bridge Of Writing (Domination #2) by DeYtH Banger (best ereader for graphic novels .TXT) 📕».   Author   -   DeYtH Banger



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5

 

Opinion: 

 

This book is a story which is easy to follow and what moves all the lines is the ambition of the character. For him there isn't any stop he will continue over and over and over... tripping and falling over and over and what really for little moment stops the line is the moment when he needs arm (in other words it means that he needs somebody to tell him that "he can").

 

 

 

2. Kill the Messenger: How the CIA's Crack-Cocaine Controversy Destroyed Journalist Gary Webb by Nick Schou, Charles Bowden (Preface)

 

- 4 Stars Out of 5

 

Opinion:

 

"December 14, 2017 –
50.0% "1:21:54"
December 13, 2017 –
50.0% "Is a lie or moment of truth?

...

1:08:42"
December 9, 2017 –
15.0% "45:15"
December 9, 2017 –
5.0% "30:51"
December 9, 2017 –
5.0% "This book is going to reveal a secret which makes you to ask yourself how much people do know about what's really happening behind the big walls of the goverment."
December 9, 2017 –
5.0% "24:15"
December 9, 2017 – Shelved
December 9, 2017 – Started Reading"


P.S. - The book deservs 5 stars out of 5 from the main reason Garry Webb was on this story up to end of his life. Which is crazy!

It sounds like typical "DON"T CARE ABOUT MY LIFE", we all knew that he was going to die all such world big deals die, nothing should make him think that he won't die.

It was revealed which means "Congrats " to Garry Webb, but after few days the whole thing was been declassified.

 

 

3. The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus by Richard Preston

 

- 5 Stars Out Of 5

 

Opinion:

 

"December 15, 2017 – 
50.0% "How far will they get?
...

That's the question which bothers my mind!"
December 15, 2017 – 
50.0% "1:54:16"
December 15, 2017 – 
25.0% "46:44"
December 9, 2017 – 
20.0% "36:29

...

This story is like virus closed in room and you examine what's going to happen when you put one person inside this room
...>

It could be something much bigger than this thought."
December 8, 2017 – Shelved
December 8, 2017 – Started Reading"


P.S. - The author is doing an experiment, how far will it get?
...

It depends how much you want to know?

 

Important

 But what's more important is to keep RELAX STATE!

 

...

Without calm and relax state you ain't going anywhere.

 

 

Here is a list with comedians:

 

Billy Crystal Bill Burr Tom Papa Jim Carr Gabriel Iglesias Robert Schimmel Louie Anderson  Dave Attell

 

- This here are people who can boost your mood if you want to write or to do something you need calmness within your mind.

Tips For Writers

 Chapter 3 

How to write a short story: 10 steps to a great read

 

Writing a short story differs from writing a novel in several key ways: There is less space to develop characters, less room for lengthy dialogue, and often a greater emphasis on a twist or an ‘a-ha’ realization. How to write a short story in ten steps:

Step 1: Devise an intriguing scenario.

Step 2: Plan what publications you will submit your final story to.

Step 3: Find the story’s focus before you start.

Step 4: Outline character and setting details.

Step 5: Choose a point of view for the story.

Step 6: Write the story as a one-page synopsis.

Step 7: Write a strong first paragraph.

Step 8: Write a satisfying climax and conclusion.

Step 9: Rewrite for clarity, concision and structure.

Step 10: Pick an intriguing story title and submit to short fiction publishers.

1: Find the scenario for your story
Writing a novel gives you more elbow room to develop characters and story arcs and symbols at a leisurely pace. Writing a short story differs in that often there is a single image, symbol, idea or concept underlying the story. Some examples of original story scenarios:

In Roald Dahl’s famous short story ‘Lamb to the Slaughter’, a woman murders her husband with a frozen leg of lamb and serves the cooked evidence to the investigating officers
In William Faulkner’s ‘A Rose for Emily‘, a notorious town recluse dies, leaving the town to discover her grisly secret
In Gabriel Garcia Marquez’s ‘The Handsomest Drowned Man in the World’, the way of life of an entire village is changed by the discovery of a mysterious, handsome drowned man who washes up on the beachfront
Find a scenario you can write down in a sentence or two. An interesting or novel scenario that sets the story in motion has multiple benefits:

It sets up a range of possible developments and symbols (for example, in the Garcia Marquez, the plans the village makes for the man’s burial and the processes and emotions that follow the discovery of a body)
It gives you something to pitch to publications when submitting your story
On the topic of publishers:

2: Plan structure and themes around the publications you’ll submit to
One of the benefits of writing short stories either as preparation for writing a novel or for their own sake is that there are many publishing opportunities for short fiction. You can get your story published in:

Literary journals and magazines
Writing contest anthologies
Anthologies curated around specific topics or themes
Online publications (digital journals, writing websites and e-zines)
Make a list of possible publications, once you have decided on your core story scenario. Note:

Minimum and maximum submission word counts
Any specified formatting requirements
The contact details for the person in charge of submissions
The themes and topics most frequently featured by the publication
It’s wise to have these guidelines for formatting, word count and areas of interest worked out before you start, because this will enable you to make your story meet requirements for acceptance. This will save time later when it comes to revising.

So you have the story idea worked out and a list of publications and their requirements to guide your creative decisions? Now it’s time to find your short story’s focus:

3: Find the focus of your story
The scenario of your short story is the idea or image that sets the story in motion and opens narrative possibilities. The focus is the communicative aspect: What do you want to say? Why write a short story on this subject in particular? The first step of Now Novel’s step-by-step story building process, ‘Central Idea’, will help you find your idea and express it as a single paragraph you can grow into a full-fledged novel. Try it now.

Finding the focus of your short story before you start is explained by Writer’s Relief via the Huffington Post thus:

‘Explore your motivations, determine what you want your story to do, then stick to your core message. Considering that the most marketable short stories tend to be 3,500 words or less, you’ll need to make every sentence count’.

If you were Gabriel Garcia Marquez, for example, and you had decided on the scenario for your short story, ‘The Handsomest Drowned Man in the World’ (‘Dead man washes up on beach and his appearance causes momentous changes in a nearby village’s way of life’), then you might describe the focus of your story thus:

‘The story’s focus: Rural life and the way the introduction of new, unfamiliar things changes it. Also: Death and how people respond to and make sense of it.’

 

 

Once you have an idea of the topic, themes and focus of your short story, it’ll be easier to outline characters who are consistent with these elements:

4: Outline your characters and setting(s)
Writing a book makes outlining essential, given the complexity of long-form fiction. When writing short fiction, you might think ‘Why should I bother with outlining?’ The truth is that it is useful for similar reasons: It gives you creative direction and helps to make your writing structured and internally consistent.

Once you have the scenario, topics and themes for your story, make a list for each character you want to cast. Make notes on character elements such as:

Physical appearance (face, posture and mannerisms)
Personality
Occupation
Backstory
Preoccupations and interests
Role in the story
[Get our guide ‘How to Write Real Characters’ for extra help crafting unique, believable characters.]

Similarly, for setting, write down:

Where the story will take place
What is significant about the setting for the story (does it underscore specific themes or foreshadow a particular climax?)
Have an idea before you start writing a short story as to who will star in it and where it will take place. This will give direction and a sense of purpose to your writing.

5: Choose a point of view for the story
Point of view (or POV) can create subtle shifts in characterisation. For example, a character who narrates the story in the first-person may seem strong and self-possessed. You could make the same character seem much less powerful by using the second person instead.

An example of this is James Joyce’s use of the second person in his story ‘Clay’ from the collection Dubliners. The focal character is a cook named Maria. Joyce uses second-person throughout to describe Maria and her daily life, even though she is the focal character of the story. Maria’s own story not being told through the first person conveys a sense of her social position – she is a ‘she’ who is likely marshalled around by wealthy employers. The story simply wouldn’t achieve the same sense of Maria’s marginal status were it written in first person.

Dennis Jerz and Kathy Kennedy share useful tips on choosing point of view:

‘Point of view is the narration of the story from the perspective of first, second, or third person. As a writer, you need to determine who is going to tell the story and how much information is available for the narrator to reveal.’

They go on to describe the pros and cons of each point of view:

First person: The story is narrated by a character using the pronoun ‘I’. Pros: One of the easiest POVs for beginners; it allows readers to enter a single character’s mind and experience their perceptions. Cons: The reader doesn’t connect as strongly to other characters in the story.

Second person: Much less common, this addresses the reader as a character in the story, using the pronoun ‘You’. Pros: Novel and uncommon; the reader becomes

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